{"id":618,"date":"2020-05-04T10:56:49","date_gmt":"2020-05-04T08:56:49","guid":{"rendered":"https:\/\/sfanglo21.noosfere.org\/?page_id=618"},"modified":"2020-05-24T17:29:15","modified_gmt":"2020-05-24T15:29:15","slug":"elizabeth-bear","status":"publish","type":"page","link":"https:\/\/sfanglo21.noosfere.org\/?page_id=618","title":{"rendered":"Elizabeth Bear"},"content":{"rendered":"<p>\t\t\t\t\t\t<style>\r\n\t\t\t\t\r\n\t\t\t\t\t#tab_container_617 {\r\n\toverflow:hidden;\r\n\tdisplay:block;\r\n\twidth:100%;\r\n\tborder:0px solid #ddd;\r\n\tmargin-bottom:30px;\r\n\t}\r\n\r\n#tab_container_617 .tab-content{\r\n\tpadding:20px;\r\n\tborder: 1px solid #dddeca !important;\r\n\tmargin-top: 0px;\r\n\tbackground-color:#f6f7e3 !important;\r\n\tcolor: #000000 !important;\r\n\tfont-size:14px !important;\r\n\tfont-family: Verdana !important;\r\n\t\r\n\t\tborder: 1px solid #dddeca !important;\r\n\t}\r\n#tab_container_617 .wpsm_nav-tabs {\r\n    border-bottom: 0px solid #ddd;\r\n}\r\n#tab_container_617 .wpsm_nav-tabs > li.active > a, #tab_container_617 .wpsm_nav-tabs > li.active > a:hover, #tab_container_617 .wpsm_nav-tabs > li.active > a:focus {\r\n\tcolor: #1e73be !important;\r\n\tcursor: default;\r\n\tbackground-color: #ffffff !important;\r\n\tborder: 1px solid #e6e6e6 !important;\r\n}\r\n\r\n#tab_container_617 .wpsm_nav-tabs > li > a {\r\n    margin-right: 0px !important; \r\n    line-height: 1.42857143 !important;\r\n    border: 1px solid #ececec !important;\r\n    border-radius: 0px 0px 0 0 !important; \r\n\tbackground-color: #ffffff !important;\r\n\tcolor: #5e9ca0 !important;\r\n\tpadding: 15px 18px 15px 18px !important;\r\n\ttext-decoration: none !important;\r\n\tfont-size: 14px !important;\r\n\ttext-align:center !important;\r\n\tfont-family: Verdana !important;\r\n}\r\n#tab_container_617 .wpsm_nav-tabs > li > a:focus {\r\noutline: 0px !important;\r\n}\r\n\r\n#tab_container_617 .wpsm_nav-tabs > li > a:before {\r\n\tdisplay:none !important;\r\n}\r\n#tab_container_617 .wpsm_nav-tabs > li > a:after {\r\n\tdisplay:none !important ;\r\n}\r\n#tab_container_617 .wpsm_nav-tabs > li{\r\npadding:0px !important ;\r\nmargin:0px;\r\n}\r\n\r\n#tab_container_617 .wpsm_nav-tabs > li > a:hover , #tab_container_617 .wpsm_nav-tabs > li > a:focus {\r\n    color: #5e9ca0 !important;\r\n    background-color: #ffffff !important;\r\n\tborder: 1px solid #ececec !important;\r\n\t\r\n}\r\n#tab_container_617 .wpsm_nav-tabs > li > a .fa{\r\n\r\nmargin-right:5px !important;\r\n\r\nmargin-left:5px !important;\r\n\r\n\r\n}\r\n\r\n\t\t#tab_container_617 .wpsm_nav-tabs a{\r\n\t\t\tbackground-image: none;\r\n\t\t\tbackground-position: 0 0;\r\n\t\t\tbackground-repeat: repeat-x;\r\n\t\t}\r\n\t\t\t\r\n\r\n\r\n#tab_container_617 .wpsm_nav-tabs > li {\r\n    float: left;\r\n    margin-bottom: -1px !important;\r\n\tmargin-right:0px !important; \r\n}\r\n\r\n\r\n#tab_container_617 .tab-content{\r\noverflow:hidden !important;\r\n}\r\n\r\n\r\n@media (min-width: 769px) {\r\n\r\n\t#tab_container_617 .wpsm_nav-tabs > li{\r\n\t\tfloat:left !important ;\r\n\t\t\t\tmargin-right:-1px !important;\r\n\t\t\t\t\t}\r\n\t#tab_container_617 .wpsm_nav-tabs{\r\n\t\tfloat:none !important;\r\n\t\tmargin:0px !important;\r\n\t}\r\n\r\n\t#tab_container_617 .wpsm_nav-tabs > li {\r\n\t\t\t\t\r\n\t}\r\n\t#tab_container_617 .wpsm_nav{\r\n\t\t\t\tmargin-bottom: 8px !important;\r\n\t\t\t}\r\n\r\n}\r\n\r\n\r\n\r\n@media (max-width: 768px) {\r\n\t#tab_container_617 .wpsm_nav-tabs > li {\r\n\t\t\t\t\r\n\t}\r\n\t#tab_container_617 .wpsm_nav{\r\n\t\t\t\tmargin-bottom: 8px !important;\r\n\t\tmargin-right:0px !important;\r\n\t\tmargin-left:0px !important;\r\n\t\t\t}\r\n}\r\n\r\n\r\n\t.wpsm_nav-tabs li:before{\r\n\t\tdisplay:none !important;\r\n\t}\r\n\r\n\t@media (max-width: 768px) {\r\n\t\t\t\t\r\n\t\t\t\t.wpsm_nav-tabs{\r\n\t\t\tmargin-left:0px !important;\r\n\t\t\tmargin-right:0px !important; \r\n\t\t\t\r\n\t\t}\r\n\t\t\t\t#tab_container_617 .wpsm_nav-tabs > li{\r\n\t\t\tfloat:none !important;\r\n\t\t}\r\n\t\t\t\r\n\t}\t\t\t\t<\/style>\r\n\t\t\t\t<div id=\"tab_container_617\" >\r\n\t \r\n\t\t\t\t\t<ul class=\"wpsm_nav wpsm_nav-tabs\" role=\"tablist\" id=\"myTab_617\">\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<li role=\"presentation\"  class=\"active\"  onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t<a href=\"#tabs_desc_617_1\" aria-controls=\"tabs_desc_617_1\" role=\"tab\" data-toggle=\"tab\">\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span>Biographie<\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<li role=\"presentation\"  onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t<a href=\"#tabs_desc_617_2\" aria-controls=\"tabs_desc_617_2\" role=\"tab\" data-toggle=\"tab\">\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span>Univers<\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<li