{"id":494,"date":"2019-09-26T16:59:11","date_gmt":"2019-09-26T14:59:11","guid":{"rendered":"https:\/\/sfanglo21.noosfere.org\/?page_id=494"},"modified":"2019-11-05T15:20:43","modified_gmt":"2019-11-05T14:20:43","slug":"carrie-vaughn","status":"publish","type":"page","link":"https:\/\/sfanglo21.noosfere.org\/?page_id=494","title":{"rendered":"Carrie Vaughn"},"content":{"rendered":"<p>\t\t\t\t\t\t<style>\r\n\t\t\t\t\r\n\t\t\t\t\t#tab_container_493 {\r\n\toverflow:hidden;\r\n\tdisplay:block;\r\n\twidth:100%;\r\n\tborder:0px solid #ddd;\r\n\tmargin-bottom:30px;\r\n\t}\r\n\r\n#tab_container_493 .tab-content{\r\n\tpadding:20px;\r\n\tborder: 1px solid #dddeca !important;\r\n\tmargin-top: 0px;\r\n\tbackground-color:#f6f7e3 !important;\r\n\tcolor: #000000 !important;\r\n\tfont-size:14px !important;\r\n\tfont-family: Verdana !important;\r\n\t\r\n\t\tborder: 1px solid #dddeca !important;\r\n\t}\r\n#tab_container_493 .wpsm_nav-tabs {\r\n    border-bottom: 0px solid #ddd;\r\n}\r\n#tab_container_493 .wpsm_nav-tabs > li.active > a, #tab_container_493 .wpsm_nav-tabs > li.active > a:hover, #tab_container_493 .wpsm_nav-tabs > li.active > a:focus {\r\n\tcolor: #1e73be !important;\r\n\tcursor: default;\r\n\tbackground-color: #ffffff !important;\r\n\tborder: 1px solid #e6e6e6 !important;\r\n}\r\n\r\n#tab_container_493 .wpsm_nav-tabs > li > a {\r\n    margin-right: 0px !important; \r\n    line-height: 1.42857143 !important;\r\n    border: 1px solid #ececec !important;\r\n    border-radius: 0px 0px 0 0 !important; \r\n\tbackground-color: #ffffff !important;\r\n\tcolor: #5e9ca0 !important;\r\n\tpadding: 15px 18px 15px 18px !important;\r\n\ttext-decoration: none !important;\r\n\tfont-size: 14px !important;\r\n\ttext-align:center !important;\r\n\tfont-family: Verdana !important;\r\n}\r\n#tab_container_493 .wpsm_nav-tabs > li > a:focus {\r\noutline: 0px !important;\r\n}\r\n\r\n#tab_container_493 .wpsm_nav-tabs > li > a:before {\r\n\tdisplay:none !important;\r\n}\r\n#tab_container_493 .wpsm_nav-tabs > li > a:after {\r\n\tdisplay:none !important ;\r\n}\r\n#tab_container_493 .wpsm_nav-tabs > li{\r\npadding:0px !important ;\r\nmargin:0px;\r\n}\r\n\r\n#tab_container_493 .wpsm_nav-tabs > li > a:hover , #tab_container_493 .wpsm_nav-tabs > li > a:focus {\r\n    color: #5e9ca0 !important;\r\n    background-color: #ffffff !important;\r\n\tborder: 1px solid #ececec !important;\r\n\t\r\n}\r\n#tab_container_493 .wpsm_nav-tabs > li > a .fa{\r\n\r\nmargin-right:5px !important;\r\n\r\nmargin-left:5px !important;\r\n\r\n\r\n}\r\n\r\n\t\t#tab_container_493 .wpsm_nav-tabs a{\r\n\t\t\tbackground-image: none;\r\n\t\t\tbackground-position: 0 0;\r\n\t\t\tbackground-repeat: repeat-x;\r\n\t\t}\r\n\t\t\t\r\n\r\n\r\n#tab_container_493 .wpsm_nav-tabs > li {\r\n    float: left;\r\n    margin-bottom: -1px !important;\r\n\tmargin-right:0px !important; \r\n}\r\n\r\n\r\n#tab_container_493 .tab-content{\r\noverflow:hidden !important;\r\n}\r\n\r\n\r\n@media (min-width: 769px) {\r\n\r\n\t#tab_container_493 .wpsm_nav-tabs > li{\r\n\t\tfloat:left !important ;\r\n\t\t\t\tmargin-right:-1px !important;\r\n\t\t\t\t\t}\r\n\t#tab_container_493 .wpsm_nav-tabs{\r\n\t\tfloat:none !important;\r\n\t\tmargin:0px !important;\r\n\t}\r\n\r\n\t#tab_container_493 .wpsm_nav-tabs > li {\r\n\t\t\t\t\r\n\t}\r\n\t#tab_container_493 .wpsm_nav{\r\n\t\t\t\tmargin-bottom: 8px !important;\r\n\t\t\t}\r\n\r\n}\r\n\r\n\r\n\r\n@media (max-width: 768px) {\r\n\t#tab_container_493 .wpsm_nav-tabs > li {\r\n\t\t\t\t\r\n\t}\r\n\t#tab_container_493 .wpsm_nav{\r\n\t\t\t\tmargin-bottom: 8px !important;\r\n\t\tmargin-right:0px !important;\r\n\t\tmargin-left:0px !important;\r\n\t\t\t}\r\n}\r\n\r\n\r\n\t.wpsm_nav-tabs li:before{\r\n\t\tdisplay:none !important;\r\n\t}\r\n\r\n\t@media (max-width: 768px) {\r\n\t\t\t\t\r\n\t\t\t\t.wpsm_nav-tabs{\r\n\t\t\tmargin-left:0px !important;\r\n\t\t\tmargin-right:0px !important; \r\n\t\t\t\r\n\t\t}\r\n\t\t\t\t#tab_container_493 .wpsm_nav-tabs > li{\r\n\t\t\tfloat:none !important;\r\n\t\t}\r\n\t\t\t\r\n\t}\t\t\t\t<\/style>\r\n\t\t\t\t<div id=\"tab_container_493\" >\r\n\t \r\n\t\t\t\t\t<ul class=\"wpsm_nav wpsm_nav-tabs\" role=\"tablist\" id=\"myTab_493\">\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<li role=\"presentation\"  class=\"active\"  onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t<a href=\"#tabs_desc_493_1\" aria-controls=\"tabs_desc_493_1\" role=\"tab\" data-toggle=\"tab\">\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span>Biographie<\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<li role=\"presentation\"  onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t<a href=\"#tabs_desc_493_2\" aria-controls=\"tabs_desc_493_2\" role=\"tab\" data-toggle=\"tab\">\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span>Univers<\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<li role=\"presentation\"  onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t<a href=\"#tabs_desc_493_3\" aria-controls=\"tabs_desc_493_3\" role=\"tab\" data-toggle=\"tab\">\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span>Romans<\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<li role=\"presentation\"  onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t<a href=\"#tabs_desc_493_4\" aria-controls=\"tabs_desc_493_4\" role=\"tab\" data-toggle=\"tab\">\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span>Recueils<\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<li role=\"presentation\"  onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t<a href=\"#tabs_desc_493_5\" aria-controls=\"tabs_desc_493_5\" role=\"tab\" data-toggle=\"tab\">\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span>Chapbooks<\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<li role=\"presentation\"  onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t<a href=\"#tabs_desc_493_6\" aria-controls=\"tabs_desc_493_6\" role=\"tab\" data-toggle=\"tab\">\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span>R\u00e9cits<\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<li role=\"presentation\"  onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t<a href=\"#tabs_desc_493_7\" aria-controls=\"tabs_desc_493_7\" role=\"tab\" data-toggle=\"tab\">\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span>Essais<\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<li role=\"presentation\"  onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t<a href=\"#tabs_desc_493_8\" aria-controls=\"tabs_desc_493_8\" role=\"tab\" data-toggle=\"tab\">\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span>Liens<\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\t\t\t\t <\/ul>\r\n\r\n\t\t\t\t\t  <!-- Tab panes -->\r\n\t\t\t\t\t  <div class=\"tab-content\" id=\"tab-content_493\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t <div role=\"tabpanel\" class=\"tab-pane  in active \" id=\"tabs_desc_493_1\">\r\n\t\t\t\t\t\t\t\t<div>\r\n<p style=\"text-align : center;font-weight: bold;font-family: Arial, Helvetica, Verdana, sans-serif;font-size: 1.5em\">\r\nBIOGRAPHIE\r\n<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nCarrie Vaughn est n\u00e9e le 28 janvier 1973 \u00e0 Sacramento, \r\nCalifornie, \u00c9tats-Unis, dans une famille de militaires.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nApr\u00e8s avoir transit\u00e9 par divers endroits\r\ndu pays, sa famille s\u2019\u00e9tablit dans le Colorado o\u00f9 elle termine\r\nses \u00e9tudes de lyc\u00e9e. Elle obtient un master en litt\u00e9rature\r\nanglaise \u00e0 l\u2019Universit\u00e9 du Colorado, \u00e0 Boulder.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nSa famille l\u2019initie tr\u00e8s t\u00f4t \u00e0 la science-fiction. <i>Podkayne, \r\nFille de Mars<\/i> de Robert Heinlein la marque particuli\u00e8rement \r\nmais, d\u00e9\u00e7ue en le relisant des ann\u00e9es plus tard, elle d\u00e9cide de \r\nr\u00e9diger sa version personnelle, <i>Martians Abroad<\/i>.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nElle fr\u00e9quente l\u2019atelier d\u2019\u00e9criture Odyssey en 1998, avant d\u2019y \r\ndonner des cours en 2009. Son premier texte publi\u00e9 sort en 1999 \r\ndans <i>Talebones<\/i> ; c'est <i>The Girl with the Pre-Raphaelite \r\nHair<\/i>. Dans les ann\u00e9es qui suivent, son nom appara\u00eet fr\u00e9quemment \r\nau sommaire de ce magazine. Plus tard, elle devient une fid\u00e8le \r\nde <i>Lightspeed<\/i> dont elle assure \u00e9galement des rubriques. \r\nEn 2001, sa nouvelle <i>Doctor Kitty Solves All Your Love Problems<\/i> \r\nlance la s\u00e9rie des aventures de Kitty Norville, une lycanthrope \r\nanimatrice \u00e0 la radio. Le premier roman de la s\u00e9rie, <i>Kitty et \r\nles Ondes de Minuit<\/i>, sort en 2005, suivi de treize romans\r\net de nombreux r\u00e9cits plus courts, ce qui autorise Carrie Vaughn \u00e0 \r\nse r\u00e9clamer  avec humour du titre de \"werewolf psychologist\".<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nElle \u00e9crit dans de nombreux genres li\u00e9s \u00e0 l'imaginaire, fantasy,\r\nfantasy urbaine, steampunk, souvent dans des histoires destin\u00e9es \u00e0\r\nun public jeune. Ses textes de science-fiction, comme la s\u00e9rie\r\n<i>Bannerless<\/i> et des r\u00e9cits autonomes visent g\u00e9n\u00e9ralement un \r\npublic plus adulte. Ses nouvelles <i>Amaryllis<\/i> et <i>That Game \r\nWe Played During the War<\/i> sont finalistes du prix Hugo. Le \r\nroman <i>Bannerless<\/i>, quant \u00e0 lui, remporte en 2018 le prix \r\nPhilip K. Dick.<\/p> \r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nCarrie Vaughn vit actuellement dans le Colorado o\u00f9 elle peut \r\ns'adonner \u00e0 une de ses passions : l'observation d'oiseaux.<\/p> \r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nSources principales: \r\n<a href=\"http:\/\/www.carrievaughn.com\/about.html\">\r\nsite personnel de Carrie Vaughn<\/a>, \r\n<a href=\"https:\/\/locusmag.com\/2018\/02\/carrie-vaughn-writing-the-good-parts\/\">\r\n<i>Locus<\/i>, f\u00e9vrier 2018<\/a>\r\n<\/p>\r\n<\/div>\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t <div role=\"tabpanel\" class=\"tab-pane \" id=\"tabs_desc_493_2\">\r\n\t\t\t\t\t\t\t\t<div>\r\n<p style=\"text-align : center;font-weight: bold;font-family: Arial, Helvetica, Verdana, sans-serif;font-size: 1.5em\">\r\nUNIVERS\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>Kitty Norville<\/b> (fantasy urbaine, jeunesse)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nKitty pr\u00e9sente un show \u00e0 la radio, mais, hors du studio, \r\nelle est aussi un loup-garou (une louve-garou ? - disons \r\nlycanthrope).<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nCet univers appara\u00eet dans des romans et des nouvelles (au sens \r\nlarge, incluant novelettes et novellas).<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nIl se d\u00e9cline aussi en s\u00e9ries d\u00e9riv\u00e9es :<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <b>Cormac et Amelia<\/b><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>He's an ex-con supernatural bounty hunter. She's a \r\ndisembodid Victorian wizard. Together, they fight crime.\r\n<\/i>\" (Carrie Vaughn, sur son blog)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nCette s\u00e9rie n'appara\u00eet que dans des nouvelles (au sens large, \r\nincluant novelettes et novellas).<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <b>Rick the vampire<\/b><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nCette s\u00e9rie n'appara\u00eet que dans des nouvelles (au sens \r\nlarge, incluant novelettes et novellas).\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>After the Golden Age<\/b> (super-h\u00e9ros, jeunesse)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLes histoires tournent autour de la fille de superh\u00e9ros, \u00e2g\u00e9e \r\nd'une vingtaine d'ann\u00e9es, et du ressentiment qu'elle ressent \r\nface \u00e0 leur d\u00e9vouement \u00e0 leur mission. (Source : \r\n<i>Encyclopedia of Science Fiction<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>Harry and Marlowe \/The Aetherian Revolution<\/b>\r\n(SF\/steampunk), seulement en nouvelles<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLes r\u00e9cits se d\u00e9roulent lors de l\u2019\u00e9poque victorienne. On a d\u00e9couvert, \r\ndans les d\u00e9bris d\u2019un vaisseau spatial extraterrestre, la technologie\r\n\u00e9th\u00e9rienne, ce qui a entra\u00een\u00e9 de consid\u00e9rables changements\r\ntechnologiques. Harry est le surnom qu'on a donn\u00e9 dans la famille\r\nroyale \u00e0 la princesse Maud de Galles, petite-fille de la reine\r\nVictoria, \u00e9galement connue en tant que lord Salisbury. Marlowe est\r\nun lieutenant de l'arm\u00e9e de Sa Majest\u00e9. Harry et Marlowe deviennent\r\ndes aventuriers pour le compte de l'Empire, recherchant\r\nprincipalement d'autres technologies \u00e9th\u00e9riennes. (Sources :\r\n<i>Goodreads<\/i> et <i>Lightspeed<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>Bannerless\/Coast Road<\/b> (SF\/enqu\u00eates polici\u00e8res)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLa civilisation s\u2019est effondr\u00e9e \u00e0 la suite d\u2019une succession de \r\nd\u00e9sastres \u00e9cologiques et de trag\u00e9dies g\u00e9opolitiques. Les survivants \r\nessaient de repartir \u00e0 z\u00e9ro,certains, comme dans la r\u00e9gion de Coast \r\nRoad o\u00f9 se d\u00e9roulent les r\u00e9cits, en \u00e9tablissant des r\u00e8gles tr\u00e8s\r\nstrictes. Durabilit\u00e9 et gestion stricte des ressources sont des \r\nvaleurs essentielles. La soci\u00e9t\u00e9 est organis\u00e9e en foyers et le \r\ncontr\u00f4le des naissances va de pair avec une assistance mutuelle. \r\nLa reconnaissance du droit \u00e0 avoir un enfant est symbolis\u00e9 par\r\nl'octroi d'une banni\u00e8re. Au sein de cette communaut\u00e9, Enid est \r\ncharg\u00e9e des enqu\u00eates lorsqu'on soup\u00e7onne un d\u00e9lit au sein d'un \r\nfoyer ou qu'une d\u00e9nonciation est remont\u00e9e au niveau sup\u00e9rieur. \r\nLes nouvelles <i>Amaryllis<\/i> (2010) et <i>Astrophilia<\/i> (2012) \r\nanticipent cet univers qui ne s\u2019est vraiment d\u00e9velopp\u00e9 qu\u2019avec la \r\nnouvelle <i>Bannerless<\/i> et surtout le roman du m\u00eame titre.<\/p> \r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nSur son blog, Carrie Vaughn se demande si la meilleure description \r\nde cet univers ne serait pas : <i>\u201cMidsomer Murders [la s\u00e9rie \r\nt\u00e9l\u00e9vis\u00e9e Inspecteur Barnaby] meets The Road [Cormac McCarthy, 2006).\u201d<\/i>\r\nApr\u00e8s tout , il s'agit bien de quelqu'un de sympathique menant des\r\nenqu\u00eates au sein d'une petite communaut\u00e9 pleine de secrets cach\u00e9s,\r\nsur fond de civilisation d\u00e9vast\u00e9e.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>Voices of Dragons<\/b> (fantasy, jeunesse)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>Robin Hood Stories<\/b> ( fantasy historique)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nR\u00e9\u00e9criture de l'histoire de Robin des\r\nBois centr\u00e9e sur les enfants du h\u00e9ros.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>Graff<\/b> (SF)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u00c0 l'insu de tous, Graff est un andro\u00efde, membre \r\nd'un collectif qui valorise l'exp\u00e9rience individuelle. Il \r\nn'est pas le seul de son esp\u00e8ce, bien qu'ils ne soient pas nombreux. \r\nLeurs syt\u00e8mes endocriniens leur permettent d'enregistrer tous les \r\ninstants et sensations de leurs vies parmi les humains et ils se \r\ntransmettent ces enregistrements quand ils se rencontrent, ce qui \r\nest rare. Une simple poign\u00e9e de mains suffit. <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nGraff a \u00e9t\u00e9 int\u00e9gr\u00e9 \u00e0 l'\u00e9quipage du <i>Visigoth<\/i>, un vaisseau \r\ncharg\u00e9 de lutter contre les pirates qui se livrent \u00e0 la contrebande \r\net autres activit\u00e9s illicites aux abords de Tre Ateyna, une station \r\ncommerciale situ\u00e9e \u00e0 l'int\u00e9rieur du territoire de la Guilde du commerce, \r\nqui joue quasiment le r\u00f4le de port d'attache pour le  <i>Visigoth<\/i>. \r\nLe capitaine Ransom est l'ami de Graff  depuis  leur rencontre \u00e0 \r\nl'acad\u00e9mie et le Dr Ell, m\u00e9decin de bord, est son amant. <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nGraff cache sa vraie nature \u00e0 Ransom et Ell (nouvelle <i>An\r\nEasy Job<\/i>) mais sa r\u00e9cup\u00e9ration apr\u00e8s un accident au cours duquel \r\nil manque perdre la vie r\u00e9v\u00e8le son secret (nouvelle <i>Sinew\r\nand Steel and What They Told<\/i>). Apr\u00e8s avoir h\u00e9sit\u00e9, Ransom \r\naccepte de la garder \u00e0 ses c\u00f4t\u00e9s tandis que l'\u00e9quipage, bien \r\nqu'au courant, garde le secret. <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nR\u00e9cits situ\u00e9s dans cet univers (par ordre de publication) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Sinew and Steel and What They Told<\/i> (2020, nouvelle)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>An Easy Job<\/i> (2021, nouvelle) [prequel]<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Time: Marked and Mended<\/i> (2023, novelette)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Not the Most Romantic Thing<\/i> (2023, nouvelle)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Bravado<\/i> (2025, nouvelle) [Enfance de Graff]<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Blade Through the Heart<\/i> (2026, novelette) [un mois apr\u00e8s <i>Sinew and Steel and What They Told<\/i>] \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>The Naturalist Society<\/b> (fantasy historique) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nR\u00e9cits situ\u00e9s dans cet univers : <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- The Naturalist Society (2024, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- The Glass Slide World (2025, roman) \r\n<\/p>\r\n<\/div>\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t <div role=\"tabpanel\" class=\"tab-pane \" id=\"tabs_desc_493_3\">\r\n\t\t\t\t\t\t\t\t<div>\r\n<p style=\"text-align : center;font-weight: bold;font-family: Arial, Helvetica, Verdana, sans-serif;font-size: 1.5em\">\r\nROMANS\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.01 <b>Kitty and the Midnight Hour<\/b>  (univers \r\n<i>Kitty Norville<\/i>-01), <i>Warner Books<\/i>, novembre 2005<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nTraduction : <b>Kitty et les Ondes de Minuit<\/b>,  traduit par Paola \r\nAppelius,  <i>Pygmalion<\/i>,  <i>Darklight<\/i> n\u00b0 2, 2010\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.02 <b>Kitty Goes to Washington<\/b> (univers \r\n<i>Kitty Norville<\/i>-02), <i>Warner Books<\/i>, juillet 2006 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nTraduction : <b>Kitty au Capitole<\/b>, traduit par Paola Appelius, \r\n<i>Pygmalion<\/i>, coll. <i>Darklight<\/i>, novembre 2011\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.03 <b>Kitty Takes a Holiday<\/b> (univers\r\n<i>Kitty Norville<\/i>-03), <i>Warner Books<\/i>, avril 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nTraduction : <b>Vacances Sanglantes<\/b>, traduit par Paola \r\nAppelius,  <i>Pygmalion<\/i>, coll. <i>Darklight<\/i>, septembre 2011 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.00 <b>Long Time Listener, First Time Werewolf<\/b> (univers\r\n<i>Kitty Norville<\/i>), <i>Science Fiction Book Club<\/i>, mai 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nvolume omnibus contenant : Kitty and the Midnight Hour ; Kitty goes \r\nto  Washington ; Kitty Meets the Band ; Kitty Takes a Holiday\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.05 <b>Kitty and the Silver Bullet<\/b> (univers <i>Kitty \r\nNorville<\/i>-04), <i>Grand Central Publishing<\/i>, janvier 2008 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.06 <b>Kitty and the Dead Man's Hand<\/b> (univers <i>Kitty \r\nNorville<\/i>-05), <i>Grand Central Publishing<\/i>, f\u00e9vrier 2009\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.07 <b>Kitty Raises Hell<\/b> (univers <i>Kitty \r\nNorville<\/i>-06), <i>Grand Central Publishing<\/i>, mars 2009\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.08 <b>Kitty's House of Horrors<\/b> (univers <i>Kitty \r\nNorville<\/i>-07), <i>Grand Central Publishing<\/i>, d\u00e9cembre 2009\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.09 <b>Voices of Dragons<\/b> (univers <i>Voices of \r\nDragons<\/i>-01), <i>HarperTeen<\/i>, f\u00e9vrier 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>On one side of the border lies the modern world: the internet,\r\nhomecoming dances, cell phones. On the other side dwell the ancient\r\nmonsters who spark humanity's deepest fears: dragons.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Seventeen-year-old Kay Wyatt knows she's breaking the \r\nlaw by rock climbing near the border, but she'd rather\r\nhave an adventure than follow the rules. When the dragon Artegal\r\nunexpectedly saves her life, the rules are abruptly shattered, and a\r\nsecret friendship grows between them.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>But suspicion and terror are the legacy\r\nof human and dragon interactions, and the fragile truce that has\r\nmaintained peace between the species is unraveling. As tensions mount\r\nand battles begin, Kay and Artegal are caught in the middle. Can\r\ntheir friendship change the course of a war?<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.10 <b>Discord's Apple<\/b> (fantasy),\r\n<i>Tor<\/i>, juin 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>When Evie Walker goes home to spend time with her dying \r\nfather, she discovers that his creaky old house in Hope\u2019s Fort, \r\nColorado, is not the only legacy she stands to inherit. Hidden \r\nbehind the old basement door is a secret and magical storeroom, \r\na place where wondrous treasures from myth and legend are kept \r\nsafe until they are needed again.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Of course, this legacy is not without its costs: There are \r\nthose who will give anything to find a way in.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>With the help of her father, a mysterious stranger named Alex, \r\nand some unexpected heroes, Evie must guard the storeroom against \r\nancient and malicious forces, protecting the past and the future \r\neven as the present unravels. Old heroes and notorious villains \r\nalike will rise to fight on her side or to do their best to \r\nbring about her defeat.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>At stake is the fate of the world and\r\nthe prevention of nothing less than the apocalypse.<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.11 <b>Kitty Goes to War<\/b> (univers\r\n<i>Kitty Norville<\/i>-08), <i>Tor<\/i>, juin 2010\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.12 <b>Steel<\/b> (SF, voyage dans le temps,\r\njeunesse), <i>HarperTeen<\/i>, mars 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i> It was a slender length of rusted steel, tapered to a \r\npoint at one end and jagged at the other, as if it had broken. \r\nA thousand people would step over it and think it trash, \r\nbut not her.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>This was the tip of a rapier.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Sixteen-year-old Jill has fought in dozens of fencing tournaments, \r\nbut she has never held a sharpened blade. When she finds a corroded \r\nsword piece on a Caribbean beach, she is instantly intrigued and \r\npockets it as her own personal treasure.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>The broken tip holds secrets, though, and it transports \r\nJill through time to the deck of a pirate ship. Stranded \r\nin the past and surrounded by strangers, she is forced to\r\nsign on as crew. But a pirate's life is bloody and brief, and as Jill\r\nlearns about the dark magic that brought her there, she forms a\r\ndesperate scheme to get home\u2014one that risks everything in a duel to\r\nthe death with a villainous pirate captain. [...]<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.13 <b>After the Golden Age<\/b> (univers \r\n<i>Golden Age<\/i>-01), <i>Tor<\/i>, avril 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Can an accountant defeat a supervillain? Celia West, only \r\ndaughter of the heroic leaders of the superpowered Olympiad, \r\nhas spent the past few years estranged from her parents and their \r\nhigh-powered lifestyle. She's had enough of masks and heroics, and \r\nwants only to live her own quiet life out from under the shadow of \r\nWest Plaza and her rich and famous parents.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Then she is called into her boss' office\r\nand told that as the city's top forensic accountant, Celia is the\r\nbest chance the prosecution has to catch notorious supervillain the\r\nDestructor for tax fraud. In the course of the trial, Celia's\r\ntroubled past comes to light and family secrets are revealed as the\r\nrift between Celia and her parents grows deeper. Cut off from friends\r\nand family, Celia must come to terms with the fact that she might\r\njust be Commerce City's only hope.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>This all-new and moving story of love, family, and sacrifice is an \r\nhomage to Golden Age comics that no fan will want to miss.<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.14 <b>Kitty's Big Trouble<\/b> (univers\r\n<i>Kitty Norville<\/i>-09), <i>Tor<\/i>, juin 2011\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.15 <b>Kitty Steals the Show<\/b> (univers\r\n<i>Kitty Norville<\/i>-10), <i>Tor<\/i>, juillet 2012\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.16 <b>Kitty Rocks the Hous&gt;e<\/b> (univers \r\n<i>Kitty Norville<\/i>-11), <i>Tor<\/i>, mars 2013\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.17 <b>Kitty in the Underwor&gt;ld<\/b> (univers \r\n<i>Kitty Norville<\/i>-12), <i>Tor<\/i>, juillet 2013\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.18 <b>Dreams of the Golden Age<\/b> (univers \r\n<i>Golden Age<\/i>-02), <i>Tor<\/i>, janvier 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Like every teen, Anna has secrets. Unlike every teen, Anna has \r\na telepath for a father and Commerce City's most powerful businessperson \r\nfor a mother. She\u2019s also the granddaughter of the city\u2019s two most\r\nfamous superheroes, the former leaders of the legendary Olympiad, and\r\nthe company car drops her off at the gate of her exclusive high\r\nschool every morning. Privacy is one luxury she doesn\u2019t have.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Hiding her burgeoning superpowers from\r\nher parents is hard enough; how\u2019s she supposed to keep them from\r\nfinding out that her friends have powers, too? Or that she and the\r\nothers are meeting late at night, honing their skills and dreaming of\r\nbecoming Commerce City\u2019s next great team of masked vigilantes?<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Like every mother, Celia worries about her daughter. Unlike every \r\nmother, Celia has the means to send Anna to the best schools and keep \r\na close watch on her, every second of every day. At least Celia doesn\u2019t \r\nhave to worry about Anna becoming a target for every gang with masks \r\nand an agenda, like Celia was at Anna\u2019s age.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>As far as Celia knows, Anna isn't\r\nanything other than a normal teen. Still, just in case, Celia has\r\nsecretly awarded scholarships at Anna\u2019s private high school to the\r\ndescendants of the city\u2019s other superpowered humans. Maybe, just\r\nmaybe, these teens could one day fill the gap left by the dissolution\r\nof The Olympiad....<\/i>\" (Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.19 <b>Low Midnight<\/b> (univers <i>Kitty \r\nNorville<\/i>-13), <i>Tor<\/i>, d\u00e9cembre 2014\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.20 <b>Kitty Saves the World<\/b><i> <\/i>(14\u00e8me et dernier de l'univers\r\n<i>Kitty Norville<\/i>-14), <i>Tor<\/i>, ao\u00fbt 2015\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.21 <b>Martians Abroad<\/b> (SF, jeunesse), <i>Tor<\/i>, janvier 2017 \r\n<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Polly Newton has one single-minded\r\ndream, to be a starship pilot and travel the galaxy. Her mother, the\r\ndirector of the Mars Colony, derails Polly's plans when she sends\r\nPolly and her genius twin brother, Charles, to Galileo Academy on\r\nEarth\u2014the one planet Polly has no desire to visit. Ever.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Homesick and cut off from her desired\r\nfuture, Polly cannot seem to fit into the constraints of life on\r\nEarth, unlike Charles, who deftly maneuvers around people and sees\r\nthrough their behavior to their true motives. Strange, unexplained,\r\ndangerous coincidences centered on their high-profile classmates\r\nbegin piling up. Charles may be right\u2014there's more going on than\r\nwould appear, and the stakes are high. With the help of Charles,\r\nPolly is determined to find the truth, no matter the cost.<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.22 <b>Bannerless<\/b> (univers <i>Bannerless<\/i>-01),\r\n<i>Houghton Mifflin Harcourt\/John Joseph Adams<\/i>, juillet 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>A mysterious murder in a dystopian\r\nfuture leads a novice investigator to question what she\u2019s learned\r\nabout the foundation of her population-controlled society.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Decades after economic and environmental\r\ncollapse destroys much of civilization in the United States, the\r\nCoast Road region isn\u2019t just surviving but thriving by some\r\naccounts, building something new on the ruins of what came before. A\r\nculture of population control has developed in which people,\r\norganized into households, must earn the children they bear by\r\nproving they can take care of them and are awarded symbolic banners\r\nto demonstrate this privilege. In the meantime, birth control is\r\nmandatory.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Enid of Haven is an Investigator, called\r\non to mediate disputes and examine transgressions against the\r\ncommunity. She\u2019s young for the job and hasn't yet handled a serious\r\ncase. Now, though, a suspicious death requires her attention. The\r\nvictim was an outcast, but might someone have taken dislike a step\r\nfurther and murdered him?<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>In a world defined by the disasters that\r\nhappened a century before, the past is always present. But this\r\ninvestigation may reveal the cracks in Enid\u2019s world and make her\r\nquestion what she really stands for.<\/i>\" (Pr\u00e9sentation sur\r\n<i>Goodreads<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Philip K. Dick 2018 : victoire \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.23 <b>The Wild Dead<\/b> (univers <i>Bannerless<\/i>-02),\r\n<i>Houghton Mifflin Harcourt\/John Joseph Adams<\/i>, juillet 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>A century after environmental and\r\neconomic collapse, the people of the Coast Road have rebuilt their\r\nown sort of civilization, striving not to make the mistakes their\r\nancestors did. They strictly ration and manage resources, including\r\nthe ability to have children. Enid of Haven is an investigator, who\r\nwith her new partner, Teeg, is called on to mediate a dispute over an\r\nold building in a far-flung settlement at the edge of Coast Road\r\nterritory. The investigators\u2019 decision seems straightforward \u2014\r\nand then the body of a young woman turns up in the nearby marshland.\r\nAlmost more shocking than that, she\u2019s not from the Coast Road, but\r\nfrom one of the outsider camps belonging to the nomads and wild folk\r\nwho live outside the Coast Road communities. Now one of them is dead,\r\nand Enid wants to find out who killed her, even as Teeg argues that\r\nthe murder isn\u2019t their problem. In a dystopian future of isolated\r\ncommunities, can our moral sense survive the worst hard times?<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2019 : 14<sup>e<\/sup> place (meilleur roman de science-fiction)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.24 <b>Questland<\/b> (SF), <i>Houghton Mifflin Harcourt\/John Joseph\r\nAdams<\/i>, juin 2021<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>WHAT HAPPENS WHEN A BUNCH OF TECH GEEKS AND FANTASY NERDS\r\nDON\u2019T REALIZE THE GAME IS FOR REAL?<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Dr. Addie Cox is a literature professor\r\nliving a happy, if sheltered, life in her ivory tower when Harris\r\nLang, the famously eccentric billionaire tech genius, hires her to\r\nguide a mercenary strike team to his island retreat off the northwest\r\ncoast of the United States. Cox is puzzled by their need for her,\r\nuntil she understands what Lang has built. It\u2019s said that\r\nsufficiently advanced technology is indistinguishable from magic, and\r\nLang wanted to prove it. On this distant outpost, he has created an\r\nenclave full of fantasy and gaming tropes made real, with magic rings\r\nthat work via neurotransmitters, invisible cloaks made of nanotech\r\nsmart fabric, and mythological creatures built from genetic\r\nengineering and bionics.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Unfortunately for Lang, the designers\r\nand engineers hired to construct his Questland have mutinied. Using\r\nan energy field, they've cut off any communications and are\r\npreventing any approach to the island. Lang must retake control\r\nbefore the U.S. military intervenes. The problem? The mutiny is being\r\nled by the project\u2019s chief designer, Dominic Brand, who also\r\nhappens to be Addie Cox\u2019s ex-boyfriend. It\u2019s up to her to quell\r\nthe brewing tensions between the tech genius, the armed mercenaries,\r\nand her former lover before the island goes up in flames.<\/i>\"\r\n(Pr\u00e9sentation de l'\u00e9diteur)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.25 <b>The Naturalist Society<\/b> (fantasy \r\nhistorique), <i>Amazon\/47North<\/i>, octobre 2024. <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>In this magical tale of self-discovery from New York \r\nTimes bestselling author Carrie Vaughn, a young widow taps into \r\nthe power that will change the world\u2014if the man\u2019s world she \r\nlives in doesn\u2019t destroy her and her newfound friends first.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>In the summer of 1880, the death of Beth Stanley\u2019s husband puts \r\nher life\u2019s work in jeopardy. The magic of Arcane Taxonomy dictates \r\nthat every natural thing in the world, from weather to animals, can \r\nbe labeled, and doing so grants the practitioner some of that \r\nsubject\u2019s unique power. But only men are permitted to train in this \r\nphilosophy. Losing her husband means that Beth loses the name they \r\nput on her work\u2014and any influence she might have wielded.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Brandon West and Anton Torrance are campaigning for their expedition \r\nto the South Pole, a mission that some believe could make a taxonomist \r\nall-powerful by tapping into the earth\u2019s magnetic forces. Their late \r\nfriend Harry Stanley\u2019s knowledge and connections would have been \r\ninstrumental, but when they attempt to take custody of his work, they \r\nfind that it was never his at all.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Tied together by this secret and its implications, Beth, Bran, and \r\nAnton must find a way for Beth to use her talent for the good of the \r\nworld, before she\u2019s discovered by those who would lay claim to her rare \r\npotential\u2014and her very freedom.<\/i>\" (Pr\u00e9sentation de l'\u00e9diteur)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.26 <b>The Glass Slide World<\/b> (univers <i>The Naturalist\r\nSociety<\/i>-02), <i>Amazon\/47North<\/i>, octobre 2025 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>The year is 1902, and the world is\r\nchanging with the new century. Twenty-one-year-old Ava Stanley, the\r\ndaughter of two celebrated Arcane Taxonomists, has much to live up\r\nto\u2014however scarce her magical abilities may be.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>While her parents draw power from\r\nspectacular birds and megafauna, Ava\u2019s connection to the natural\r\nworld is much smaller, stemming from the microscopic. This is useful\r\nin her quest to become a doctor, as she studies the burgeoning links\r\nbetween bacteria and disease, but it means Ava\u2019s power itself is\r\nalso smaller. Even so, she plans to make the most of it when she\r\nboards a ship to Nassau, where she\u2019ll continue her research.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>But those plans change when pirates take\r\nover the ship, bringing with them danger, mystery, and the stirrings\r\nof war. Amid the chaos, Ava forges connections with her fellow\r\ntravelers. And in them, she begins to find that every tiny piece of\r\nthe world has the power to strengthen it\u2026or shatter it completely.<\/i>\"\r\n(Pr\u00e9sentation de l'\u00e9diteur) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nCe roman constitue la suite de <i>The Naturalist Society<\/i>.