role=\"presentation\"  onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t<a href=\"#tabs_desc_617_3\" aria-controls=\"tabs_desc_617_3\" role=\"tab\" data-toggle=\"tab\">\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span>Romans<\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<li role=\"presentation\"  onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t<a href=\"#tabs_desc_617_4\" aria-controls=\"tabs_desc_617_4\" role=\"tab\" data-toggle=\"tab\">\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span>Recueils<\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<li role=\"presentation\"  onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t<a href=\"#tabs_desc_617_5\" aria-controls=\"tabs_desc_617_5\" role=\"tab\" data-toggle=\"tab\">\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span>Chapbooks<\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<li role=\"presentation\"  onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t<a href=\"#tabs_desc_617_6\" aria-controls=\"tabs_desc_617_6\" role=\"tab\" data-toggle=\"tab\">\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span>R\u00e9cits<\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<li role=\"presentation\"  onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t<a href=\"#tabs_desc_617_7\" aria-controls=\"tabs_desc_617_7\" role=\"tab\" data-toggle=\"tab\">\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span>Essais<\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<li role=\"presentation\"  onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t<a href=\"#tabs_desc_617_8\" aria-controls=\"tabs_desc_617_8\" role=\"tab\" data-toggle=\"tab\">\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span>Liens<\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\t\t\t\t <\/ul>\r\n\r\n\t\t\t\t\t  <!-- Tab panes -->\r\n\t\t\t\t\t  <div class=\"tab-content\" id=\"tab-content_617\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t <div role=\"tabpanel\" class=\"tab-pane  in active \" id=\"tabs_desc_617_1\">\r\n\t\t\t\t\t\t\t\t<div>\r\n<p style=\"text-align : center;font-weight: bold;font-family: Arial, Helvetica, Verdana, sans-serif;font-size: 1.5em\">\r\nBIOGRAPHIE\r\n<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nElizabeth Bear est n\u00e9e Sarah Bear Elizabeth Wishnevsky \r\nle 22 septembre 1971 \u00e0 Hartford, Connecticut (\u00c9tats-Unis).<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nElle fr\u00e9quente l'universit\u00e9 du\r\nConnecticut, o\u00f9 elle \u00e9tudie l'anglais et l'anthropologie, sans\r\ntoutefois obtenir de dipl\u00f4me. Elle travaille en tant que r\u00e9dactrice\r\ntechnique, employ\u00e9e d'\u00e9curie, reporter et dans divers emplois de\r\nbureau, puis \u00e9crit \u00e0 plein temps depuis 2006.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nElle \u00e9pouse Christopher Kindred en 2000 et\r\ndivorce en 2007.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nBear vend quelques nouvelles \u00e0 des\r\npublications de petite presse dans les ann\u00e9es 1990, mais elle\r\ncommence \u00e0 \u00e9crire s\u00e9rieusement en 2001. Un des premiers textes \u00e0\r\nla faire remarquer, <i>e e \"doc\"\r\ncummings<\/i>, est publi\u00e9 dans le <i>Magazine of Fantasy &amp;\r\nScience Fiction<\/i> (F &amp; SF) en mars 2003. <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nElle remporte le prix Campbell du meilleur\r\nnouvel auteur en 2005<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nSon premier roman <i>Hammered<\/i> (2005)\r\nobtient le prix Locus du meilleur premier roman et \r\nlance la trilogie <i>Jenny Casey<\/i>. Elle publie deux romans\r\nind\u00e9pendants, <i>Carnival<\/i> (2006) et <i>Undertow<\/i> (2007), puis\r\nse consacre surtout \u00e0 diverses s\u00e9ries. Celles qui rel\u00e8vent de \r\nla science-fiction sont <i>Jacob's Ladder<\/i>, <i>Boojumverse<\/i> \r\n(en nouvelles et nouvelettes) et <i>White Space<\/i>.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nElle s'associe \u00e0 Sarah Monette pour la\r\ns\u00e9rie <i>Iskryne<\/i>, une d\u00e9construction sauvage de fantasy de\r\n\"compagnons animaux\". De 2007 \u00e0 2014, elle collabore \u00e0 la\r\ns\u00e9rie web <i>Shadow Unit<\/i>, des enqu\u00eates surnaturelles de la\r\nForce Op\u00e9rationnelle pour les Crimes Anormaux de l'Unit\u00e9 d'Analyse\r\nComportementale du FBI, avec Emma Bull, Sarah Monette, Will\r\nShetterly, Leah Bobet, C.L. Polk, Amanda Downum, Steven \r\nBrust et Holly Black.