\r\n<\/p>\r\n<\/div>\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t <div role=\"tabpanel\" class=\"tab-pane \" id=\"tabs_desc_493_4\">\r\n\t\t\t\t\t\t\t\t<div>\r\n<p style=\"text-align : center;font-weight: bold;font-family: Arial, Helvetica, Verdana, sans-serif;font-size: 1.5em\">\r\nRECUEILS DE NOUVELLES\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2011 <b>Kitty's Greatest Hits<\/b>\r\n(univers <i>Kitty Norville<\/i>), <i>Tor<\/i>, ao\u00fbt 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nContient : Il Est N\u00e9 (2008) ; A Princess\r\nof Spain (2007) ; Conquistador de la Noche (2009) ; The Book of Daniel \r\n(2009) ; The Temptation of Robin Green (2009) ; Looking After Family \r\n(2007) ; God's Creatures (2010) ; Wild Ride (2010) ; Winnowing the Herd \r\n(2006) ; Kitty and the Mosh Pit of the Damned (2006) ; Kitty's Zombie New \r\nYear (2007) ; Life Is the Teacher (2008) ; Long Time Waiting\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2011 <b>Straying from the Path<\/b>, <i>WSFA Press<\/i>, 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nContient : Introduction (par Jay Lake) ; This Is the Highest Step in \r\nthe World (2004) ; Peace in Our Time (2004) ; Silence Before Starlight \r\n(2001) ; The Happiest Place (2009) ; Swing Time (2007) ; The Librarian's\r\nDaughter (2002) ; The Bravest of Us Touched the Sky (2004) ; The Heroic \r\nDeath of Lieutenant Michkov (2002) ; Real City (2006) ; In Time (2001)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2016 <b>Amaryllis and Other Stories<\/b>, <i>Fairwood Press<\/i>, ao\u00fbt 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nContient : The best we can ; Strife lingers in memory ; \r\nA hunter's ode to his bait ; Sun, stone, spear ; Crows ; Salvage ;\r\nDraw thy breath in pain ; The girl with the pre-raphaelite\r\nhair ; Game of chance ; Roaring twenties ; A riddle in\r\nnine syllables ; 1977 ; Danae at sea ; For fear of dragons ; The \r\nart of homecoming ; Astrophilia ; Bannerless ; Amaryllis<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Colorado Book 2017 : victoire (fiction)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2017 : 18<sup>e<\/sup> place (meilleur recueil)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2020 <b>The Immortal Conquistador<\/b> (univers <i>Kitty Norville\/\r\nRick the vampire<\/i>), <i>Tachyon Publications<\/i>, mars 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nContient : El Conquistador de la Noche (2009) ; El Hidalgo de la Noche (2015)\r\n; Dead Men in Central City (2017) ; The Immortal Conquistador (in\u00e9dit)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2020 <b>Kitty's Mix-Tape<\/b> (univers <i>Kitty Norville<\/i>),\r\n<i>Tachyon Publications<\/i>, octobre 2020 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nContient : Kitty and the Missed Opportunity  (essay by Emma \r\nBull) ; Kitty Walks On By, Calls  Your Name ; It's Still the \r\nSame Old Story ; The Island of Beasts ; The Beaux Wilde ; \r\nUnternehmen Werwolf ; Kitty and the Full Super Bloodmoon Thing ; \r\nKitty  and Cormac's Excellent Adventure ; Sealskin ; The Arcane \r\nArt of  Misdirection ; What Happened to Ben in Vegas ; Kitty and \r\nthe Super Blue  Blood or Whatever Moon Thing ; Defining Shadows ; \r\nBellum Romanum ; Kitty Learns the Ropes ; Kitty Busts the Feds\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2022 <b>The Cormac and Amelia Case Files<\/b>\r\n(univers <i>Kitty Norville<\/i>), octobre 2022 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nContient : Long Time Waiting (novella) ; Dark Divide (novella), \r\nBadlands  Witch (novella), Fatal Storm (novella) ; Charmed Waters (novella)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2023 <b>Water Fire Fae<\/b>,\r\nauto-\u00e9dit\u00e9, octobre 2023 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nContient : That Game We Played During the War ; The Girl Who \r\nLoved Shonen Knife ; Dead Poets ; The Huntsman and  the \r\nBeast ; The Burning Girl ; To the Beautiful Shining Twilight ;  \r\nEntanglement, or How I Failed to Knit a Sweater for My \r\nBoyfriend ; The  Lady of Shalott ; Sidekick ; Origin Story ; \r\nWhere  Would You Be Now ;  Sinew and Steel and What They Told \r\n<\/p>\r\n<\/div>\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t <div role=\"tabpanel\" class=\"tab-pane \" id=\"tabs_desc_493_5\">\r\n\t\t\t\t\t\t\t\t<div>\r\n<p style=\"text-align : center;font-weight: bold;font-family: Arial, Helvetica, Verdana, sans-serif;font-size: 1.5em\">\r\nCHAPBOOKS\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2013 <b>The Best We Can<\/b> (nouvelle), <i>Tor<\/i>, juillet 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nPublication simultan\u00e9e <i>Tor.com,<\/i> 17 juillet 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2013\/07\/17\/the-best-we-can\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Un engin extraterrestre est observ\u00e9 \u00e0\r\nproximit\u00e9 de la terre, il est manifestement artificiel. L'humanit\u00e9\r\na maintenant la preuve non seulement d'une vie mais d'une\r\nintelligence extraterrestre. Pourtant ce qui devrait \u00eatre le\r\nprincipal \u00e9v\u00e9nement de l'histoire humaine donne\r\nnaissance \u00e0 ... rien. Au grand d\u00e9sespoir de la narratrice,\r\nscientifique au JPL, rien n'est entrepris du fait des difficult\u00e9s\r\nscientifiques, diplomatiques, bureaucratiques. Conf\u00e9rences et\r\nreportages s'accumulent puis se r\u00e9duisent au fur et \u00e0 mesure que\r\nles mois puis les ann\u00e9es passent mais aucun contact n'est tent\u00e9,\r\nd'autant que le vaisseau semble inhabit\u00e9. Finalement, la seule\r\nd\u00e9cision qui r\u00e9sulte d'un consensus consiste \u00e0 envoyer un vaisseau\r\nspatial dans la direction qui a \u00e9t\u00e9 d\u00e9termin\u00e9e comme le point\r\nd'origine de l'engin extraterrestre en accusant r\u00e9ception du message\r\net en attendant une r\u00e9ponse en retour.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.quoideneufsurmapile.com\/2015\/01\/the-best-we-can-carrie-vaughn.html\">\r\nL'avis de Gromovar<\/a><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Amaryllis and Other Stories<\/i>, ao\u00fbt 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Some of the Best from \r\nTor.com : 2013 Edition<\/i>, ed. divers, novembre 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best Science Fiction \r\nThity-First Annual Collection<\/i>, ed Gardner Dozois<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Worlds Seen in Passing: Ten Years of\r\nTor.com Short Fiction<\/i>, ed. Irene Gallo, septembre 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>Escape Pod<\/i> #667, f\u00e9vrier 2019 ; \r\n<a href=\"http:\/\/escapepod.org\/2019\/02\/14\/escape-pod-667-the-best-we-can\/\">\r\nlien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Very Best of the Best: 35 Years of \r\nThe Year's Best Science Fiction<\/i>, ed Gardner Dozois, f\u00e9vrier 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <a href=\"http:\/\/www.levarburtonpodcast.com\/\">\r\n<i>Levar Burton Reads<\/i><\/a>, avril 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Forever<\/i> #71, d\u00e9cembre 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Hugo 2014 : pr\u00e9s\u00e9lection (meilleure nouvelle)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2014 <b>Nuestra Senora de la Esperanza<\/b>\r\n(univers partag\u00e9 <i>Wild Cards<\/i>), <i>Tor<\/i>, octobre 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nPublication simultan\u00e9e <i>Tor.com,<\/i> 15 octobre 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2014\/10\/15\/nuestra-senora-de-la-esperanza-carrie-vaughn\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> the story of Ana Cortez, who\r\nhas powers that allow her to move earth and is recovering from the\r\naftereffects of using that ability to bury an army. As a way to heal,\r\nshe searches for her maternal grandmother in Mexico, who is a partly\r\nplant-based creature. The source of these abilities in not spelled\r\nout in this story, but to make a long story short, aliens are\r\ninvolved in modifying genes and it all has something to do with cards\r\n(Aces are the ones with superpowers and Jokers are deformed creatures\r\nand so on).[...]<\/i>\" (Martha Burns, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, octobre 2014)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2014 <b>Paranormal Romance<\/b> (novella, univers <i>Kitty \r\nNorville<\/i>-12.5), auto-\u00e9dit\u00e9 en ebook, d\u00e9cembre 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Sam has been a vampire for 15 years, and now he's having a midlife\r\ncrisis. That is, if he were still human, he'd be turning 40 and\r\nhaving a midlife crisis. He's just met exactly the kind of woman he's\r\nalways wanted -- but these days, all he really wants is blood. Maybe\r\nhe could work through it, but his vampire roommates just don't\r\nunderstand. Wasn't unlife supposed to get easier?<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2015 <b>El Hidalgo de la Noche<\/b> (novelette, univers <i>Kitty \r\nNorville<\/i>), auto-publi\u00e9 en ebook, novembre 2015\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2017 <b>Refuge of Dragons<\/b> (univers <i>Voices\r\nof Dragons<\/i>-02), auto-\u00e9dit\u00e9, mars 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>The long-awaited sequel to Carrie\r\nVaughn's novel VOICES OF DRAGONS is finally here. Kay and Artegal\r\narrive at the fabled Dracopolis, the refuge where dragons and people\r\nhave lived in peace for centuries. And now, without knowing if their\r\nvirgin sacrifice stunt worked to avert war, they learn that they are\r\nnot allowed to leave.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Meanwhile, back in Silver River, Kay's boyfriend Jon has decided \r\nto go after them..<\/i>\" (Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2019 <b>Long Is the Way<\/b> (univers <i>Wild Cards<\/i>, \r\navec Sage Walker), Tor (ebook), mai 2019\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2020 <b>Sinew and Steel and What They Told<\/b> \r\n(nouvelle,  univers <i>Graff<\/i>-01),  <i>Tor.com<\/i>, f\u00e9vrier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2020\/02\/26\/sinew-and-steel-and-what-they-told-carrie-vaughn\/\">\r\nLien Internet<\/a> (consult\u00e9 en f\u00e9vrier 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Graff a surv\u00e9cu \u00e0 son accident mais est en piteux \u00e9tat. C\u2019est \r\nune  d\u00e9ception. Il esp\u00e9rait bien mourir dans son module reconnaissance, \r\n\u00eatre volatilis\u00e9 sans laisser aucune trace. C\u2019est le destin habituel \r\ndes \u00e9claireurs. Il n\u2019est que coup\u00e9 en deux et le m\u00e9decin de son \r\nvaisseau le Visigoth est excellent. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Il ne va pas mourir et c\u2019est bien\r\nembarrassant. Depuis son processeur interne, il envoie un signal\r\nd'urgence au syst\u00e8me de communication du vaisseau, afin que\r\nquelqu'un vienne fournir des explications.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Le secours arrivent et assurent \u00e0 Graff\r\nque tout va bien se passer. Il a presque\r\nenvie d\u2019en rire. Il voit enfin le docteur Ell,\r\nson amant, le visage p\u00e2le et l\u2019expression s\u00e9rieuse. Graff lui dit\r\nqu\u2019il est d\u00e9sol\u00e9, Ell va d\u00e9couvrir qu\u2019il a falsifi\u00e9 ses\r\nscanners m\u00e9dicaux. Un cri les interrompt, quelqu\u2019un demande au\r\ndocteur de venir voir. Heureusement, Graff s\u2019\u00e9vanouit.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e dans <i>Tor.com<\/i>.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Water\r\nFire Fae<\/i>, octobre 2023 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Some of the Best of Tor.com 2020<\/i>,\r\ned. divers, janvier 2021.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Top Tales \r\nof Space and Time<\/i>, ed. Allan Kaster, septembre 2021 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Best Science Fiction \r\nof the Year \u2013 Volume 6<\/i>, ed. Neil Clarke, janvier 2022<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Long List Anthology: \r\nVolume 7<\/i>, ed. David Steffen, juin 2022 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2020 <b>The Ghosts of Sherwood<\/b> (univers \r\n<i>Robin Hood Stories<\/i>), <i>Tor<\/i>, juin 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Everything about Father is stories.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Robin of Locksley and his one true love,\r\nMarian, are married. It has been close on two decades since they beat\r\nthe Sheriff of Nottingham with the help of a diverse band of talented\r\nfriends. King John is now on the throne, and Robin has sworn fealty\r\nin order to further protect not just his family, but those of the\r\nlords and barons who look up to him \u2013 and, by extension, the\r\nvillagers they protect.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>There is a truce. An uneasy one, to be\r\nsure, but a truce, nonetheless.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>But when the Locksley children are\r\nstolen away by persons unknown, Robin and Marian are going to need\r\nthe help of everyone they\u2019ve ever known, perhaps even the ghosts\r\nthat are said to reside deep within Sherwood.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>And the Locksley children, despite appearances to the \r\ncontrary, are not without tricks of their own\u2026<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2020 <b>The Heirs of Locksley<\/b> ((univers <i>Robin \r\nHood Stories<\/i>), <i>Tor<\/i>, ao\u00fbt 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>We will hold an archery contest. A simple affair, all in fun, on \r\nthe tournament grounds. Tomorrow. We will see you there.\"<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>The latest civil war in England has come and gone, King John is \r\ndead, and the nobility of England gathers to see the coronation of \r\nhis son, thirteen-year-old King Henry III.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>The new king is at the center of political rivalries and power \r\nstruggles, but John of Locksley\u2014son of the legendary Robin Hood \r\nand Lady Marian\u2014only sees a lonely boy in need of friends. John \r\nand his sisters succeed in befriending Henry, while also \r\ninadvertently uncovering a political plot, saving a man's life, \r\nand carrying out daring escapes.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>All in a day's work for the Locksley children...<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2021 <b>An Easy Job<\/b> (nouvelle, univers <i>Graff<\/i>-02), <i>Tor<\/i>, juin 2021<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e dans <i>Tor.com<\/i>.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2021\/06\/09\/an-easy-job-carrie-vaughn\/\">\r\nLien Internet<\/a> (consult\u00e9 en juin 2021)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Ce sera un boulot facile, annonce le\r\ncapitaine Ransom. Graff et lui sont \u00e0 bord du Visigoth, sur la\r\nstation commerciale Tre Ateyna. Il suffira de localiser l'agent\r\nmaritime, de l\u2019identifier et de ramener l'info. Rien d'h\u00e9ro\u00efque.\r\nLes donn\u00e9es montrent que quelqu'un d\u00e9tourne la cargaison, reste \u00e0\r\nd\u00e9couvrir qui. Graff part ensuite se m\u00ealer \u00e0 la foule des\r\npassagers \u00e0 destination de la station Balliard.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Depuis leur premi\u00e8re rencontre \u00e0\r\nl\u2019Acad\u00e9mie Graff ment par omission au capitaine Ransom,. Son\r\npeuple forme un collectif qui valorise l'exp\u00e9rience individuelle et\r\nqui envoie... des exp\u00e9rimentateurs. Ils sortent, vivent et\r\nsauvegardent tout, pas seulement les faits et les circonstances,\r\ngr\u00e2ce \u00e0 leurs syst\u00e8mes endocriniens. Le plus important, c\u2019est ce\r\nqu\u2019ils ressentent. Ils enregistrent et se transmettent ces donn\u00e9es\r\nlors de leurs rencontres, rares car ils ne sont pas si nombreux. Si\r\non les ouvre, autant de circuits que de sang s'\u00e9couleront. Ransom ne\r\ncomprendrait pas. Il faut bien lui mentir.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Pau apr\u00e8s son arriv\u00e9e sur Balliard,\r\nl\u2019alerte de proximit\u00e9 de Graff se d\u00e9clenche soudain,\r\nsignalant  un autre syst\u00e8me comme le sien. En balayant la foule du\r\nregard, il rep\u00e8re imm\u00e9diatement celui qui lui\r\nressemble. L'homme, plus jeune que lui,\r\ns\u2019approche en souriant. Ils se serrent la\r\nmain et leurs circuits se connectent. Ils\r\napprennent tout l\u2019un sur l\u2019autre, noms, histoires,\r\nsouvenirs ... Il s\u2019appelle Perce et il est\r\nloin de chez lui depuis trois ans, travaille \u00e0\r\ndes activit\u00e9s de bureau et\u2026 C'est l'agent maritime qui a\r\nfait passer des marchandises de contrebande par la \r\nstation. La cible de Graff !<\/i> (P.C.)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2021 <b>Fatal Storm<\/b> (novella, univers <i>Cormac &amp; Amelia<\/i>-03),\r\nauto-\u00e9dition en livre num\u00e9rique, novembre 2021<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] what's supposed to be an\r\neasy job checking out a supposedly haunted house in the mountains\r\nturns into a deeply unpleasant murder mystery. Cormac wouldn't mind\r\nso much except people always seem to assume he's the one who did \r\nit.<\/i>\" (Carrie Vaughn, newsletter, octobre 2021)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2021 <b>Charmed Waters<\/b> (novella, univers <i>Cormac &amp; Amelia<\/i>-04), \r\nauto-\u00e9dition en livre num\u00e9rique, d\u00e9cembre 2021<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] I just couldn't resist telling \r\na mermaid story set in landlocked Colorado. Though to be\r\nfair, the story doesn't end there, because Cormac and Amelia \r\nare determined to get her back home...<\/i>\" (Carrie \r\nVaughn, newsletter, octobre 2021)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2022 <b>Grow<\/b> (univers <i>Wild Cards<\/i>),\r\n<i>Tor<\/i>, ao\u00fbt 2022 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2022\/07\/20\/grow-carrie-vaughn\/\">\r\nLien Internet<\/a> (consult\u00e9 en ao\u00fbt 2022) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution dans <i>Tor.com<\/i> en juillet 2022. \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2023 <b>Time: Marked and Mended<\/b> (novelette,\r\nunivers <i>Graff<\/i>-03), <i>Tor.com<\/i>, janvier 2023<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2023\/01\/11\/time-marked-and-mended-carrie-vaughn\/\">\r\nLien Internet<\/a> (consult\u00e9 en janvier 2023) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e sur <i>Tor.com<\/i>. <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Dans un salon de la station Tre Ateyna,\r\nGraff, accompagn\u00e9 du capitaine Ransom,  attend l\u2019arriv\u00e9e de Tez\r\nafin de lui t\u00e9l\u00e9charger les souvenirs qu\u2019il a acquis depuis leur\r\nderni\u00e8re rencontre. Elle survient et ils se serrent la main. La\r\nconnexion \u00e9tablie, les informations circulent, mais s\u2019arr\u00eatent\r\nbrusquement. Au moment o\u00f9 Tez dit \u00e0 son semblable qu\u2019il est\r\nbris\u00e9, celui-ci s\u2019effondre. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Tandis que Ransom explique aux personnes\r\npr\u00e9sentes qu\u2019il s\u2019agit d\u2019un simple malaise, Graff, allong\u00e9\r\nsur le plancher, sent son processeur interne chauffer. Le diagnostic\r\nest formel et signale un trou d\u2019un peu plus de trois heures dans sa\r\nm\u00e9moire. Le segment absent remonte \u00e0 deux semaines. Graff \u00e9tait\r\nalors en mission sur Wellbien, o\u00f9 il traquait le commandant en\r\nsecond d'une organisation de contrebande. Il a attendu en vain\r\npendant une heure dans un bar, avant d\u2019en sortir. La tomb\u00e9e de la\r\nnuit \u00e9tait en contradiction avec l\u2019indication de son chronom\u00e8tre.\r\nLe bar s'appelait le Starshine. C'est l\u00e0 que se trouve le trou de\r\nm\u00e9moire. Ransom ordonne aussit\u00f4t \u00e0 ses hommes de se mettre en\r\nqu\u00eate de rapports de surveillance et de s\u00e9curit\u00e9. Tez veut ramener\r\nGraff chez eux, seul endroit o\u00f9 on pourra peut-\u00eatre le soigner. Sur\r\nl\u2019insistance de Ransom, elle se r\u00e9signe \u00e0 enfreindre les r\u00e8gles et \r\naccepte qu\u2019il les accompagne pour r\u00e9soudre le myst\u00e8re.<\/i> (P.C.) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2023 <b>Not the Most Romantic Thing<\/b> \r\n(nouvelle, univers <i>Graff<\/i>-04), <i>Tor<\/i>, octobre 2023 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2023\/10\/11\/not-the-most-romantic-thing-carrie-vaughn\/\">\r\nLien Internet<\/a> (consult\u00e9 en octobre 2023) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Ell n\u2019est docteur du Visigoth que depuis un an. Il a couch\u00e9\r\ntrois fois avec Graff mais ignore son secret. Cette mission, la\r\npremi\u00e8re en commun pour tous deux, sort de l\u2019ordinaire\u00a0:\r\nr\u00e9cup\u00e9rer des \u00e9chantillons de tissu dans un laboratoire du 67B.\r\nL\u2019\u00e9quipe responsable \u00e9tait loin de la surface lorsque Pan-Mineral\r\na donn\u00e9 l'ordre de d\u00e9truire l\u2019ast\u00e9ro\u00efde 67B afin d'en extraire\r\nle dernier petit morceau de m\u00e9tal, et leurs sup\u00e9rieurs leur ont\r\ninterdit d'y retourner pour des raisons de s\u00e9curit\u00e9. L'\u00e9quipe\r\ns'est affol\u00e9e car des objets irrempla\u00e7ables se trouvaient encore\r\ndans leur laboratoire. Elle a donc fait appel \u00e0 des sp\u00e9cialistes de\r\nl'extraction : l'\u00e9quipage du Visigoth.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Graff et Ell se fraient un chemin parmi\r\nla foule de ceux qui \u00e9vacuent l\u2019ast\u00e9ro\u00efde. Ell d\u00e9teste \u00eatre\r\nsur le terrain et ne peut cacher sa nervosit\u00e9. Graff perce le\r\nsyst\u00e8me de s\u00e9curit\u00e9 et force l\u2019ouverture de la porte du\r\nlaboratoire. Sur l\u2019inventaire, Graff ne trouve que des compos\u00e9s\r\ninorganiques. Pourquoi les ont-ils envoy\u00e9s chercher des \u00e9chantillons\r\nde tissus ? Et \u00e0 quoi est due la vague odeur d\u2019ammoniaque qui\r\nr\u00e8gne dans le labo? La r\u00e9ponse \u00e0 ces questions va les surprendre\r\net permettre \u00e0 Graff d'en savoir plus sur Ell.<\/i> (P.C.) \r\n<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e chez <i>Tor.com<\/i>. \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2024 <b>Broken Roads<\/b> (<i>novella,\r\nunivers Cormac &amp; Amelia<\/i>-05),\r\nauto-\u00e9dition en livre num\u00e9rique, janvier 2024\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2025 <b>Bravado<\/b> (nouvelle, univers <i>Graff<\/i>-05), <i>Tor.com<\/i>, janvier 2025 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/reactormag.com\/bravado-carrie-vaughn\/\">\r\nLien Internet<\/a> (consult\u00e9 en avril 2025) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[The story] features a character who has appeared in other \r\nstories, seen here early in life. He lives on a planet where the \r\ninhabitants have multiple bodily enhancements. In particular, they are \r\nable to record all their experiences and share them with others. The \r\nplot deals with the protagonist\u2019s first journey into space, where he \r\nmust hide his enhancements, which are illegal everywhere but his \r\nhome planet. [...]<\/i>\" (Victoria Silverwolf, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-irregular\/reactor-january-2025\/\">\r\n<i>Tangent Online<\/i><\/a>, janvier 2025) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e chez <i>Reactor<\/i>.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2026 <b>Gremlin<\/b> (novella, SF), auto-\u00e9dit\u00e9, janvier 2026<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Carrie Vaughn\u2019s \u2018\u2018Gremlin\u2019\u2019 begins with a female Russian \r\npilot in WWII encountering a \u2018\u2018gremlin\u2019\u2019 on her plane \u2013 a demon \r\nof some sort that eats metal (luckily, to her benefit). The story \r\njumps in unexpected directions \u2013 forward to the Iraq War then to \r\ninterstellar space, and it ends up morphing from what seemed a \r\nWWII fantasy to a pretty cool far-future SF tale.<\/i>\" (Rich Horton, \r\n<a href=\"https:\/\/locusmag.com\/\">\r\n<i>Locus<\/i><\/a>, juin 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParu pr\u00e9c\u00e9demment dans <i>Asimov's<\/i>, mai-juin 2019. \r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Forever<\/i> #61, f\u00e9vrier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Asimov's Readers 2020 : finaliste (novella)\r\n<\/p>\r\n<\/div>\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t <div role=\"tabpanel\" class=\"tab-pane \" id=\"tabs_desc_493_6\">\r\n\t\t\t\t\t\t\t\t<div>\r\n<p style=\"text-align : center;font-weight: bold;font-family: Arial, Helvetica, Verdana, sans-serif;font-size: 1.5em\">\r\nSELECTION DE RECITS\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n1999 <b>The Girl with the Pre-Raphaelite Hair<\/b>\r\n(nouvelle), <i>Talebones<\/i> #17, automne 1999<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.baen.com\/Chapters\/9781618249036\/9781618249036___7.htm\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Amaryllis and Other Stories<\/i>, ao\u00fbt 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Best of Talebones<\/i>, \r\ned. Parick Swenson, novembre 2010 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2000 <b>A Riddle in Nine Syllables<\/b>\r\n(nouvelle), <i>Talebones<\/i> #20, automne 2000<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> a science fiction story\r\nwhere a xenobiologist is infected with an alien life form, one that\r\nis slowly killing her. The race is on to find a way to remove the\r\nentity which is developing. The connection between host and parasite\r\nbecomes much more.<\/i>\" (Bill Lawhorn, \r\na href=\"https:\/\/www.sfrevu.com\/\"&gt;<i>SFRevu<\/i><\/a>,\r\nao\u00fbt 2016)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Amaryllis and Other Stories<\/i>, ao\u00fbt 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>The Drabblecast<\/i> #275, mars 2013 ; \r\n<a href=\"https:\/\/www.drabblecast.org\/2013\/03\/13\/drabblecast-275-a-riddle-in-nine-syllables\/\">\r\nlien Internet<\/a> (consult\u00e9 en septembre 2019)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2001 <b>In Time<\/b> (nouvelle), <i>Talebones<\/i> #21, printemps 2001<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/curiousfictions.com\/stories\/2049-carrie-vaughn-in-time\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Straying from the Path<\/i>, 2012\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2001 <b>Doctor Kitty Solves All Your Love Problems<\/b> (nouvelle, \r\nunivers <i>Kitty Norville<\/i>), <i>Weird Tales<\/i>, \u00e9t\u00e9 2001<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.carrievaughn.com\/kitty.htm\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans  <i>Pandora<\/i>, printemps 2007\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2002 <b>The Librarian's Daughter<\/b> (nouvelle),\r\n<i>Realms of Fantasy<\/i>, ao\u00fbt 2002<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/ia800909.us.archive.org\/33\/items\/RealmsOfFantasyV08n06200208LennySilv3r\/Realms%20of%20Fantasy%20v08n06%20%282002-08%29%20%5BLenny%20Silv3r%5D.pdf\">\r\nLien Internet<\/a> (ensemble du magazine, consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Straying from the Path<\/i>, 2012\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2002 <b>Strife Lingers in Memory<\/b> (nouvelle),\r\n<i>Realms of Fantasy<\/i>, d\u00e9cembre 2002<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.baen.com\/Chapters\/9781933846620\/9781933846620___2.htm\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Amaryllis and Other Stories<\/i>, ao\u00fbt 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Epic: Legends of Fantasy<\/i>, \r\ned. John Joseph Adams, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Mammoth Book of Warriors \r\nand Wizardry<\/i>, ed. Sean Wallace, septembre 2014 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2003 <b>A Hunter's Ode to His Bait<\/b>\r\n(nouvelle), <i>Realms of Fantasy<\/i>, f\u00e9vrier 2003<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.fantasy-magazine.com\/new\/new-fiction\/a-hunters-ode-to-his-bait\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Amaryllis and Other Stories<\/i>, ao\u00fbt 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Fantasy Magazine<\/i>, avril 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>PodCastle<\/i> #164, juillet 2011 ; \r\n<a href=\"http:\/\/podcastle.org\/2011\/07\/05\/podcastle-164-a-hunters-ode-to-his-bait\/\">\r\nlien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Unicorn Anthology<\/i>, \r\ned. Peter S. Beagle &amp; Jacob Weisman, avril 2019\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2004 <b>The Bravest of Us Touched the Sky<\/b>\r\n(nouvelle), <i>Talebones<\/i> #29, hiver 2004<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.carrievaughn.com\/bravest.htm\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Straying from the Path<\/i>, 2012\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2004 <b>Peace in Our Time<\/b> (), site web\r\n<i>futurismic.com<\/i>, d\u00e9cembre 2004<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/futurismic.com\/2004\/12\/07\/peace-in-our-time-by-carrie-vaughn\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Straying from the Path<\/i>, 2012\r\n\/p&gt;\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>Crows<\/b> (nouvelle), <i>Talebones<\/i> #34, hiver 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> Carrie Vaughn adds a touch\r\nof the medieval to the aftermath of a battle in which a young lord\r\ndies and his squire remains by his side despite the sights, sounds,\r\nsmells, and realities of death surrounding them. Loyal to his master\r\nand his king, the warrior gets a reward for his loyalty, though it is\r\nnot what one would expect. [...]<\/i>\" (Carole Ann Moleti,\r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, mars 2007)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Amaryllis and Other Stories<\/i>, ao\u00fbt 2016\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>Real City<\/b> (), site web <i>futurismic.com<\/i>, juin 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/futurismic.com\/2006\/06\/01\/real-city-by-carrie-vaughn\/#more-566\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Straying from the Path<\/i>, 2012\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>Winnowing the Herd<\/b> (nouvelle, univers\r\n<i>Kitty Norville<\/i>), <i>Strange Horizons<\/i>, octobre 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/strangehorizons.com\/fiction\/winnowing-the-herd\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Kitty's Greatest Hits<\/i>, ao\u00fbt 2011 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>For Fear of Dragons<\/b> (nouvelle), \r\n<i>Weird Tales<\/i>, octobre-novembre 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Amaryllis and Other Stories<\/i>, ao\u00fbt 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Weird Tales: The Twenty-First Century. \r\nVolume One<\/i>, ed. Sean Wallace &amp; Stephen H. Segal, octobre 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>PodCastle<\/i> PC002, avril 2008 ; \r\n<a href=\"http:\/\/podcastle.org\/2008\/04\/08\/pc002-for-fear-of-dragons\/\">\r\nlien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Catalysts, Explorers &amp; Secret \r\nKeepers : Women of Science Fiction<\/i>, ed. diverses, novembre 2017\r\n\/p&gt;\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>Of Swords and Horses<\/b> (nouvelle, fantasy), \r\n<i>Realms of Fantasy<\/i>, d\u00e9cembre 2006 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Other Worlds\r\nThan These<\/i>, ed. John Joseph Adams, juillet 2012 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>La narratrice a \u00e9lev\u00e9 sa fille Maggie\r\navec les films de princesses de Disney parce que, petite, elle les\r\navait tellement aim\u00e9s. Pourtant la question de Maggie l\u2019a fait\r\nsursauter. \"Pourquoi les filles ne montent pas \u00e0 cheval et\r\nn'ont pas d'\u00e9p\u00e9es ?\" Elle l'a donc inscrite \u00e0 des cours\r\nd'escrime. Maggie a ador\u00e9 \u00e7a. \u00c0 douze ans, les le\u00e7ons\r\nd'\u00e9quitation ont commenc\u00e9. Lorsqu'elle a eu quinze ans, Dave lui a\r\ndemand\u00e9 pourquoi elle ne pouvait pas \u00eatre une star de l'athl\u00e9tisme\r\ncomme son vieux p\u00e8re. La r\u00e9ponse a fus\u00e9\u00a0: \" Parce que\r\nlorsque Corlath m'emm\u00e8nera \u00e0 Damar, je devrai \u00eatre pr\u00eate.\"\r\nQuand ses parents ont d\u00fb avouer \u00e0 Maggie qu\u2019ils n\u2019avaient pas\r\nles moyens de lui offrir un cheval, elle s\u2019est content\u00e9e de\r\nsourire sagement, \"Mon heure viendra\". <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>\u00c0 dix-sept ans, Maggie a disparu. Deux ans plus tard, tous,\r\nsauf ses parents, supposent qu'elle est morte.\r\nSa m\u00e8re est s\u00fbre qu\u2019elle reverra Maggie. Mais jusqu\u2019\u00e0\r\nquel point la jeune fille aura-t-elle chang\u00e9\u00a0?<\/i> (P.C.) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2007 <b>Looking after Family<\/b> (nouvelle, univers<i>\r\nKitty Norville<\/i>), <i>Realms of Fantasy<\/i>, f\u00e9vrier 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>a meditation on the conflict between\r\ninherited attitudes and brotherly loyalty<\/i>\u201d (Nick Gevers, \r\n<a href=\"https:\/\/locusmag.com\/\"><i>Locus<\/i><\/a>,\r\navril 2007)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Kitty's Greatest Hits<\/i>, ao\u00fbt 2011 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2007 <b>A Princess of Spain<\/b> (novelette, univers<i> Kitty Norville<\/i>),\r\nanthologie <i>The Secret History of Vampires<\/i>, ed. Darrell Schweitzer, avril 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/a-princess-of-spain\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Kitty's Greatest Hits<\/i>, ao\u00fbt 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Lightspeed<\/i> #30, \r\nnovembre 2012, accompagn\u00e9 du podcast \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2007 <b>Marrying In<\/b> (nouvelle, SF), <i>Asimov's<\/i>, juin 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Carrie Vaughn presents a future in\r\nwhich state residency, in Colorado at least, is heavily restricted.\r\nAlice is a new resident by virtue of \"Marrying In,\" and has\r\nsecond thoughts as she encounters her in-laws' attitudes toward\r\noutsiders.<\/i>\" (Kimberly Lundstrom, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, avril 2007)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2007 <b>Swing Time<\/b> (nouvelle), <i>Jim Baen's\r\nUniverse<\/i> #7, juin 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/swing-time\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.baen.com\/Chapters\/1932093021\/1932093021___5.htm\">\r\nAutre lien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] postulates the existence of time travelers who can open \r\ndoors into the past or the future using a catalyst to gather \r\nenergy. For Madeline, the catalyst is dancing\u2014and the attraction \r\nto traveling between centuries is stealing jewelry. What she has \r\nnot taken into account, however, is the presence of another time \r\ntraveler, Ned, who seems intent on following her\u2014and on beating \r\nher to her prize.<\/i>\" (Aliette de Bodard, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, juillet 2007)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Straying from the Path<\/i>, 2012 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Best of Jim Baen's Universe II<\/i>, \r\ned. Eric Flint &amp; Mike Resnick, juillet 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Time Traveler's Almanac<\/i>, \r\ned. Ann &amp; Jeff VanderMeer, mars 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans  <i>Lightspeed<\/i> #87, ao\u00fbt 2017 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2007 <b>Kitty\u2019s Zombie New Year<\/b> (nouvelle, univers \r\n<i>Kitty Norville<\/i>), <i>Weird Tales<\/i>, juin-juillet 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2011\/12\/29\/kittys-zombie-new-year\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u00ab <i>a snippet from early in Kitty\u2019s\r\nDJ career, concerns a strange young woman turning up at a New Years\u2019\r\nparty to confront her ex-boy friend.<\/i> \u00bb (Rich Horton, \r\n<a href=\"https:\/\/locusmag.com\/\">\r\n<i>Locus<\/i><\/a>, octobre 2007)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Kitty\u2019s Greatest Hits<\/i>, ao\u00fbt 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Urban Fantasy Anthology<\/i>, \r\ned. Peter S. Beagle &amp; Joe R. Lansdale, ao\u00fbt 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans  <i>Tor.com<\/i>, 29 d\u00e9cembre 2011 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2007 <b>Free Space<\/b> (nouvelle, SF), <i>Jim Baen's \r\nUniverse<\/i> #8 (Vol. 2, number 2), ao\u00fbt 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.baen.com\/Chapters\/1932093022\/1932093022___4.htm\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] Hart is a technician\r\naboard Covenant Station\u2014which has recently become inhabited by\r\ncolonists, although not all areas were declared secure. As she's\r\nscanning storage units, Hart finds unusually high levels of\r\nradiation, which makes her suspect something is amiss within the\r\nstation.<\/i>\" (Aliette de Bodard , \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, ao\u00fbt 2007)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2008 <b>The Nymph's Child<\/b> (nouvelle,\r\nfantasy), anthologie <i>Fast Ships, Black Sails<\/i>, 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.fantasy-magazine.com\/new\/new-fiction\/the-nymphs-child\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>[\u2026] romantic, opening with\r\nGrace Lark in prison, as her lover and Captain reveals her true sex\r\nto the Marshal who had assumed with everyone else that the notorious\r\nFirst Mate Gregory Lark was a man. The pregnant Grace is spared to\r\nbear her child, while the rest of the crew is hanged, and now, years\r\nlater, her daughter might be thinking of becoming a sailor, and Grace\r\ndoesn't know how to react.