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nEn 2008, sa nouvelle <i>Tideline<\/i> obtient le prix Hugo, le prix\r\nSturgeon et le prix des lecteurs d'Asimov's SF. L'ann\u00e9e suivante,\r\n<i>Shoggoths In Bloom<\/i> remporte le prix Hugo de la meilleure\r\nnovelette, tandis qu'en 2013, c'est le recueil <i>Shoggoths In \r\nBloom<\/i> qui est r\u00e9compens\u00e9 du prix Locus du meilleur recueil. \r\nLa novella <i>A Blessing of Unicorns<\/i> est victorieuse au prix \r\ndes lecteurs d'Asimov's SF 2022<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nAu fil des ann\u00e9es, elle passe tour \u00e0 tour de la science-fiction \r\n\u00e0 la fantasy et inversement, avec le m\u00eame succ\u00e8s.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nElle participe \u00e0 l'animation du podcast SF\r\n<i>Squeecast<\/i>, qui re\u00e7oit le prix Hugo en 2012 et en 2013.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nElle enseigne aux ateliers d'\u00e9criture\r\nViable Paradise et Clarion West.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nApr\u00e8s avoir pass\u00e9 plusieurs ann\u00e9es \u00e0\r\nLas Vegas, elle retourne en Nouvelle-Angleterre en 2006. Elle vit\r\naujourd'hui dans le Wisconsin avec l'\u00e9crivain de fantasy Scott\r\nLynch, son partenaire depuis 2011 et \u00e9poux depuis 2016.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nSource principale : \r\n<a href=\"https:\/\/locusmag.com\/2020\/05\/elizabeth-bear-everyones-utopia-is-someones-dystopia\/\">\r\n<i>Locus<\/i><\/a>, mai 2020 pour la version papier\r\n<\/p>\r\n<\/div>\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t <div role=\"tabpanel\" class=\"tab-pane \" id=\"tabs_desc_617_2\">\r\n\t\t\t\t\t\t\t\t<div>\r\n<p style=\"text-align : center;font-weight: bold;font-family: Arial, Helvetica, Verdana, sans-serif;font-size: 1.5em\">\r\nUNIVERS\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>Jenny Casey \/ Worldwired<\/b>\r\n(trilogie SF + nouvelles)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u00c0 partir du deuxi\u00e8me quart du vingt-et-uni\u00e8me si\u00e8cle, le d\u00e9r\u00e8glement \r\nclimatique bouleverse la situation g\u00e9o-politique. Les hivers sont \r\nbrutaux et les \u00e9t\u00e9s torrides depuis l'arr\u00eat du circuit thermohalin \r\nmondial, les eaux glaciales de l'Atlantique remontent le long des \r\nvall\u00e9es fluviales et soumettent les digues \u00e0 leur pressionj. La \r\nNouvelle-Orl\u00e9ans flotte sur des barges et Houston a \u00e9t\u00e9 abandonn\u00e9e \r\n\u00e0 la mer. Les \u00c9tats-Unis ont cess\u00e9 d'\u00eatre une super-puissance avec \r\nl'arriv\u00e9e au pouvoir du R\u00e9gime Fasciste Chr\u00e9tien. Seul le Canada \r\nsemble capable de faire face \u00e0 une R\u00e9publique Populaire Panchinoise \r\nd'autant plus agressive qu'elle se montre incapable de faire face \r\n\u00e0 la famine qui r\u00e8gne dans le pays. Pour d\u00e9fendre les voisins de la \r\nChine, le Canada intervient dans des guerres qui deviennent vite \r\nimpopulaires, comme le conflit PanMalaisien, d\u00e9clench\u00e9 lors de la \r\nmise en service due l'ascenseur spatial malaisien. La mont\u00e9e des \r\noc\u00e9ans, les mauvaises r\u00e9coltes, les temp\u00eates erratiques sont \u00e0 \r\nl'origine du conflit sud-africain et de l'Action au Panama qui \r\natteint le Br\u00e9sil et l'Argentine.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nPetit \u00e0 petit, les conflits ouverts se transforment en une guerre \r\nfroide. Les Canadiens sont les premiers \u00e0 s'installer sur la Lune, \r\npuis sur Mars avant d'y retrouver leurs rivaux chinois. En 2062, la \r\npopulation continue de baisser, mais les \u00e9meutes de la faim et le \r\nr\u00e9gime fasciste chr\u00e9tien sont largement d\u00e9pass\u00e9s.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nEn 2037, Jenny Casey a failli mourir br\u00fbl\u00e9e vive. La\r\npartie gauche de son corps a \u00e9t\u00e9 en grande partie d\u00e9truite par un\r\ntir de missile anti-tank alors qu\u2019elle conduisait un v\u00e9hicule de\r\ntransport de troupes canadiennes. Un traitement chirurgical \r\nr\u00e9volutionnaire lui permet de survivre \u00e0 un terrible prix\u00a0: \r\nun \u0153il gauche proth\u00e9tique, un bras gauche en m\u00e9tal et des \r\ndouleurs permanentes malgr\u00e9 les drogues. Elle termine n\u00e9anmoins \r\nses vingt ans de vie militaire et retourne au combat en tant que \r\npilote d'\u00e9vacuation sanitaire. Elle re\u00e7oit de multiples d\u00e9coration, \r\nen reconnaissance des vies qu\u2019elle a sauv\u00e9es. Puis elle quitte le \r\nCanada et se cr\u00e9e une novelle vie dans le Connecticut.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\"> \r\nEn 2062, son pass\u00e9 la rattrape.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nR\u00e9cits situ\u00e9s dans cet univers (par ordre de publication) : <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Hammered<\/i> (2005, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Scardown<\/i> (2005, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Worldwired<\/i> (2005, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Gone to Flowers<\/i> (2006, nouvelle) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>Promethean Age<\/b> (modern fantasy)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>The Promethean Age<\/i> est un univers o\u00f9\r\nla Terre et les F\u00e9es, le Ciel et l'Enfer, sont des dimensions qui se\r\nchevauchent et s'entrem\u00ealent. La Terre est \u00e0 peu pr\u00e8s telle que\r\nnous la connaissons, sauf que dans les endroits que personne ne\r\nregarde habituellement de pr\u00e8s, il y a des Mages, dont beaucoup sont\r\nmembres du Club Prom\u00e9th\u00e9e, une organisation qui, depuis des\r\nsi\u00e8cles, m\u00e8ne une guerre contre le royaume des F\u00e9es pour le\r\ncontr\u00f4le de la Terre. Mais les mages humains ou les f\u00e9es de l'autre\r\nmonde ne sont pas des blocs monolithiques, et des luttes de pouvoir\r\nopposent diff\u00e9rentes factions dans les deux camps. Sans compter que\r\nles diff\u00e9rents partis ont des all\u00e9geances diverses avec le Ciel et\r\nl'Enfer. (d\u2019apr\u00e8s \r\n<a href=\"https:\/\/bibliogramma.dreamwidth.org\/83345.html\">\r\nMy Life in Books<\/a>, janvier 2009)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nR\u00e9cits situ\u00e9s dans cet univers (par ordre de publication) : <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n-<i> Blood and Iron<\/i> (2006, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Cryptic Coloration<\/i> (2007, novelette) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Whiskey and Water<\/i> (2007, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Ink and Steel<\/i> (2008, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Hell and Earth<\/i> (2008, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nSous-s\u00e9rie :<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<b>One-Eyed Jack and the Suicide King<\/b><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nR\u00e9cits situ\u00e9s dans cet univers (par ordre de publication) : <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>One-Eyed Jack and the Suicide King<\/i> (2005, nouvelle) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>King Pole, Gallows Pole, Bottle Tree<\/i> (2011, nouvelle ?) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>One Eyed Jack<\/i> (2014, roman) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>New Amsterdam<\/b> (fantasy)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\"><i>New Amsterdam<\/i> se situe dans une\r\nhistoire alternative fantastique, au tournant du XXe si\u00e8cle.\r\nL'Angleterre contr\u00f4le toujours les colonies am\u00e9ricaines, bien que\r\nde fa\u00e7on pr\u00e9caire. La guerre avec la France est imminente, alors\r\nque beaucoup en Am\u00e9rique veulent l'ind\u00e9pendance. Lady Abigail Irene\r\nGarrett est un d\u00e9tective de la Couronne, travaillant pour le\r\ngouvernement anglais dans la ville de New Amsterdam. Sa sp\u00e9cialit\u00e9 \r\nest la thaumaturgie, c'est-\u00e0-dire les enqu\u00eates sur des crimes qui \r\nutilisent la magie. (d\u2019apr\u00e8s Rich Horton, \r\n<a href=\"https:\/\/locusmag.com\/\"><i>Locus<\/i><\/a>, avril 2007)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nR\u00e9cits situ\u00e9s dans cet univers (par ordre di\u00e9g\u00e9tique) : <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>The Tricks of London<\/i> (2009, novelette) Londres, avril 1879 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>The White City<\/i> (2011, roman\/novella) Moscou, janvier 1897 + Moscou, mai 1903 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>The Body of the Nation<\/i> (2012, nouvelle ?) Nouveaux Pays-Bas, avril 1897 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Lucifugous<\/i> (2006, novella) sur l'Oc\u00e9an atlantique, mars 1899 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Almost True<\/i> (2007, nouvelle) Nouveaux Pays-Bas, 1900 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Wax<\/i> (2005, novelette) Nouvelle Amsterdam, avril 1901 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Wane<\/i> (2006, nouvelle) Nouvelle Amsterdam, mars 1902 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Limerent<\/i> (2007, novelette) Nouvelle Amsterdam, octobre 1902 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Chatoyant<\/i> (in New Amsterdam) Boston, d\u00e9cembre 1902 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Lumiere<\/i> (in New Amsterdam) Paris, d\u00e9cembre 1902 \u00e0 janvier 1903 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Seven for a Secret<\/i> (2009, roman\/novella) Londres, 1938 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Underground<\/i> (2012, novelette) Paris, avril 1941 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Twilight<\/i> (2011, novelette) Londres, 1941 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>ad eternum<\/i> (2012, novella) Nouvelle Amsterdam, mars 1962 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRecueils :<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>New Amsterdam<\/i> (2007, roman\/recueil)  <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Garrette Investigates<\/i> (2012, recueil) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>Iskryne \/ Companion to Wolves<\/b> (fantasy, avec Sarah Monette)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>The people of the Northlands live\r\na perilous, marginal existence. Their land is cold and sparse, beset\r\nby trolls, and they share it with the inhuman, martial svartalfar.