<\/i>\u201d (Rich Horton, \r\n<a href=\"https:\/\/locusmag.com\/\">\r\n<i>Locus<\/i><\/a>, octobre 2008)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans  <i>Fantasy Magazine<\/i>, septembre 2011 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2008 <b>Chosen Ones: Part One &amp; Part Two<\/b> \r\n(univers partag\u00e9  <i>Wild Cards<\/i>), anthologie <i>Inside \r\nStraight<\/i>,  ed. George R.R. Martin, janvier 2008 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2008 <b>Life Is the Teacher<\/b> (nouvelle, univers<i> Kitty Norville<\/i>),\r\nanthologie <i>Hotter than Hell<\/i>, juillet 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Kitty's Greatest Hits<\/i>, ao\u00fbt 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>By Blood We Live<\/i>, \r\ned. John Joseph Adams, ao\u00fbt 2009 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2008 <b>Il Est N\u00e9<\/b> (novelette, univers <i>Kitty Norville<\/i>), \r\nanthologie  <i>Wolfsbane and Mistletoe<\/i>, ed. Charmaine Harris \r\n&amp; Toni L.P. Kelner, octobre 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Kitty's Greatest Hits<\/i>, ao\u00fbt 2011 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2008 <b>Gamma Ray versus Death<\/b> (nouvelle), anthologie \r\n<i>Better Off Undead<\/i>, ed. Daniel M. Hoyt &amp; Martin\r\nH. Greenberg, novembre 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/curiousfictions.com\/stories\/2288-carrie-vaughn-gamma-ray-vs-death\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2008 <b>Just Cause: Part I, Part II, Part III, Part IV<\/b> (univers partag\u00e9 <i>Wild \r\nCards<\/i>), anthologie <i>Busted Flush<\/i>, ed. George R.R. Martin, d\u00e9cembre 2008 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2009 <b>The Happiest Place<\/b> (nouvelle), \r\n<i>Realms of Fantasy<\/i>, f\u00e9vrier 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>[...] another \u201csick kids\u201d\r\nstory\u2014she works as a \u201cSleeping Beauty\u201d-type princess at a\r\nDisneyland clone\u2014but her job involves a lot of \u201cMake-A-Wish\r\nFoundation\u201d kids.<\/i>\" (Steve Fahnestalk, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, janvier 2009)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Straying from the Path<\/i>, 2012\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2009 <b>The Temptation of Robin Green<\/b> (nouvelle, univers \r\n<i>Kitty Norville<\/i>), anthologie <i>The Mammoth Book of \r\nParanormal Romance<\/i>, ed. Trisha Telep, f\u00e9vrier 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Kitty's Greatest Hits<\/i>, ao\u00fbt 2011 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2009 <b>Conquistador de la Noche<\/b> (novelette, univers<i> Kitty \r\nNorville<\/i>), <i>Subterranean Online<\/i>, printemps 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/subterraneanpress.com\/magazine\/spring_2009\/fiction_conquistador_de_la_noche_by_carrie_vaughn\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Kitty's Greatest Hits<\/i>, ao\u00fbt 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Vampires: The\r\nRecent Undead<\/i>, ed. Paula Guran, mars 2011 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2009 <b>1977<\/b> (nouvelle), anthologie <i>Ravens in the Library: Magic in \r\nthe Bard's Name<\/i>, ed. Sandra Buskirk &amp; SatyrPhil Brucato, avril 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.drabblecast.org\/2019\/07\/31\/drabblecast-412-1977\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Amaryllis and Other Stories<\/i>, ao\u00fbt 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>The Drabblecast<\/i>\r\n#412, juillet 2019\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2009 <b>The Book of Daniel<\/b> (nouvelle, univers<i>\r\nKitty Norville<\/i>), <i>Talebones<\/i> #39, hiver 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Kitty's Greatest Hits<\/i>, ao\u00fbt 2011 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2010 <b>Just Another Word<\/b> (), \r\n<i>Realms of Fantasy<\/i>, avril 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/curiousfictions.com\/stories\/1868-carrie-vaughn-just-another-word\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> As a lonely blues musician, Janis is certain there\u2019s \r\na better world somewhere just beyond her reach. But when a \r\nbeautiful, mysterious woman appears at her local gig and offers \r\nher everything she\u2019s ever wanted, Janis knows there\u2019s more \r\nthan luck afoot. [...]<\/i>\" (Maggie Jamison, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, mars 2010)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] about the time Janis Joplin\r\nmet the Queen of Faerie.<\/i>\" (Carrie Vaughn, sur son blog)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2010 <b>Amaryllis<\/b> (nouvelle, univers <i>Bannerless<\/i>),\r\nanthologie <i>Brave New Worlds: Dystopian Stories<\/i>,\r\ned. John Joseph Adams, janvier 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/amaryllis\/\">\r\nLien Internet <\/a> (consult\u00e9 en septembre 2019), \r\naccompagn\u00e9 du podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Marie, la capitaine de\r\nl'Amaryllis, n\u2019a jamais connu sa m\u00e8re, ni\r\njamais compris pourquoi elle avait retir\u00e9 son\r\nimplant et \u00e9tait tomb\u00e9e enceinte sans\r\nautorisation. Sa m\u00e8re savait quel terrible prix\r\nelle aurait \u00e0 payer. Pensait-elle que l'enfant\r\n\u00e0 venir en valait la peine ? <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>A la proue de l\u2019Amaryllis, Nina dit \u00e0 Marie qu\u2019elle devrait \r\nsolliciter une augmentation de leurs quotas. Mais Marie pr\u00e9f\u00e8re \r\nse contenter du statu-quo, elle sait bien que ce que Nina veut \r\nau fond d\u2019elle-m\u00eame, c\u2019est un b\u00e9b\u00e9<\/i>. (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Amaryllis and Other Stories<\/i>, ao\u00fbt 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans  <i>Lightspeed<\/i>, juin 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Brave New Worlds: Dystopian Stories<\/i>,\r\ned. John Joseph Adams, janvier 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>Escape Pod<\/i> #297, juin 2011 ; \r\n<a href=\"http:\/\/escapepod.org\/2011\/06\/16\/ep297-amaryllis\/\">\r\nlien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best Science Fiction: \r\nTwenty-Eighth Annual Collection<\/i>, ed Gardner Dozois, juillet 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Lightspeed:\r\nYear One<\/i>, ed. John Joseph Adams, novembre 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>After the End:\r\nRecent Apocalypses<\/i>, ed. Paula Guran, juin 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Hugo 2011 : 2<sup>e<\/sup> place (meilleure nouvelle)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix WSFA Small Press 2011 : nomination <\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2010 <b>Kitty Learns the Ropes<\/b> (univers<i> Kitty Norville<\/i>), \r\nanthologie <i>Full Moon City<\/i>, ed. Martin H. Greenberg \r\n&amp; Darrell Schweitzer, f\u00e9vrier 2010 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2010 <b>The Girls from Avenger<\/b>\r\n(novelette, r\u00e9cit historique), anthologie <i>Warriors<\/i>, \r\ned. Gardner Dozois &amp; George R.R Martin, mars 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] a wonderful piece of\r\nhistorical mystery taking place among the women who ferried airplanes\r\nwithin the USA during World War II to the various airfields the male\r\nairmen then flew into war. [...]<\/i>\" (Bob Blough,\r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\"><i>Tangent\r\nOnline<\/i><\/a>, juillet 2010)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2010 <b>Wild Ride<\/b> (nouvelle, univers<i>\r\nKitty Norville<\/i>), anthologie <i>Running with the Pack<\/i>, \r\ned. Ekaterina Sedia, avril 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Kitty's Greatest Hits<\/i>, ao\u00fbt 2011 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2010 <b>God's Creatures<\/b> (novelette, univers<i> Kitty Norville<\/i>), \r\nanthologie <i>Dark and Stormy Knights<\/i>, ed. P.N. Ellrod, juillet 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Kitty's Greatest Hits<\/i>, ao\u00fbt 2011 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2010 <b>Ghost Girl Takes Manhattan<\/b>\r\n(novelette, univers partag\u00e9 <i>Wild Cards<\/i>), anthologie \r\n<i>Wild Cards I<\/i>, ed. George R.R. Martin, novembre 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nTraduction : <b>La Fille Fant\u00f4me \u00e0 Manhattan<\/b>, traduit par Henry-Luc \r\nPlanchat, anthologie <i>Wild Cards<\/i>, <i>J\u2019ai Lu<\/i>, \r\ncoll. <i>Nouveaux Mill\u00e9naires<\/i>, ao\u00fbt 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2011\/06\/27\/ghost-girl-takes-manhattan\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans  <i>Tor.com<\/i>, juin 2011 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2010 <b>Always Spring in Prague<\/b> (univers partag\u00e9 \r\n<i>Wild Cards<\/i>), anthologie <i>Wild Cards IV: \r\nAces Abroad<\/i>, novembre 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nIl s'agit d'une \u00e9dition augment\u00e9e d'un volume paru initialement \r\nen 1988, dans lequel ne figurait pas le texte de Carrie Vaughn.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2011 <b>Defining Shadows<\/b> (univers<i> Kitty Norville<\/i> ?),\r\nanthologie <i>Those Who Fight Monsters: Tales of Occult Detectives<\/i>,\r\ned. Justin Gustainis, mars 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Weird Detectives: Recent \r\nInvestigations<\/i>, ed. Paula Guran, avril 2013 <\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2011 <b>Long Time Waiting<\/b> (novella, univers<i>\r\nKitty Norville<\/i>), recueil <i>Kitty's Greatest Hits<\/i>, ao\u00fbt 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>As Cormac deals with life in Prison,\r\nhe encounters a demon and a 100-year-dead sorceress who wants to\r\npossess him -- to FIGHT the demon!<\/i>\u201d (isfdb.org) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2011 <b>You're on the Air<\/b> (nouvelle, univers<i>\r\nKitty Norville<\/i>), recueil <i>Kitty's Greatest Hits<\/i>, ao\u00fbt 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>This actually takes place in Kitty and the Silver Bullet, \r\nbut from Kitty's point of view.<\/i>\u201d (isfdb.org) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2011 <b>It's Still the same Old Story<\/b> (novelette, univers <i>Kitty \r\nNorville<\/i>), anthologie <i>Down These Strange Streets<\/i>, ed. George \r\nR.R. Martin &amp; Gardner Dozois, octobre 2011<\/p> \r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>A story of Kitty's vampire friend\r\nRick and his past.<\/i>\u201d (isfdb.org) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>Harry and Marlowe and the Talisman of the Cult \r\nof Egil<\/b>  (nouvelle, univers <i>Harry and Marlowe<\/i>), \r\n<i>Lightspeed<\/i> #21, f\u00e9vrier 2012, accompagn\u00e9 du podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/harry-and-marlowe-and-the-talisman-of-the-cult-of-egil\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Steampunk\r\nRevolution<\/i>, ed. Ann VanderMeer, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nepris dans l'anthologie <i>The Mammoth Book of \r\nSteampunk Adventures<\/i>, ed. Sean Wallace, septembre 2014 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>Now Purple with Love's Wound<\/b>\r\n(nouvelle), anthologie <i>Brave New Love: 15 Dystopian Tales of\r\nDesire<\/i>, ed. Paula Guran, mars 2012 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>Don Quixote<\/b> (nouvelle), anthologie\r\n<i>Armored<\/i>, ed. John Joseph Adams, avril 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> takes us back to the Spanish Civil war. Franco has all but \r\nwon the war, but a group of soldiers try to make their way back to \r\nfriendlier lands. They run across some men who have constructed a \r\nmassive machine that can lay waste to anything in its path. The \r\nreporter with them gets pictures and a story, but not before they \r\ndecide that something has to be done to ensure that this device \r\nisn't duplicated. [...]<\/i>\" (Joseph Giddings, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, mai 2012)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Mammoth\r\nBook of Dieselpunk<\/i>, ed. Sean Wallace, avril 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>StarShipSofa<\/i>\r\n#401, september 2015 ; \r\n<a href=\"http:\/\/www.starshipsofa.com\/blog\/2015\/09\/09\/starshipsofa-no-401-carrie-vaughn\/\">\r\nlien Internet<\/a> (consult\u00e9 en septembre 2019)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>The Arcane Art of Misdirection<\/b> (novelette, univers<i> Kitty\r\nNorville<\/i>), anthologie <i>Hex Appeal<\/i>, ed. P.N. Elrod, juin 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>A story involving Odysseus Grant, a recurring minor \r\ncharacter in the Kitty novels.<\/i>\u201d (isfdb.org)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Magic City:\r\nRecent Spells<\/i>, ed. Paula Guran, mai 2014\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>Astrophilia<\/b> (novelette, univers <i>Bannerless<\/i>),\r\n<i>Clarkesworld <\/i>#70, juillet 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/clarkesworldmagazine.com\/vaughn_07_12\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019), \r\naccompagn\u00e9 du podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Cinq ans de s\u00e9cheresse ont eu raison de la maisonn\u00e9e de\r\nGreentree et de sa production de laine. Heureusement, Stella est une\r\nexcellente tisseuse et sa m\u00e8re Az lui trouve une place dans une\r\nmaisonn\u00e9e prosp\u00e8re dont elle conna\u00eet le chef, Toma. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>C\u2019est ainsi qu\u2019au printemps, Stella\r\nparcourt trois cents miles sur la Longue Route pour atteindre Barnard\r\nCroft. L'accueil est en effet chaleureux et ses dons appr\u00e9ci\u00e9s. Des\r\nprairies luxuriantes et de nombreux animaux fournissent un travail\r\nabondant. \u00c0 l'\u00e9cart des maisons, Stella remarque une petite cabane\r\nau sommet d'une colline et se demande \u00e0 quoi elle peut servir. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Elle fait connaissance avec tous les\r\nmembres de la communaut\u00e9, en particulier Andi, une jeune femme de\r\nson \u00e2ge avec qui elle partage une chambre et qui semble attirer les\r\nreproches de Toma. Un soir, elle voit Andi se diriger\r\nvers la baraque.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Amaryllis and Other Stories<\/i>,\r\nao\u00fbt 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best Science Fiction: \r\nThirtieth Annual Collection<\/i>, ed. Gardner Dozois, juillet 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Heiresses of Russ 2013: \r\nThe Year's Best Lesbian Speculative Fiction<\/i>, \r\ned. Steve Berman &amp; Tenea D. Johnson, ao\u00fbt 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Mammoth Book of Best New SF 26<\/i>,\r\ned. Gardner Dozois, septembre 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Clarkesworld: Year Six<\/i>,\r\ned. Neil Clarke &amp; Sean Wallace, mai 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Mammoth Book of SF Stories \r\nby Women<\/i>, ed. Alex Dally MacFarlane, octobre 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2013 : 19<sup>e<\/sup> place (meilleure novelette)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Hugo 2013 : pr\u00e9s\u00e9lection (meilleure novelette)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix WSFA Small Press 2013 : finaliste <\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2013 <b>Harry and Marlowe Escape the Mechanical Siege of Paris<\/b> \r\n(novelette, univers <i>Harry and Marlowe<\/i>), <i>Lightspeed<\/i>, \r\nf\u00e9vrier 2013, accompagn\u00e9 du podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/harry-and-marlowe-escape-the-mechanical-siege-of-paris\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> Harry is thrust into danger\r\nafter a diplomatic mission to France turns into a warzone and she is\r\nleft behind to make room for the Crown Prince to escape safely.\r\n[...]<\/i>\" (Jared L. Mills, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, f\u00e9vrier 2013)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2013 <b>Harry and Marlowe Meet the Founder of the\r\nAetherian Revolution<\/b> (nouvelle, univers <i>Harry\r\nand Marlowe<\/i>), anthologie <i>The Mad Scientist's Guide to\r\nWorld Domination: Original Short Fiction for the Modern Evil Genius<\/i>,\r\ned. John Joseph Adams, f\u00e9vrier 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/harry-and-marlowe-meet-the-founder-of-the-aetherian-revolution\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> the two title characters go\r\nto meet Dr. Carlisle, who invented the Aetherian mechanism, a new\r\ntype of power supply. Carlisle is under house arrest after being\r\nresponsible for a disastrous explosion, but Harry and Marlowe suspect\r\nhe is up to no good. [...]<\/i>\" (Chuck Rothman, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, mars 2013)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans  <i>Lighspeed<\/i>, septembre 2015 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2013 <b>Game of Chance<\/b> (novelette),\r\n<i>Lightspeed<\/i>, juin 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/game-of-chance\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Amaryllis and Other Stories<\/i>, ao\u00fbt 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Unfettered: Tales by Masters \r\nof Fantasy<\/i>, ed. Shawn Speakman, juillet 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best Science Fiction \r\n&amp; Fantasy 2014 Edition<\/i>, ed. Rich Horton, juin 2014 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2013 <b>Fishwife<\/b> (nouvelle), <i>Nightmare\r\nMagazine<\/i>, juin 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.nightmare-magazine.com\/fiction\/fishwife\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019), accompagn\u00e9 du podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best\r\nDark Fantasy &amp; Horror: 2014<\/i>, ed. Paula Guran, juin 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>New Cthulhu 2:\r\nMore Recent Weird<\/i>, ed. Paula Guran, mars 2015 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2013 <b>The Art of Homecoming<\/b> (novelette,\r\nSF), <i>Asimov's<\/i>, juillet 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] Following a possibly career-ending mistake of literally \r\ninterstellar proportions, Major Daring offered her resignation to \r\nthe Trade Guild and her former ship\u2019s captain. It is not accepted \r\nbecause, thankfully for her, she\u2019s actually rather good at her \r\njob. Instead, she is told to take a leave of absence, to go home \r\nfor a couple of months. Therein lies the problem.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Major Wendy Daring doesn\u2019t really have a home.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Raised with her sister Zelda as part of\r\na collective family on a world made of cities, the Daring sisters\r\nescaped the accounting gravity of the family firm, each in their own\r\nway. Zelda found and married Mim. They moved to Ariana, an\r\nagricultural world with Mim\u2019s brother, Tom. Wendy Daring went into\r\nMil Div, seeing the worlds beyond her own, meeting a tiny part of the\r\nthousands of different species calling the galaxy home.