\r\nBut they do have one advantage: the alliance between the wolfcarls\r\nand their enormous, telepathic wolves.<\/i>\" (Pr\u00e9sentation par\r\n<a href=\"https:\/\/us.macmillan.com\/series\/iskryne\">\r\nMacMillan Publishers<\/a>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nR\u00e9cits situ\u00e9s dans cet univers (par ordre de publication) : <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>A Companion to Wolves<\/i> (2007, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>The Tempering of Men<\/i> (2011, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>An Apprentice to Elves<\/i> (2015, roman) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>Jacob's Ladder<\/b> (trilogie SF)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Jacob's Ladder<\/i> (c'est le nom du \r\nvaisseau g\u00e9n\u00e9ration, \u00e9l\u00e9ment cl\u00e9 de la trilogie) associe un\r\nenvironnement d\u2019avenir lointain proche de la fantasy - un vaisseau\r\nspatial naufrag\u00e9 en orbite autour d'une \u00e9toile myst\u00e9rieuse - avec\r\ndes explications relevant de la SF : l'\u00e9quipage d'\"anges\"\r\nest en fait constitu\u00e9 d\u2019avatars de l\u2019IA du vaisseau, bien que\r\nl'action \u00e0 l'int\u00e9rieur du vaisseau lui-m\u00eame ait tous les aspects\r\nde la fantasy. (d\u2019apr\u00e8s <i>The Encyclopedia of Science Fiction<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nR\u00e9cits situ\u00e9s dans cet univers (par ordre de publication) : <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Dust<\/i> (2008, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Chill<\/i> (2010, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Grail<\/i> (2011, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nL\u2019\u00e9dition anglaise reprend les titres originellement pr\u00e9vus par \r\nElizabeth Bear : <i>Pinion<\/i>, <i>Sanction<\/i>, et <i>Cleave<\/i>. <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nSous-s\u00e9rie : <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <b>White Space<\/b> (SF)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLors de ce que l\u2019on a surnomm\u00e9\r\nl'Eschaton, des vaisseaux g\u00e9n\u00e9rationnels ont entrepris un voyage\r\nsans retour dans une tentative d\u00e9sesp\u00e9r\u00e9e de sauver une partie de\r\nl'humanit\u00e9, parce que toute vie humaine sur la plan\u00e8te paraissait\r\ncondamn\u00e9e. Selon certains, un seul vaisseau s\u2019en serait sorti,\r\nl'<i>\u00c9chelle de Jacob<\/i>. <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nPendant ce temps, la Terre, contre toute\r\nattente, a surv\u00e9cu. Le bon sens a fini par l\u2019emporter, renforc\u00e9\r\npar des interventions m\u00e9dicales qui ont \u00e9volu\u00e9 en ce qu\u2019on a\r\nappel\u00e9 le rightminding, une technologie con\u00e7ue pour juguler les\r\ntendances auto-destructrices de l\u2019humanit\u00e9 et rendre possible un\r\nniveau \u00e9l\u00e9mentaire d'altruisme et de civisme. Certains, largement\r\nminoritaires, se demandent toutefois o\u00f9 se situe la limite entre le\r\n\"rightminding\" et le lavage de cerveau. En tout \u00e9tat de\r\ncause, on a r\u00e9duit la pression sur l'environnement terrestre et\r\natt\u00e9nu\u00e9 le changement climatique \u00e0 temps pour sauver la Terre et\r\nl'humanit\u00e9. Plus tard, la d\u00e9couverte du moteur Alcubierre-White a\r\npermis de franchir des distances jusqu\u2019alors inimaginables. <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLes humains ont ainsi d\u00e9couvert le Synarche, une organisation \r\ngalactique qui regroupent des milliers de races extraterrestres \r\net y ont finalement adh\u00e9r\u00e9. Le Synarche joue \u00e0 la fois le r\u00f4le \r\nd\u2019entente commerciale et d\u2019organisme gouvernemental, et dispose \r\nd'une technologie sans \u00e9gal. Il garantit \u00e0 chacun une subsistance \r\nminimale, des soins et un revenu. Il s\u2019appuie sur des donn\u00e9es et \r\ndes simulations g\u00e9r\u00e9es \u00e0 la fois par des sp\u00e9cialistes de l'IA et \r\npar des repr\u00e9sentants de toutes races.