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>With a forced leave of absence, Wendy\r\nDaring travels for the first time to Zelda\u2019s new home. The\r\nastonishing feeling of moving air that doesn\u2019t herald a hull\r\nbreech, sky that doesn\u2019t end. . . They throw her for a while, but\r\nquickly become normal.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Major Wendy Daring finds out that she\r\nactually has two homes: her ship and the planet Ariana. She feels\r\ntorn between contentment and adventure, between sister and ship.\r\n[...]<\/i>\" (Richard E.D. Jones, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, juin 2013)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Amaryllis and Other Stories<\/i>, ao\u00fbt 2016\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2013 <b>The Best We Can<\/b> (SF), <i>Tor.com<\/i>, juillet 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e en chapbook. Voir rubrique Chapbooks.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2013 <b>Unternehmen Werwof<\/b> (univers<i> Kitty Norville<\/i>), \r\nanthologie <i>Halloween: Magic, Mystery, and the Macabre<\/i>, \r\ned. Paula Guran, septembre 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>The story of Fritz, the Nazi werewolf\r\nKitty met in Washington.<\/i>\u201d (isfdb.org) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2013 <b>Wild Cards: Just Cause<\/b> (univers partag\u00e9 \r\n<i>Wild Cards<\/i>), anthologie <i>Super Stories of Heroes &amp;\r\nVillains<\/i>, ed. Claude Lalumi\u00e8re, septembre 2013 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2013 <b>Raisa Stepanova<\/b> (novelette, r\u00e9cit historique), \r\nanthologie <i>Dangerous Women<\/i>, ed. Gardner Dozois &amp;\r\nGeorge R.R. Martin, novembre 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nTraduction :  <b>Raisa Stepanova<\/b>, traduit par Benjamin \r\nKuntzer, anthologie Dangerous Women \u2013 partie 2,\r\ned. Gardner Dozois &amp; George R.R. Martin, janvier 2017\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2014 <b>Harry and Marlowe and the Intrigues at\r\nthe Aetherian Exhibition<\/b> (novelette, univers <i>Harry\r\nand Marlowe<\/i>), <i>Lightspeed<\/i>, f\u00e9vrier 2014, accompagn\u00e9\r\ndu podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/harry-and-marlowe-and-the-intrigues-at-the-aetherian-exhibition\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c[...] <i>Harry [...] attends an exhibition of alien-inspired \r\ntechnology with her family, and her brother requests her help \r\nin looking for German spies<\/i>.\" (Jamie Lackey, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, f\u00e9vrier 2014)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2014 <b>Salvage<\/b> (nouvelle), <i>Lightspeed: Women Destroy \r\nScience  Fiction! Special Issue<\/i>, juin 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Amaryllis and Other Stories<\/i>, ao\u00fbt 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/salvage\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019), \r\naccompagn\u00e9 du podcast\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2014 <b>Roaring Twenties<\/b> (novelette),\r\nanthologie <i>Rogues<\/i>, ed. George R.R. Martin &amp; Gardner\r\nDozois, juin 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nTraduction : <b>Les Ann\u00e9es folles<\/b>, traduit par Benjamin Kuntzer, \r\nanthologie <i>Vauriens<\/i>, ed. GeorgeR.R. Martin &amp; Gardner Dozois, octobre 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Amaryllis and Other Stories<\/i>, ao\u00fbt 2016\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2014 <b>Harry and Marlowe Versus the Haunted\r\nLocomotive of the Rockies<\/b> (novelette, univers <i>Harry\r\nand Marlowe<\/i>), <i>Lightspeed<\/i>, juillet 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/harry-marlowe-versus-haunted-locomotive-rockies\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Harry and Marlowe [...]\r\nare on a tour of America in their airship when they hear about a\r\ntrain with a mind of its own and the bounty hunters challenged to\r\nbring her under control, but who never come back. Although Harry\r\ndoesn't need the reward, she and Marlowe show up to investigate and\r\nsolve the mystery. They suspect the mystery has something to do with\r\nAetherian technology. [...]<\/i>\" (Martha Burns, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, juin 2014)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Georgetown Haunts and Mysteries<\/i>, \r\ned. Jeanne C. Stein &amp; Joshua Viola, juin 2017\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2014 <b>Nuestra Senora de la Esperanza<\/b> (univers partag\u00e9 \r\n<i>Wild Cards<\/i>), <i>Tor.com<\/i>, octobre 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e en chapbook. Voir rubrique Chapbooks.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2014 <b>Once More, for Old Times' Sake<\/b> (novelette, univers partag\u00e9 \r\n<i>Wild Cards<\/i>), anthologie <i>Lowball<\/i>, ed. George R.R. Martin \r\n&amp; Melinda M. Snodgrass, novembre 2014 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2015 <b>Sealskin<\/b> (nouvelle, urban fantasy), anthologie \r\n<i>Operation Arcana<\/i>, ed. John Joseph Adams, f\u00e9vrier 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] Richard\u2014a Navy SEAL\r\nofficer and sniper who was born with webbing between his toes and\r\nfingers\u2014considers leaving the military because of a disaster he\r\npartially caused. A rescue of three hostages held by Somali pirates\r\nwent very badly. Richard killed a fifteen-year-old pirate a few\r\nseconds too late. The pirates killed all the hostages. Needing\r\nrelief, Richard flies to Ireland for a vacation. Richard\u2019s mother,\r\nwho has recently died of cancer, conceived her son while in Ireland.\r\nOddly feeling drawn to the land of the father that he never met,\r\nRichard goes to a pub and is told some information that leads him\r\ncloser to the land\u2014or dare I say it, water\u2014of a mysterious\r\nfather, who had the genetics to produce a son with webbing and lungs\r\nstrong enough to allow Richard to hold his breath underwater for up\r\nto ten minutes. [...]<\/i>\" (Douglas W. Texter, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, mars 2015)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2015 <b>Sun, Stone, Spear<\/b> (nouvelle, fantasy), <i>Beneath \r\nCeaseless Skies<\/i> #169, mars 2015, accompagn\u00e9 du podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.beneath-ceaseless-skies.com\/stories\/sun-stone-spear\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] tale of two young\r\nwomen\u2014Mahra and Elu\u2014as they leave their small village to find\r\ntheir own way in the world. The pessimist and eternal optimist. One\r\nwith eyes rooted in reality, while the other has her eyes ever on the\r\nstars. They are complimentary characters, each unable to survive the\r\njourney without the other. [...]<\/i>\" (Clancy Weeks,\r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, mars 2015)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nCette nouvelle a \u00e9t\u00e9 inspir\u00e9e \u00e0 Carrie\r\nVaughn par une visite en Irlande, en particulier \u00e0 Newgrange, un des\r\nplus c\u00e9l\u00e8bres sites arch\u00e9ologiques du pays. Elle s'est alors\r\ndemand\u00e9 ce que pouvaient \u00eatre la fa\u00e7on de vivre et la mentalit\u00e9\r\nde ceux qui vivaient l\u00e0, il y a pr\u00e8s de 5 000 ans. (Source :\r\nCarrie Vaughn, sur son blog)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Amaryllis and Other Stories<\/i>, ao\u00fbt 2016\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2015 <b>Bannerless<\/b> (novelette, univers <i>Bannerless<\/i>),\r\nanthologie <i>The End Has Come<\/i>, ed. Hugh Howey \r\n&amp; John Joseph Adams, mai 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Erin, enqu\u00eatrice depuis vingt ans, et\r\nson nouvel aide Bert arrivent \u00e0 Southtown, une colonie agricole.\r\nDans la salle commune, neuf sont pr\u00e9sents sur les dix membres de la\r\nfamille. Une femme revient bient\u00f4t accompagn\u00e9e d\u2019une jeune\r\nfille dont la robe cache mal une grossesse d\u2019au moins six mois.\r\nC\u2019est une confirmation de l\u2019\u00e9crit anonyme envoy\u00e9 au comit\u00e9\r\nr\u00e9gional.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Amaryllis and Other Stories<\/i>, ao\u00fbt 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Best Science Fiction \r\nof the Year: Volume 1<\/i>, ed. Neil Clarke, juin 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best Science Fiction: \r\nThirty-Third Annual Collection<\/i>, ed. Gardner Dozois, juillet 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2016 : 26<sup>e<\/sup> place (meilleure novelette) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2015 <b>Crazy Rhythm<\/b> (nouvelle, fantastique),\r\n<i>Lightspeed<\/i>, juillet 2015, accompagn\u00e9 du podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/crazy-rhythm\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> set in the silent film\r\nindustry in the 1920s. Margie is the director's assistant on a war\r\nfilm, with a director who wants to make the film as realistic as it\r\ncan and insists on having actual tanks in the film. A new worker from\r\nEngland, Peter Jeffries, who knows something about the war, offers to\r\ngive that realism. [...]<\/i>\" (Chuck Rothman, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, juin 2015)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2015 <b>The Girl Who Loved Shonen Knife<\/b> (nouvelle), anthologie \r\n<i>Hanzai Japan: Fantastical, Futuristic Stories of Crime From and \r\nAbout Japan<\/i>, ed. Nick Mamatas &amp; Masumi Washington, octobre 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/curiousfictions.com\/stories\/1727-carrie-vaughn-the-girl-who-loved-shonen-knife\">\r\nLien Internet<\/a> (consul\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Kit has one goal in life: for her\r\nband, Flying Jelly Attack, to play at the high school Spring Dance.\r\nJust two things stand in her way: 1) Lizard Blood, a Lolita death\r\nmetal band and her bitter rivals, and 2) the end of the world.<\/i>\"\r\n(Pr\u00e9sentation de l'\u00e9diteur)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Water\r\nFire Fae<\/i>, octobre 2023 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2016 <b>That Game We Played During the War<\/b>\r\n(nouvelle, SF), <i>Tor.com<\/i>, mars 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2016\/03\/16\/that-game-we-played-during-the-war\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Le cessez-le-feu qui a suivi la guerre entre Gaant et Enith tient\r\ntoujours. L'ancienne infirmi\u00e8re militaire enithi Calla\r\nBellan en profite pour rendre visite au major Valk Larn, hospitalis\u00e9\r\n\u00e0 la suite d'une blessure \u00e0 l'abdomen. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Alors qu'il n'\u00e9tait que lieutenant, il a \u00e9t\u00e9 son prisonnier et a \r\nassist\u00e9 \u00e0 une partie d'\u00e9checs entre elle et un infirmier enithi. \r\nPlus tard, c'est Calla qui est devenue sa prisonni\u00e8re et Valk\r\nlui a demand\u00e9 de lui apprendre les \u00e9checs. T\u00e9l\u00e9pathes, les Gaants ne\r\nconnaissent pas les jeux qui exigent de la strat\u00e9gie ou du bluff.\r\nApr\u00e8s avoir h\u00e9sit\u00e9 \u2013 \u00e0 quoi bon jouer contre un t\u00e9l\u00e9pathe ? -\r\nelle a accept\u00e9 et trouv\u00e9 le moyen de rendre le jeu int\u00e9ressant \r\nmalgr\u00e9 son handicap.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>D\u00e9sorient\u00e9e depuis la fin du conflit ouvert, elle a r\u00e9pondu \r\n\u00e0 l\u2019appel du major pour conclure la derni\u00e8re partie qu\u2019ils ont \r\nlaiss\u00e9e inachev\u00e9e. Mais l\u2019enjeu se situe bien au-del\u00e0 d\u2019une simple \r\nvictoire dans une partie d\u2019\u00e9checs.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Water\r\nFire Fae<\/i>, octobre 2023 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best Science Fiction \r\n&amp; Fantasy 2017<\/i>, ed. Rich Horton, juin 2017)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>Escape Pod<\/i> #581, juin 2017 ; \r\n<a href=\"http:\/\/escapepod.org\/2017\/06\/22\/ep581-that-game-we-played-during-the-war\/\">\r\nlien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best Science Fiction: \r\nThirty-Fourth Annual Collection<\/i>, ed. Gardner Dozois, juillet 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Hugo 2017 : 3<sup>e<\/sup> place (meilleure nouvelle)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2017 : 8<sup>e<\/sup> place (meilleure nouvelle)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2016 <b>Origin Story<\/b> (nouvelle, superh\u00e9ro)\r\n<i>Lightspeed<\/i>  avril 2016, accompagn\u00e9 du podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/origin-story\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>a good superhero (or supervillain) story, in which the heroine\r\nrecognizes the villain robbing the bank she\u2019s at.... He was her\r\nboyfriend in high school. It goes kind of where you expect from\r\nthere, quite nicely.<\/i>\u201d (Rich Horton, \r\n<a href=\"https:\/\/locusmag.com\/\">\r\n<i>Locus<\/i><\/a>, Mai 2016)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Water\r\nFire Fae<\/i>, octobre 2023 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Behind the Mask: An Anthology \r\nof Heroic Proportions<\/i>, ed. Tricia Reeks &amp; Kyle Richardson, mai 2017 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2016 <b>The Lady of Shalott<\/b> (nouvelle), anthologie <i>Swords \r\nvs. Cthulhu<\/i>, ed. Jesse Bullington &amp; Molly Tanzer, juillet 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/the-lady-of-shalott\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Water\r\nFire Fae<\/i>, octobre 2023 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Lightspeed<\/i> #107, avril 2019\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2016 <b>The Mind Is Its Own Place<\/b> (novelette,\r\nSF), <i>Asimov's<\/i>, septembre 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>about the patients in a hospital facility dedicated to trying \r\nto find a cure for a strange illness suffered\r\nby space travelers who have been too long in contact with a\r\nfaster-than-light drive<\/i>\u201d (Gardner Dozois, \r\n<a href=\"https:\/\/locusmag.com\/\">\r\n<i>Locus<\/i><\/a>, janvier 2017)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans  <i>Forever<\/i> #24, janvier 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Final\r\nFrontier<\/i>, ed. Neil Clarke, juillet 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2017 : 24<sup>e<\/sup> place (meilleure novelette) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2016 <b>The Thing About Growing Up in Jokertown<\/b> (nouvelle, univers \r\npartag\u00e9 <i>Wild Cards<\/i>), <i>Tor.com<\/i>, d\u00e9cembre 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2016\/12\/21\/the-thing-about-growing-up-in-jokertown\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> about a group of teenage jokers, or obvious mutants, \r\nwho just want a little adventure. [...]<\/i>\" (Eric Kimminau, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, d\u00e9cembre 2016)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2017 <b>Redcap<\/b> (nouvelle, horreur), \r\n<i>Nightmare Magazine<\/i> #52, janvier 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.nightmare-magazine.com\/fiction\/redcap\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019), \r\naccompagn\u00e9 du podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>This horror short introduces us to\r\nViolet, the youngest of three sisters charged with minding the sheep.\r\nHer elder sisters warn her each day of the dangers outside the home,\r\nand that they will all starve if any sheep are lost. One day, as she\r\nprepares to herd the sheep from the pasture, she finds a lamb\r\nmissing. Violet is torn between her sister\u2019s warnings about the\r\ndangers and their cautions about starving if any sheep are lost.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>She decides to search for the lost\r\nsheep. Drawn to its bleating, she climbs the haunted hill where the\r\ndemon, Redcap, traps her. Violet is afraid and tries to avoid any\r\ntraps the demon may set to steal her soul. Redcap plies her with a\r\nfew riddles, but Violet isn\u2019t good with riddles. Certain that he\r\nwill take her soul, she discovers that he wants something else\r\nentirely. [...]<\/i>\" (Cadwell Turnbull, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, janvier 2017)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2017 <b>Alchemy<\/b> (nouvelle), <i>Tor.com<\/i>, 8 mars 2017 \r\n(initiative Nevertheless She Persisted, pour la Journ\u00e9e des Femmes 2017)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2017\/03\/08\/alchemy-carrie-vaughn\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2017 <b>I Have Been Drowned in Rain<\/b> (nouvelle) , <i>Beneath \r\nCeaseless Skies<\/i> #223, avril 2017, accompagn\u00e9 du podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.beneath-ceaseless-skies.com\/stories\/i-have-been-drowned-in-rain\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>a fairly conventional and modest\r\nquest story about the usual ragtag group trying to bring the rightful\r\nQueen back to her country to overthrow the Tyrant. Somehow they have\r\nmade it almost there \u2013 what treachery can await? The story turns on\r\nthe most suspect member of their group, a farmer woman they rescued\r\nfrom rape, who has cooked and cleaned for them, and who sings sad\r\nsongs \u2013 but whom they don\u2019t know. [...]<\/i>\u201d (Rich Horton, \r\n<a href=\"https:\/\/locusmag.com\/\">\r\n<i>Locus<\/i><\/a>, juin 2017)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2018 : 25<sup>e<\/sup> place (meilleure nouvelle)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2017 <b>Bellum Romanum<\/b> (nouvelle, univers <i>Kitty Norville<\/i>), \r\nanthologie <i>Urban Enemie<\/i>s, ed. Joseph Nassise, ao\u00fbt 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>How Dux Bellorum\/Roman\/Gaius Albinus \"lost\" his maker, \r\nmake a pact with his master and ... destroyed Pompeii. \r\nmostly takes place in 79CE<\/i>\" (isfdb.org)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2017 <b>Dead Men in Central City<\/b> (nouvelle,\r\nfantasy), <i>Asimov's<\/i>, septembre-octobre 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.lightspeedmagazine.com\/fiction\/dead-men-in-central-city\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2021)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] set in the old west.\r\nRicardo Avila travels into Central City, a mining boomtown, and runs\r\ninto Doc Holliday. It's not too much of a spoiler that Ricardo is a\r\nvampire\u2014an ethical one who avoids killing or taking more blood than\r\nhe needs, and Holliday seems to sense what he is. But the two men\r\nform a bond. [...]<\/i>\" (Chuck Rothman, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, septembre 2017)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Lighspeed<\/i> #132, mai 2021 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2017 <b>The Evening of Their Span of Days<\/b> (nouvelle, SF), \r\nanthologie <i>Infinity Wars<\/i>, ed. Jonathan Strahan, septembre 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>a maintenance supervisor in charge\r\nof a repair dock for spaceships scurries desperately about, trying to\r\ngather enough supplies to repair the flood of ships likely to come\r\nout of battle damaged in the war that everyone knows is coming but\r\nnobody likes to talk about.<\/i>\" (Gardner Dozois, \r\n<a href=\"https:\/\/locusmag.com\/\">\r\n<i>Locus<\/i><\/a>, novembre 2017)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2017 <b>A Big Break in the Small Time<\/b> (univers partag\u00e9 \r\n<i>Wild Cards<\/i>), anthologie <i>Mississpi Roll<\/i>, \r\ned. George R.R. Martin, d\u00e9cembre 2017\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2018 <b>Where Would You Be Now ?<\/b> (novelette,\r\nunivers <i>Bannerless<\/i>), <i>Tor.com<\/i>, f\u00e9vrier 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2018\/02\/07\/where-would-you-be-now-carrie-vaughn\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Arm\u00e9e, Kath surveille les environs du campement tandis que le\r\ndocteur Dennis et Melanie assistent une femme en train d\u2019accoucher.\r\nTout se passe bien mais, vu l\u2019\u00e9tat des lieux, le b\u00e9b\u00e9 a peu de\r\nchances de d\u00e9passer six mois, selon le docteur Dennis. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Sur le chemin du retour, ils\r\nprennent avec eux trois enfants que leur m\u00e8re a abandonn\u00e9s en\r\nassurant l\u2019a\u00een\u00e9e que le docteur les emm\u00e8nerait \u00e0 la clinique. Tout\r\nen conduisant, Dennis demande \u00e0 Kath o\u00f9\r\nelle serait maintenant si \u2026 Sans doute \u00e0 l\u2019universit\u00e9, ou \u00e0\r\nune soir\u00e9e en train de s\u2019enivrer. Lui serait \u00e0 Palm Springs,\r\nune Corona dans une main et un club de golf dans l\u2019autre. Kath se\r\ndemande ce qu\u2019est devenu son fr\u00e8re Eddie qui se trouvait dans\r\nl\u2019est du pays quand tout s\u2019est effondr\u00e9, quand l\u2019\u00e9lectricit\u00e9\r\n\u00e0 disparu. Peut-\u00eatre le reverra-t-elle un jour. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Le lendemain de leur arriv\u00e9e \u00e0 la clinique prot\u00e9g\u00e9e \r\nde tous c\u00f4t\u00e9s par une barricade, une sentinelle\r\nsignale l\u2019approche d\u2019un convoi et la cloche d\u2019alarme retentit.\r\nTrois voitures, quelques motos, une douzaine de personnes au total. Ce\r\ngenre de visite n\u2019annonce g\u00e9n\u00e9ralement rien de bon.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nCarrie Vaughn explique sur son bloc que \r\ncette novelette \u00e9voque des faits qui se d\u00e9roulent\r\nune soixantaine d\u2019ann\u00e9es avant le roman <i>Bannerless<\/i>\r\net pr\u00e9sentent un personnage secondaire du roman. <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Water\r\nFire Fae<\/i>, octobre 2023 \r\n<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Wastelands: The\r\nNew Apocalypse<\/i>, ed. John Joseph Adams, juin 2019\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2018 <b>A Broken Thread in a Dark Room<\/b>\r\n(univers partag\u00e9 <i>Wild Cards<\/i>), anthologie <i>Wild Cards VIII:\r\nOne-Eyed Jacks<\/i>, ed. George R.R. Martin, ao\u00fbt 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nIl s'agit d'une \u00e9dition augment\u00e9e d'un volume paru initialement en \r\n1991, dans lequel ne figurait pas le texte de Carrie Vaughn.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2018 <b>Harry and Marlowe and the Secret Island\r\nof Ahomana<\/b> (novelette, univers <i>Harry\r\nand Marlowe<\/i>), <i>Lightspeed<\/i> #100, septembre 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/harry-and-marlowe-and-the-secret-of-ahomana\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] reminiscent of the Lost World stories of the late-19th \r\nand early 20th centuries. The titular characters crash their \r\n(steampunk) airship on a Pacific Island, but on the point of \r\nMarlowe\u2019s death they are rescued by islanders and introduced to \r\nthe advanced world the locals have been hiding, apropos of recent \r\ncinematic hits Wonder Woman and Black Panther. How will the heroes \r\ndeal with the injunction that they can never leave?<\/i>\" (Karen Burnham, \r\n<a href=\"https:\/\/locusmag.com\/\">\r\n<i>Locus<\/i><\/a>, octobre 2018)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2018 <b>The Huntsman and the Beast<\/b>\r\n(novelette, fantasy) <i>Asimov\u2019s<\/i>, septembre-octobre 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.lightspeedmagazine.com\/fiction\/the-huntsman-and-the-beast\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2021)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>A young hunter and his Prince\r\nbecome lost in a fierce thunderstorm in this fantasy novelette. When\r\nthey happen upon an old deserted castle, they take shelter. But a\r\nhuge and savage beast, living in the castle, attacks them.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Jack, the huntsman, negotiates with the\r\ntalking beast. He promises to stay as the beast\u2019s prisoner,\r\nallowing the Prince to escape. At first Jack is kept in a locked room\r\nand conversations with the beast are short. Eventually Jack realizes\r\nthe beast is female and he convinces her to let him out, so he can\r\ncook and clean the castle for her.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Over time he discovers snippets of her\r\nstory, how she was cursed by a mage for killing a baron who attacked\r\nher castle. Jack develops a rapport with her, one that is put to the\r\ntest when the [...]<\/i>\" (Kevin P Hallett, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, ao\u00fbt 2018)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Water\r\nFire Fae<\/i>, octobre 2023 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Lightspeed<\/i> #123, ao\u00fbt 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2019 : 24<sup>e<\/sup> place (meilleure novelette)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2018 <b>The Island of Beasts<\/b> (nouvelle, fantasy), \r\n<i>Nightmare <\/i>#75, d\u00e9cembre 2018, accompagn\u00e9 du podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.nightmare-magazine.com\/fiction\/the-island-of-beasts\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>In this intriguing short horror\r\ntale, the Lord of the Wolves has dumped the uncompromising werewolf,\r\nLucy, on the Island of Beasts. Exiled for her unruly behavior, she\r\nmust now find a way to survive an island full of savage werewolves\r\nintent on ripping her apart in five days, at the next full moon.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Shelter, water and some form of a weapon\r\nare her first priorities. But then the wolves come calling to see who\r\nthis rare female werewolf is. But she isn\u2019t about to let herself be\r\nsomeone\u2019s prize. [...]<\/i>\" (Kevin P Hallett, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, d\u00e9cembre 2018)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] it\u2019s a werewolf story.\r\nYes, I do consider it part of the Kitty-world continuity. Just 200\r\nyears before the Kitty novels.<\/i>\" (Carrie Vaughn, sur son blog)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2019 <b>To the Beautiful Shining Twilight<\/b>\r\n(nouvelle, fantasy), <i>F &amp; SF<\/i>, janvier-f\u00e9vrier 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] starts out with Abby finding some dead leaves in \r\nthe till of her coffee shop, a sign to her that Airen, one \r\nof the Faerie and with whom she had a relationship years \r\nbefore, has come back. Of course, Airen hasn't aged and is \r\nthere to offer her an adventure.[...]<\/i>\" (Chuck Rothman, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, d\u00e9cembre 2018)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nPour Carrie Vaughn, cette texte marque une\r\ndate importante. C'est la premi\u00e8re fois que le \"v\u00e9n\u00e9rable\"\r\nmagazine <i>Fantasy &amp; Science Fiction<\/i> publie un de ses\r\ntextes. De son propre aveu, elle a envoy\u00e9 sa premi\u00e8re proposition \u00e0\r\nF &amp; SF en 1990. Vingt-huit ans d'attente finalement r\u00e9compens\u00e9s.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Water\r\nFire Fae<\/i>, octobre 2023 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2019 <b>Harry and Marlowe and the Disinclined\r\nLaboratory<\/b> (nouvelle, univers <i>Harry\r\nand Marlowe<\/i>), <i>Lightspeed<\/i>\r\n#105, f\u00e9vrier 2019, accompagn\u00e9 du podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/marlowe-and-harry-and-the-disinclined-laboratory\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Actually, it\u2019s a Marlowe and Harry story \u2014 Marlowe\u2019s the \r\nviewpoint character this time. I had the idea for a long time \r\nbut it didn\u2019t come together until I switched to his point of \r\nview, and it was a lot of fun finding out how he sees Harry\/Princess \r\nMaud.<\/i>\" (Carrie Vaughn, sur son blog)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>This fills in the gap between Harry and Marlowe Escape \r\nthe Mechanical Siege of Paris and the part of the story where \r\nthey become adventuring partners.<\/i>\"\r\n(Carrie Vaughn, sur son blog)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2019 <b>Unraveling<\/b> (univers partag\u00e9 <i>Wild Cards<\/i>), \r\nanthologie <i>Wild Cards: Jokertown Shuffle<\/i>, \r\ned. George R.R. Martin, avril 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nIl s'agit d'une \u00e9dition augment\u00e9e d'un volume paru initialement \r\nen 1991, dans lequel ne figurait pas le texte de Carrie Vaughn.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2019 <b>Long Is the Way<\/b> (avec Sage Walker,\r\nunivers partag\u00e9 <i>Wild Cards<\/i>), <i>Tor.com<\/i>, mai 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2019\/05\/15\/long-is-the-way-carrie-vaughn-sage-walker\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Zoe Harris is a High Cards player\r\nand an ex-terrorist in this fantasy novelette. In hiding and much\r\nolder, she has disguised herself as a successful businesswoman. But\r\nwhen a journalist tracks her down in the south of France, she\r\nrealizes her past identity has once again caught up with her. Looking\r\nfor some answers, the journalist gets to hear a long and tantalizing\r\nstory of redemption. [...]<\/i>\" (Kevin P Hallett, \r\n<a href=\"https:\/\/www.tangentonline.com\/index.php\">\r\n<i>Tangent Online<\/i><\/a>, mai 2019)<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2019 <b>Gremlin<\/b> (novella, SF) \r\n<i>Asimov's<\/i>, mai-juin 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en chapbook en janvier 2026. Voir onglet Chapbooks.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2020 <b>Sinew and Steel and What They Told<\/b> (nouvelle, \r\nunivers <i>Graff<\/i>-01),  <i>Tor.com<\/i>, f\u00e9vrier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e en chapbook. Voir onglet Chapbooks.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2021 <b>The Book of the Kraken<\/b> (fantasy), \r\n<i>Uncanny<\/i> #39, mars-avril 2021<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/uncannymagazine.com\/authors\/carrie-vaughn\/\">\r\nLien Internet<\/a> (consult\u00e9 en avril 2021)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] a nice sea story told from the point of view\r\nof young Matthew Vale, serving with his older brother on a British\r\nship patrolling American waters (during the War of 1812, perhaps?).\r\nThey encounter a small ship carrying a single passenger, a young\r\nwoman. This ship is remarkably fast, and the crew soon learn that it\r\nis propelled by what seems to be a huge, intelligent, squidlike\r\ncreature. The woman wants to trade information \u2013 her knowledge of a\r\npirate\u2019s location for some hints as to where her own brother\u2019s\r\nship might be. Matthew\u2019s captain agrees to the trade \u2013 putting\r\nMatthew in a moral quandary when the captain then orders them to\r\nbetray their agreement and try to capture the \u2018\u2018kraken.\u2019\u2019\r\nSolid stuff, possibly part of something bigger.<\/i>\" (Rich Horton, \r\n<a href=\"https:\/\/locusmag.com\/2021\/06\/rich-horton-reviews-short-fiction-uncanny-and-weird-tales\/\">\r\n<i>Locus<\/i><\/a>, mai 2021 pour la version papier)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2021 <b>An Easy Job<\/b> (nouvelle, univers <i>Graff<\/i>-02), <i>Tor.com<\/i>, juin 2021<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e en chapbook. Voir rubrique Chapbooks.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2021 <b>The Burning Girl<\/b> (fantasy\/uchronie), \r\n<i>Beneath Ceaseless Skies<\/i> #340, octobre 2021 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.beneath-ceaseless-skies.com\/stories\/the-burning-girl\/\">\r\nLien Internet<\/a> (consult\u00e9 en octobre 2021)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] an alternate history in which William the Conqueror \r\nis helped by Sir Gilbert who gathers to him people with \r\nextraordinary powers \u2013 what we\u2019d think of as superpowers but \r\ndeemed cursed at the time. The narrator is a girl with fire \r\npowers who had been confined to an abbey before Sir Gilbert\u2019s \r\narrival. His band of six individuals is enough to take York, but \r\nkings are not always faithful in their promises. [...]<\/i>\" (Karen Burnham, \r\n<a href=\"https:\/\/locusmag.com\/\"><i>Locus<\/i><\/a>,\r\nd\u00e9cembre 2021 pour la version papier)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Water\r\nFire Fae<\/i>, octobre 2023 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l\u2019anthologie <i>The Year\u2019s Top \r\nTales of Space and Time 2<\/i>, ed. Allan Kaster, septembre 2022. \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2021 <b>Entanglement, or How I Failed to Knit a\r\nSweater for My Boyfriend<\/b> (nouvelle, fantasy), \r\n<i>Lightspeed<\/i> #139, d\u00e9cembre 2021 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.lightspeedmagazine.com\/fiction\/entanglement-or-how-i-failed-to-knit-a-sweater-for-my-boyfriend\/\">\r\nLien Internet<\/a> (consult\u00e9 en d\u00e9cembre 2021)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] Alex is a fallen angel whose girlfriend decides to \r\nknit a sweater. She\u2019s an accomplished knitter but doesn\u2019t \r\nknow how to accommodate Alex\u2019s wings.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Still, she keeps the project secret,\r\nwanting to surprise Alex. After all, it\u2019s her creative skills that\r\nAlex finds attractive. But knitting a sweater for an angel awakens\r\nsome unforeseen powers, and Alex\u2019s girlfriend soon finds herself\r\nsurrounded by warlike angels. [...]<\/i>\" (Kevin P. Hallett, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-monthly\/lightspeed-139-december-2021\/\">\r\n<i>Tangent Online<\/i><\/a>, d\u00e9cembre 2021)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Water\r\nFire Fae<\/i>, octobre 2023 <\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2022 <b>Dead Poets<\/b> (nouvelle, slipstream ? fantastique ?),\r\nanthologie <i>Someone in Time: Tales of Time-Crossed Romance<\/i>, \r\ned. Jonathan Strahan, juin 2022<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>La narratrice, amoureuse des mots et des\r\npo\u00e8mes, utilise ses droits d\u2019acc\u00e8s pour se faufiler dans le\r\nd\u00e9partement d'arch\u00e9ologie et emprunter une kylix antique vieille de\r\n2600 ans, d\u00e9couverte sur l'\u00eele de Lesbos et dont elle veut croire\r\nqu\u2019elle a appartenu \u00e0 Sappho. De retour chez elle, apr\u00e8s avoir\r\nachet\u00e9 une bouteille de Vin Santo, elle porte la tasse \u00e0 ses l\u00e8vres\r\navec l\u2019id\u00e9e stupide de traverser les si\u00e8cles. La lumi\u00e8re change,\r\nle sol s'ouvre et semble se transformer en une porte et...<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Quand elle ouvre les yeux, elle se trouve dans une \r\npi\u00e8ce en pierre qui sent le moisi. Un homme d'une\r\ntrentaine d'ann\u00e9es est allong\u00e9 sur un lit de camp.\r\nElle reconna\u00eet des v\u00eatements de l'Angleterre du 16\u00e8me\r\nsi\u00e8cle. Elle sait o\u00f9 elle est\u00a0: la Tour de\r\nLondres. L\u2019homme est Sir Thomas Wyatt, celui\r\nqui a \u00e9crit les premiers sonnets en anglais et a \u00e9t\u00e9\r\nemprisonn\u00e9 dans la Tour parce qu'il \u00e9tait soup\u00e7onn\u00e9 d'\u00eatre un\r\ndes amants d'Anne Boleyn. La l\u00e9gende veut qu'il ait assist\u00e9\r\n\u00e0 son ex\u00e9cution depuis sa cellule. C'est de la folie, c'est\r\ntout simplement de la folie...<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Water\r\nFire Fae<\/i>, octobre 2023 <\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2022 <b>Polly and (Not) Charles Conquer the Solar System<\/b>\r\n(novella, SF), <i>Clarkesworld<\/i> #191, \r\nao\u00fbt 2022, compl\u00e9t\u00e9 du podcast <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/clarkesworldmagazine.com\/vaughn_08_22\/\">\r\nLien Internet<\/a> (consult\u00e9 en ao\u00fbt 2022) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Polly Newton a toujours r\u00eav\u00e9 de\r\ndevenir capitaine de vaisseau spatial. Lieutenante sur le Sunnyside\r\nUp, elle esp\u00e8re obtenir ce poste sur les premi\u00e8res missions\r\ninterstellaires, d\u2019ici une demi-douzaine d\u2019ann\u00e9es. Rares sont\r\nceux qui savent qu\u2019elle fait partie de la famille Newton, une des\r\nplus c\u00e9l\u00e8bres sur Mars. Son fr\u00e8re jumeau Charles, leader de la\r\ncoalition politique des Guthries, a \u00e9t\u00e9 le plus jeune \u00e9lu au\r\nConseil de gouvernance martien. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Polly surveille les moniteurs et les\r\nalarmes en compagnie de deux autres officiers quand on lui transmet\r\nun message personnel. Le Dr Patel lui apprend que Charles est sous\r\ntraitement pour un probl\u00e8me cardiaque et lui demande de revenir sur\r\nMars Colony One aussit\u00f4t que possible. Au message est jointe l\u2019image\r\nd\u2019un homme-poisson, dont elle est incapable de comprendre la\r\nsignification. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>D\u00e9cid\u00e9e \u00e0 en savoir plus, Polly prend contact avec une tr\u00e8s \r\nproche collaboratrice de son fr\u00e8re. Anda Guzman est cat\u00e9gorique\u00a0: \r\nCharles n\u2019est pas \u00e0 l\u2019h\u00f4pital o\u00f9 on annonce sa pr\u00e9sence. Polly \r\ndoit prendre une d\u00e9cision, le Sunnyside Up ne se trouve plus \r\nqu\u2019\u00e0 trois jours de la station Europe, la derni\u00e8re possibilit\u00e9 \r\npour Polly de quitter le vaisseau.