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLes humains b\u00e9n\u00e9ficient d\u00e9sormais d\u2019augmentations. Dans leurs \r\ncerveaux sont implant\u00e9s des fox qui leur permettent de r\u00e9guler \r\nleurs \u00e9motions et dans lesquels ils peuvent t\u00e9l\u00e9charger des \r\nayatanas, m\u00e9moires enregistr\u00e9es par diff\u00e9rentes personnes. Certains \r\nposs\u00e8dent des mains avant (forehands) et des mains arri\u00e8re (afthands), \r\n\u00e9quipement plus adapt\u00e9 \u00e0 un environnement \u00e0 gravit\u00e9 faible ou nulle. \r\nTous peuvent communiquer par senso, une sorte de t\u00e9l\u00e9pathie plus \r\nefficace que la parole. <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nR\u00e9cits situ\u00e9s dans cet univers (par ordre de publication) : <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Ancestral Night<\/i> (2019, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Machine<\/i> (2020, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>The Folded Sky<\/i> (2025, roman) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>The Edda of Burdens<\/b> (SF-fantasy)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Edda of Burdens<\/i> combine SF et\r\nfantasy : les s\u00e9quences se d\u00e9roulant dans le pass\u00e9 profond sont de\r\nla fantasy mythologique, tandis que les s\u00e9quences se d\u00e9roulant dans\r\nle futur lointain, dans un lieu d\u00e9sol\u00e9 de la Terre mourante, sont\r\nde la science-fiction qui aboutit de mani\u00e8re ambigu\u00eb \u00e0 une\r\nexplication SF du destin du monde. (d\u2019apr\u00e8s <i>The\r\nEncyclopedia of Science Fiction<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nR\u00e9cits situ\u00e9s dans cet univers (par ordre de publication) : <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>The Devil You Don\u2019t<\/i> (2001, nouvelle)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Ice<\/i> (2003, novelle) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>All the Windwracked Stars<\/i> (2008, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>By the Mountain Bound<\/i> (2009, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>The Sea thy Mistress<\/i> (2011, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLes trois romans ont \u00e9t\u00e9 rassembl\u00e9s en\r\n2018 dans un volume omnibus : The Edda of Burdens Trilogy. \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>Eternal Sky<\/b> (fantasy)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Once, one hundred moons rose every\r\nevening with Mother Night across the Eternal Sky. Once there were one\r\nhundred sons and grandsons of the Great Khagan who ruled the Steppes\r\nfrom one edge of the world to the other.  Now, the flame of civil war\r\nis burning, and Temur\u2019s iron moon is one of only a handful\r\nremaining in the Eternal Sky. All the empires of the Celedon Highway\r\nhave erupted into war, from Messaline to Song,  and there is a hidden\r\nhand at work.  Can a grandson of the Great Khagan and a Wizard of\r\nTsarepheth bring about evil\u2019s defeat?<\/i>\" \r\n(<a href=\"https:\/\/us.macmillan.com\/series\/theeternalsky\/\">\r\nPr\u00e9sentation<\/a> par <i>MacMillan Publishers<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nR\u00e9cits situ\u00e9s dans cet univers (par ordre de publication) : <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Love Among the Talus<\/i> (2006, nouvelle) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Abjure the Realm<\/i> (2007, nouvelle ?) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Bone and Jewel Creatures<\/i> (2010, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Range of Ghosts<\/i> (2012, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Shattered Pillars<\/i> (2013, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>The Ghost Makers<\/i> (2013, nouvelle) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Book of Iron<\/i> (2013, novella) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Steles of the Sky<\/i> (2014, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>The Bone War<\/i> (2015, nouvelle) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>No Work of Mine<\/i> (2018, novelette) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nSous-s\u00e9rie :<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <b>Lotus Kingdoms<\/b><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nR\u00e9cits situ\u00e9s dans cet univers (par ordre de publication) : <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>The Stone in the Skull<\/i> (2017, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>The Red-Stained Wings<\/i> (2019, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Hacksilver<\/i> (2020, novelette) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>The Red Mother<\/i> (2021, novelette) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>The Origin of