<\/i> (P.C.) <\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2023 <b>Time: Marked and Mended<\/b> (novelette, univers <i>Graff<\/i>-03), \r\n<i>Tor.com<\/i>, janvier 2023<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2023\/01\/11\/time-marked-and-mended-carrie-vaughn\/\">\r\nLien Internet<\/a> (consult\u00e9 en janvier 2023) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e en chapbook. Voir onglet Chapabooks. \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2023 <b>Learning Letters<\/b> (nouvelle, univers <i>Bannerless<\/i>),\r\n<i>Lightspeed<\/i> #153, f\u00e9vrier 2023, accompagn\u00e9 du podcast <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.lightspeedmagazine.com\/fiction\/learning-letters\/\">\r\nLien Internet<\/a> (consult\u00e9 en f\u00e9vrier 2023) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Enid apprend \u00e0 lire \u00e0 la petite Rose,\r\nquand un habitant accourt avec une nouvelle stup\u00e9fiante. Un \u00e9tranger\r\nest arriv\u00e9 \u00e0 bord d\u2019un\u2026 avion. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Elle sait ce qu\u2019\u00e9taient les avions\r\ngr\u00e2ce \u00e0 ses livres, mais personne \u00e0 Haven n\u2019en a jamais vus.\r\nL\u2019engin a atterri dans un champ et un homme en descend. Il porte en\r\nbandouli\u00e8re un objet dans lequel elle reconna\u00eet un fusil, mais il\r\nne fait pas mine de vouloir s\u2019en servir. Son accent est si \u00e9trange\r\nqu\u2019Enid met du temps \u00e0 comprendre qu\u2019il parle la m\u00eame langue\r\nqu\u2019elle. Il vient de New York et apporte une lettre r\u00e9dig\u00e9e il y\r\na  trente ans et destin\u00e9e \u00e0 Kathy Lane. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Enid va devoir lui annoncer que Tante Kath est morte. \r\nPuis elle va apprendre l\u2019histoire de ce courrier.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLa tante Kath, destinatrice de la lettre apport\u00e9e par \r\nl\u2019aviateur, \u00e9tait le personnage central de la novelette \r\n<i>Where Would You Be Now ?<\/i> (2018). Dans ce r\u00e9cit, \r\nelle s\u2019interrogeait sur ce qu\u2019\u00e9tait devenu son fr\u00e8re Eddie \r\ndont elle avait \u00e9t\u00e9 s\u00e9par\u00e9e quand tout s\u2019est effondr\u00e9. \r\n<i>Learning Letters<\/i> apporte la r\u00e9ponse \u00e0 cette question. \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2023 <b>Vast and Trunkless Legs of Stone<\/b> (nouvelle, SF),\r\n<i>Clarkesworld<\/i> #201, juin 2023, accompagn\u00e9 du podcast <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/clarkesworldmagazine.com\/vaughn_06_23\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2023) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>The narrator [...]\r\nis chosen to be the first person to meet with one of the aliens who\r\nhave just arrived on Earth. The aliens specifically demand that the\r\nhuman representative not be a leader, but merely an ordinary member\r\nof the species. During their meeting (not a negotiation, but just a\r\nconversation, according to the aliens) the alien asks the narrator a\r\nstrange question, the answer to which may have serious consequences\r\nfor humanity. [...]<\/i>\" (Victoria Silverwolf, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-monthly\/clarkesworld-201-june-2023\/\">\r\n<i>Tangent Online<\/i><\/a>, juin 2023) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2023 <b>The Queen of Copies Meets Her Match<\/b> (flash \r\nfiction), <i>Analog<\/i>, juillet-ao\u00fbt 2023 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] flash fiction, in which Vaughn \r\nimagines her photocopier has AI capabilities, which it evokes\r\nmuch to her annoyance. [...]<\/i>\" (Mike Bickerdike, \r\n<a href=\"https:\/\/tangentonline.com\/print-bi-monthly\/analog-july-august-2023\/\">\r\n<i>Tangent Online<\/i><\/a>, ao\u00fbt 2023)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2023 <b>The Tyrant\u2019s Heir\u2019s Tale<\/b> (nouvelle, fantasy), \r\n<i>Beneath Ceaseless Skies<\/i> #392, octobre 2023 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.beneath-ceaseless-skies.com\/stories\/the-tyrants-heirs-tale\/\">\r\nLien Internet<\/a> (consult\u00e9 en octobre 2023) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] takes place several years after rebels overthrew a \r\ntyrannical king who ruled by evil magic. The leader of the rebels is \r\ndead, and his son is now king. In a clandestine meeting with the \r\nsurviving rebels, he elicits the truth behind the corpse of a woman, \r\nwho had apparently just given birth, that was found hidden in his \r\ncastle. [...]<\/i>\" (Victoria Silverwolf, \r\n<a href=\"https:\/\/tangentonline.com\/e-marketbi-weekly\/beneath-ceaseless-skies-392-october-5-2023\/\">\r\n<i>Tangent Online<\/i><\/a>, octobre 2023) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2023 <b>Not the Most Romantic Thing<\/b> (nouvelle, univers <i>Graff<\/i>-04), \r\n<i>Tor.com<\/i>, octobre 2023 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e en chapbook. Voir onglet Chapbooks. \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2024 <b>Himalia<\/b> (novelette, SF), \r\n<i>Clarkesworld<\/i> #213, juin 2024 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/clarkesworldmagazine.com\/vaughn_06_24\/\">\r\nLien Internet<\/a> (consult\u00e9 en juin 2024) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Jenny revient apr\u00e8s quinze ans d\u2019absence, sur Himalia, un\r\nsatellite de Jupiter. Ils se pressent pour l\u2019accueillir\u00a0:\r\nChick et Mal, Bella et Vin. Pourtant, quand elle demande o\u00f9 est\r\nNIri, elle n\u2019obtient pour toute r\u00e9ponse qu\u2019un silence g\u00ean\u00e9. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>La station est en fin de vie et, dansquatre jours, \r\nelle sera d\u00e9finitivement plong\u00e9e dans l'obscurit\u00e9.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Bella, la m\u00e8re de Niri, raconte qu'il y\r\na environ une semaine, sa fille s'est rendue \u00e0 Remote Three, puis\r\nelle a coup\u00e9 toutes les communications et les balises. Elle a fait\r\ns'effondrer le tunnel et ne r\u00e9pond pas aux appels. Bella tente de se\r\nrassurer\u00a0: Niri ne la manquera pas la fen\u00eatre de lancement.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Jenny avait dix-sept ans quand elle est partie, et seulement six \r\nquand elle est arriv\u00e9e sur Himalia. \u00c0 l'\u00e9poque, les satellites de \r\nJupiter \u00e9taient largement inexplor\u00e9s. Le groupe d'\u00e9tude Himalia, \r\nfiliale d'une puissante coop\u00e9rative mini\u00e8re, pr\u00e9voyait des recherches \r\nmin\u00e9ralogiques. Si l'entreprise s'av\u00e9rait rentable, la base deviendrait \r\nune installation permanente. Pour les deux fillettes, la base \u00e9tait la \r\nmaison de jeu et la salle de classe. Himalia \u00e9tait leur monde et elles \r\n\u00e9taient les mascottes de la colonie. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Il faut peu de temps \u00e0 Jenny pour\r\nprendre sa d\u00e9cision : elle ira chercher Niri.<\/i> (P.C.) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2025 : 17<sup>e<\/sup> place (meilleure novelette)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2024 <b>Between Above and Below<\/b> (nouvelle, fantasy), \r\n<i>Lightspeed<\/i> #170, juillet 2024, accompagn\u00e9 du podcast <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.lightspeedmagazine.com\/fiction\/between-above-and-below\/\">\r\nLien Internet<\/a> (consult\u00e9 en avril 2025) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>The main character [...] is an angel who journeys to a \r\nsecluded place on Earth in order to avoid choosing sides in the war \r\nin Heaven. A human being arrives in the isolated mountain area, living \r\nlike a hermit. [...].<\/i>\" (Victoria Silverwolf, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-monthly\/lightspeed-170-july-2024\/\">\r\n<i>Tangent Online<\/i><\/a>, juillet 2024) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2025 <b>Bravado<\/b> (nouvelle, univers <i>Graff<\/i>-05), <i>Reactor<\/i>, janvier 2025 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e en chapbook. Voir onglet Chapbooks. \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2025 <b>Woolly<\/b> (nouvelle, SF), <i>Asimov's<\/i>, mai-juin 2025 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Cloner des mammouths\r\nlaineux a d\u2019abord \u00e9t\u00e9 une exp\u00e9rience scientifique. Puis les\r\nmodifier g\u00e9n\u00e9tiquement et produire une version miniature afin de\r\npermettre aux amateurs de les \u00e9lever plus facilement pour la laine\r\net la viande est devenu une entreprise commerciale. Mais c'est un\r\nfilm \u00e0 faire pleurer Margot qui a vraiment tout g\u00e2ch\u00e9, parce\r\nqu'apr\u00e8s cela, tout le monde a voulu un mammouth laineux miniature.\r\nCe n\u2019est que plus tard qu\u2019on s\u2019est rendu compte qu\u2019ils\r\nfaisaient des animaux de compagnie vraiment merdiques. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Alert\u00e9e par un appel, Joyce Reyes adopte \r\nun mini occup\u00e9 \u00e0 ravager les ordures d'une benne\r\nqu'il a renvers\u00e9e. Elle le ram\u00e8ne \u00e0 sa propri\u00e9t\u00e9 o\u00f9 il \r\nva rejoindre neuf autres cong\u00e9n\u00e8res.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Une semaine plus tard, un fonctionnaire du minist\u00e8re de \r\nl'Agriculture lui rend visite. Il l\u2019informe d\u2019un nouveau r\u00e8glement \r\nqui exige l'arr\u00eat de l'\u00e9levage d'animaux exotiques produits \r\nartificiellement. Joy doit prendre rendez-vous pour l'enl\u00e8vement du \r\nb\u00e9tail en vue de son abattage \u00e0 une date fix\u00e9e par un courrier qu'elle \r\na laiss\u00e9 sur son bureau sans le lire. Sa surprise pass\u00e9e, elle d\u00e9cide \r\nde trouver une \u00e9chappatoire.<\/i> (P.C.) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2025 <b>A Week at the Raven Feather Salon<\/b>\r\n(nouvelle, fantasy), <i>Lightspeed<\/i> #181, juin 2025<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.lightspeedmagazine.com\/fiction\/a-week-at-the-raven-feather-salon\/\">\r\nLien Internet<\/a> (juillet 2025)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] A military veteran runs an artistic salon, where she \r\nworks with other ladies who provide spells and enchantments through \r\nmusic and art. [...]<\/i>\" (Mike Bickerdike, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-monthly\/lightspeed-181-june-2025\/\">\r\n<i>Tangent Online<\/i><\/a>, juin 2025) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2025 <b>The Job Interview<\/b> (nouvelle, SF), <i>Clarkesworld<\/i>\r\n#229, octobre 2025, accompagn\u00e9 du podcast <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/clarkesworldmagazine.com\/vaughn_10_25\/\">\r\nLien Internet<\/a> (consult\u00e9 en d\u00e9cembre 2025) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Lisle Rinzelli, en charge des syst\u00e8mes\r\nde navigation de la station spatiale Roth, est pr\u00e9venue de\r\ndysfonctionnements persistants du syst\u00e8me de communication de\r\nsurface. Elle doit ordonner \u00e0 l\u2019\u00e9quipe d\u2019ing\u00e9nierie\r\nd\u2019intervenir. Ce qu\u2019elle a d\u00e9j\u00e0 fait la veille. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Comme ses messages sont rejet\u00e9s et que\r\nsa demande de visioconf\u00e9rence re\u00e7oit une r\u00e9ponse automatique\r\nd'absence du bureau, elle d\u00e9cide de voir sur place.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Gelbart, le superviseur technique, mange\r\nun sandwich, install\u00e9 \u00e0 la console centrale. \u00c0 un autre poste de\r\ntravail, un de ses subordonn\u00e9s appuie de temps \u00e0 autre sur un\r\nbouton sans raison apparente. Gelbart n\u2019a rien re\u00e7u parce que tout\r\nordre de travail doit transiter par la responsable. Il montre \u00e0\r\nLisle la directive envoy\u00e9e par Morganstern, la superviseure en chef\r\nde la station, proc\u00e9dure qu\u2019elle n\u2019a jamais vue. Elle adorait ce\r\nboulot mais, depuis le changement r\u00e9cent de superviseur, elle\r\ncommence \u00e0 le d\u00e9tester. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Lisle est bien d\u00e9cid\u00e9e \u00e0 r\u00e9gler le probl\u00e8me des \r\ndysfontionnements. De messages \u00e9lectroniques en vid\u00e9oconf\u00e9rences, \r\nsa r\u00e9solution va se heurter aux multiples barrages d'une \r\nbureaucratie kafka\u00efenne. La situation s'aggrave quand\r\ntombe une nouvelle inqui\u00e9tante.<\/i>(P.C.) \r\n<\/p>\r\n<\/div>\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t <div role=\"tabpanel\" class=\"tab-pane \" id=\"tabs_desc_493_7\">\r\n\t\t\t\t\t\t\t\t<div>\r\n<p style=\"text-align : center;font-weight: bold;font-family: Arial, Helvetica, Verdana, sans-serif;font-size: 1.5em\">\r\nS\u00c9LECTION D'ESSAIS\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2009 <b>Urban Fantasy<\/b>, <i>Locus<\/i> #580, mai 2009 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2010 <b>Timeline of a Trend<\/b>, <i>Tor.com<\/i>,\r\njuillet 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2010\/07\/06\/timeline-of-a-trend\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>Gender, and the Greater Issue at Stake<\/b>,\r\n<i>Journey Planet<\/i> #13, juillet 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/efanzines.com\/JourneyPlanet\/JourneyPlanet13.pdf\">\r\nLien Internet<\/a> (ensemble du magazine, consult\u00e9 en septembre 2019)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2016 <b>All the World Is Waiting for You<\/b>, anthologie <i>Last\r\nNight, a Superhero Saved my Life<\/i>, ed. Liesa Mignogna, juin 2016\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2017 <b>Five Books That Make Living and Working in Space Seem\r\nOrdinary<\/b>, <i>Tor.com<\/i>, janvier 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2017\/01\/24\/five-books-that-make-living-and-working-in-space-seem-ordinary\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2017 <b>Iain M. Banks' <\/b><i><b>Use of Weapons<\/b><\/i><b>\r\nand an Extreme Sense of Wonder<\/b>, <i>Tor.com<\/i>, janvier 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2017\/01\/17\/iain-m-banks-use-of-weapons-and-an-extreme-sense-of-wonder\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2017 <b>Resident Evil: A Study of Formula and\r\nSubversion<\/b>, <i>Lightspeed<\/i>\r\n#83, avril 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.lightspeedmagazine.com\/nonfiction\/movie-review-april-2017\/\">\r\nLien Internet<\/a> (consult\u00e9 en septembre 2019)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n+  (<a href=\"http:\/\/www.lightspeedmagazine.com\/authors\/carrie-vaughn\/\">\r\nnombreuses autres critiques de films dans <i>Lightspeed<\/i><\/a>)\r\n<\/p>\r\n<\/div>\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t <div role=\"tabpanel\" class=\"tab-pane \" id=\"tabs_desc_493_8\">\r\n\t\t\t\t\t\t\t\t<div>\r\n<p style=\"text-align : center;font-weight: bold;font-family: Arial, Helvetica, Verdana, sans-serif;font-size: 1.5em\">\r\nLIENS INTERNET\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nSite personnel :<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.carrievaughn.com\/\">\r\nhttps:\/\/www.carrievaughn.com\/<\/a>\r\n(consult\u00e9 en septembre 2019)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nEncyclopedia of Science Fiction :<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.sf-encyclopedia.com\/entry\/vaughn_carrie\">\r\nhttps:\/\/www.sf-encyclopedia.com\/entry\/vaughn_carrie<\/a>\r\n(consult\u00e9 en septembre 2019)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nInternet Speculative Fiction Data Base :<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.isfdb.org\/cgi-bin\/ea.cgi?33709\">\r\nhttp:\/\/www.isfdb.org\/cgi-bin\/ea.cgi?33709<\/a>\r\n(consult\u00e9 en septembre 2019)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nWikipedia :<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/en.wikipedia.org\/wiki\/Carrie_Vaughn\">\r\nhttps:\/\/en.wikipedia.org\/wiki\/Carrie_Vaughn<\/a>\r\n(consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Carrie_Vaughn\">\r\nhttps:\/\/fr.wikipedia.org\/wiki\/Carrie_Vaughn<\/a>\r\n(consult\u00e9 en septembre 2019)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nNooSFere :<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.noosfere.org\/livres\/auteur.asp?numauteur=2147189615\">\r\nhttps:\/\/www.noosfere.org\/livres\/auteur.asp?numauteur=2147189615<\/a>\r\n(consult\u00e9 en septembre 2019)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nQuarante-Deux :<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">rien\r\n<\/p>\r\n<\/div>\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t <\/div>\r\n\t\t\t\t\t \r\n\t\t\t\t <\/div>\r\n <script>\r\n\t\tjQuery(function () {\r\n\t\t\tjQuery('#myTab_493 a:first').tab('show')\r\n\t\t});\r\n\t\t\r\n\t\t\t\tjQuery(function(){\r\n\t\t\tvar b=\"fadeIn\";\r\n\t\t\tvar c;\r\n\t\t\tvar a;\r\n\t\t\td(jQuery(\"#myTab_493 a\"),jQuery(\"#tab-content_493\"));function d(e,f,g){\r\n\t\t\t\te.click(function(i){\r\n\t\t\t\t\ti.preventDefault();\r\n\t\t\t\t\tjQuery(this).tab(\"show\");\r\n\t\t\t\t\tvar h=jQuery(this).data(\"easein\");\r\n\t\t\t\t\tif(c){c.removeClass(a);}\r\n\t\t\t\t\tif(h){f.find(\"div.active\").addClass(\"animated \"+h);a=h;}\r\n\t\t\t\t\telse{if(g){f.find(\"div.active\").addClass(\"animated \"+g);a=g;}else{f.find(\"div.active\").addClass(\"animated \"+b);a=b;}}c=f.find(\"div.active\");\r\n\t\t\t\t});\r\n\t\t\t}\r\n\t\t});\r\n\t\t\r\n\r\n\t\tfunction do_resize(){\r\n\r\n\t\t\tvar width=jQuery( '.tab-content .tab-pane iframe' ).width();\r\n\t\t\tvar height=jQuery( '.tab-content .tab-pane iframe' ).height();\r\n\r\n\t\t\tvar toggleSize = true;\r\n\t\t\tjQuery('iframe').animate({\r\n\t\t\t    width: toggleSize ? width : 640,\r\n\t\t\t    height: toggleSize ? height : 360\r\n\t\t\t  }, 250);\r\n\r\n\t\t\t  toggleSize = !toggleSize;\r\n\t\t}\r\n\r\n\r\n\t<\/script>\r\n\t\t\t\t\r\n\t\t\t<br \/>\n<div class=\"post-views content-post post-493 entry-meta load-static\">\r\n\t\t\t\t<span class=\"post-views-icon dashicons dashicons-chart-bar\"><\/span> <span class=\"post-views-label\">Post Views:<\/span> <span class=\"post-views-count\">0<\/span>\r\n\t\t\t<\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":358,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/sfanglo21.noosfere.org\/index.php?rest_route=\/wp\/v2\/pages\/494"}],"collection":[{"href":"https:\/\/sfanglo21.noosfere.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sfanglo21.noosfere.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sfanglo21.noosfere.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sfanglo21.noosfere.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=494"}],"version-history":[{"count":2,"href":"https:\/\/sfanglo21.noosfere.org\/index.php?rest_route=\/wp\/v2\/pages\/494\/revisions"}],"predecessor-version":[{"id":544,"href":"https:\/\/sfanglo21.noosfere.org\/index.php?rest_route=\/wp\/v2\/pages\/494\/revisions\/544"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sfanglo21.noosfere.org\/index.php?rest_route=\/wp\/v2\/media\/358"}],"wp:attachment":[{"href":"https:\/\/sfanglo21.noosfere.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}