Storms<\/i> (2022, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>The Witch and the Wyrm<\/i> (2025, novelette) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>Karen Memory<\/b> (steampunk)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] Set in the late 19th\r\ncentury\u2014when the city we now call Seattle Underground was the whole\r\ntown (and still on the surface), when airships plied the trade\r\nroutes, would-be gold miners were heading to the gold fields of\r\nAlaska, and steam-powered mechanicals stalked the waterfront, Karen\r\nis a young woman on her own, is making the best of her orphaned state\r\nby working in Madame Damnable's high-quality bordello. Through\r\nKaren's eyes we get to know the other girls in the house\u2014a\r\nresourceful group\u2014and the poor and the powerful of the town. [...]<\/i>\"\r\n(Pr\u00e9sentation du premier roman de la s\u00e9rie dans <i>Goodreads<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nR\u00e9cits situ\u00e9s dans cet univers (par ordre de publication) : <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Madam Damnable\u2019s Sewing Circle<\/i> (2014, nouvelle) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Karen Memory<\/i> (2015, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Stone Mad<\/i> (2018, roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>Angel Maker<\/i> (2025, roman) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>Boojumverse<\/b>\r\n(SF, seulement dans 3 nouvelles\/novelettes)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nDans l'avenir,\r\nl'humanit\u00e9 a \u00e9tabli des stations spatiales dans tout le syst\u00e8me\r\nsolaire en combinant  technologies m\u00e9caniques et organiques. Les\r\nvaisseaux spatiaux en particulier se divisent en vaisseaux d'acier et\r\nboojums. cr\u00e9atures de l\u2019espace profond, dont l\u2019esp\u00e8ce a\r\n\u00e9volu\u00e9 dans les hautes enveloppes temp\u00e9tueuses des g\u00e9antes\r\ngazeuses o\u00f9 leur prog\u00e9niture passe encore son enfance. Semblables\r\n\u00e0 de gigantesques rascasses, elles poss\u00e8dent des\r\nflancs tapiss\u00e9s de sacs \u00e0 gaz remplis d'hydrog\u00e8ne. \u00c0\r\npartir de la lumi\u00e8re, elles g\u00e9n\u00e8rent de\r\nl\u2019oxyg\u00e8ne et, \u00e0 partir de l\u2019oxyg\u00e8ne, de l\u2019eau. Ce\r\nsont des \u00e9cosyst\u00e8mes \u00e0 elles toutes seules.\r\n\u00c0 bord des boojums, les pirates guettent\r\nleurs proies comme jadis les pirates dans leurs navires.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nC\u2019est un monde o\u00f9 pullulent des cr\u00e9atures issues d\u2019autres \r\nunivers. Les stations peuvent \u00eatre envahies par les toves, \r\nqui ne pr\u00e9sentent pas un gros probl\u00e8me malgr\u00e9\r\nleur tendance \u00e0 consommer l\u2019oxyg\u00e8ne, \u00e0 boucher les conduits et\r\n\u00e0 manger les animaux domestiques, les\r\nverchons, des pr\u00e9dateurs vicieux, mais\r\nsurtout les bandersnatchs, si redout\u00e9s.\r\nHeureusement, les humains peuvent compter\r\nsur les mangoustes et les cheshires.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLes trois r\u00e9cits qui composent cet univers\r\nfourmillent de r\u00e9f\u00e9rences \u00e0 Howard Phillips Lovecraft. Dans le\r\npremier, <i>Boojum<\/i>, le vaisseau-boojum, <i>Lavinia Whately<\/i>,\r\ntire son nom d'un personnage de <i>L'Horreur de Dunwich<\/i>, la m\u00e8re\r\nalbinos de Wilbur Whateley, disparue une nuit d'Halloween. <i>Mongoose<\/i>\r\nse d\u00e9roule sur la station de Kadath et les autres stations cit\u00e9es\r\nportent les noms de Providence, Leng et\r\nDunwich. Enfin le titre du troisi\u00e8me\r\nr\u00e9cit, <i>The Wreck of the 'Charles Dexter\r\nWard'<\/i>, est un hommage \u00e0 une des \u0153uvres les plus \r\nconnues de Lovecraft. <i>L'Affaire Charles Dexter Ward<\/i>.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n- <b>Sub-Inspector Ferron<\/b> (SF)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLes r\u00e9cits se d\u00e9roulent \u00e0 Bangalore, au\r\nsud de l'Inde, dans les ann\u00e9es 2070.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLe d\u00e9r\u00e8glement climatique a transform\u00e9\r\nla plan\u00e8te, surtout depuis 2042, d\u00e9but des \"Bad Years\".\r\nLe Shift a modifi\u00e9 le cours des moussons, les voyages lointains \r\nse sont rar\u00e9fi\u00e9s et on \u00e9vite les d\u00e9penses d\u2019\u00e9nergie superflues, \r\npar exemple en utilisant des bus \u00e0 p\u00e9dales.\r\nLes Salari\u00e9s sont devenus une cat\u00e9gorie privil\u00e9gi\u00e9e au sein d\u2019une\r\nsoci\u00e9t\u00e9 aux emplois instables. Toutefois, les r\u00e9seaux ont \r\npoursuivi leur d\u00e9veloppement et la r\u00e9alit\u00e9 virtuelle est devenue \r\nune banalit\u00e9 tandis que l\u2019ing\u00e9nierie g\u00e9n\u00e9tique a accru \r\nl\u2019intelligence de certains animaux au point de les doter de la \r\nparole. Dansl\u2019ensemble, c\u2019est une \u00e9poque o\u00f9 on esp\u00e8re le retour \r\n\u00e0 lastabilit\u00e9 et \u00e0 une gestion prudente de la sant\u00e9 et du \r\nbien-\u00eatre de la plan\u00e8te et de la race humaine.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLe premier r\u00e9cit situ\u00e9 dans cet univers, <i>In\r\nthe House of Aryaman, a Lonely Signal Burns<\/i>,\r\nco\u00efncide avec la d\u00e9couverte qu\u2019une \u00e9toile situ\u00e9e \r\n\u00e0 quelque vingt mille ann\u00e9es-lumi\u00e8re de l\u00e0, dans\r\nla galaxie d'Androm\u00e8de. Elle a soudainement commenc\u00e9 \r\n\u00e0 pr\u00e9senter un scintillement que certains astronomes \r\nconsid\u00e8rent comme le signe pr\u00e9curseur d'une nova alors \r\nque d'autres estiment qu'il pourrait s'agir de signaux \r\nd'une civilisation disparue depuis longtemps, dont \r\nle message a \u00e9t\u00e9 retard\u00e9 en raison de l'\u00e9norme distance. <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nFerron, qui a abandonn\u00e9 son nom de naissance de Tamanna, \r\nest sous-inspectrice de police, apr\u00e8s avoir\r\nsuivi des \u00e9tudes classiques. Elle vit dans une \r\ndemeure qui abrite toute sa famille, sa m\u00e8re, ses\r\ntrois s\u0153urs mari\u00e9es, ses tantes, ses cousins et cousines. \r\nElle a de fr\u00e9quents accrochages avec sa m\u00e8re Madhuvanthi\r\nqui souffre d\u2019une telle addiction au monde virtuel \r\ndepuis la mort de son mari que Ferron peine \u00e0 payer les \r\nservices n\u00e9cessaires \u00e0 l\u2019h\u00e9bergement de fichiers dont la\r\ntaille se mesure en yottaoctets. Dans son activit\u00e9 \r\nprofessionnelle, Ferron est second\u00e9e par le Sr\r\nConstable Indrapramit qui cache une grave blessure\r\npsychologique. Il a d\u00fb intervenir en utilisant une arme\r\nl\u00e9tale pour mettre fin \u00e0 un meurtre de masse. <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nR\u00e9cits situ\u00e9s dans cet univers (par ordre de publication) : <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>In the House of Aryaman, a Lonely Signal Burns<\/i> (2012, novella) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n- <i>A Blessing of Unicorns<\/i> (2020, novella) \r\n<\/p>\r\n<\/div>\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t <div role=\"tabpanel\" class=\"tab-pane \" id=\"tabs_desc_617_3\">\r\n\t\t\t\t\t\t\t\t<div>\r\n<p style=\"text-align : center;font-weight: bold;font-family: Arial, Helvetica, Verdana, sans-serif;font-size: 1.5em\">\r\nROMANS\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.01 <b>Hammered<\/b>(univers <i>Jenny Casey\/Worldwired<\/i>-01),\r\n<i>Bantam Spectra<\/i>, janvier 2005<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>\u00c0 cinquante ans, moralement\r\nfatigu\u00e9e et victime d\u2019une douleur permanente,\r\nJenny Casey essaie d\u2019oublier son pass\u00e9 dans\r\nle Connecticut mais, en 2062, celui-ci la \r\nrattrape. Son ami, le chef de gang Razorface,\r\nlui am\u00e8ne un de ses adolescents victime d\u2019une overdose \u00e0 une\r\ndrogue surnomm\u00e9e le Marteau, fabriqu\u00e9e par Unitek. Elle sait de\r\nquoi il s\u2019agit. On lui administrait du Marteau lorsqu\u2019il lui\r\nfallait affronter les douleurs caus\u00e9es par le traitement \r\nchirurgical qui lui a donn\u00e9 un \u0153il prosth\u00e9tique \r\net un bras gauche en m\u00e9tal. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Aid\u00e9e par ses amis, Razorback, le policier Mitch et Gabe \r\nChastaign  qui lui a jadis sauv\u00e9 la vie, Jenny Casey va \r\nretrouver sur son chemin sa s\u0153ur Barbara avec qui elle a \r\nrompu il y a  des ann\u00e9es et qui est devenue depuis une ronin, \r\net surtout le colonel Frederick Valens, le responsable de sa \r\ntransformation physique qui travaille pour Unitek.\r\nComme d\u2019habitude, les vis\u00e9es de Valens sont\r\nimp\u00e9n\u00e9trables, d\u2019autant qu\u2019il a acquis les services du Dr\r\nElspeth Dunsany, une sp\u00e9cialiste de l\u2019intelligence \r\nartificielle qu\u2019il a fait emprisonner et qu\u2019il fait \r\nmaintenant lib\u00e9rer.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/en.wikipedia.org\/wiki\/Hammered_(Bear_novel)\"><\/a>\r\nPage Wikipedia<\/a> (consult\u00e9 en avril 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n * Prix Locus 2006 : victoire(meilleur premier roman)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.02 <b>Scardown<\/b> (univers <i>Jenny Casey\/Worldwired<\/i>-02),\r\n<i>Bantam Spectra<\/i>, juillet 2005<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>La course \u00e0 l'espace est lanc\u00e9e. Tout\r\nen dialoguant avec Richard\r\nFeynman, l\u2019IA cach\u00e9e dans son cerveau, Casey,\r\ndont le corps a \u00e9t\u00e9 am\u00e9lior\u00e9 \u00e0 partir de nanomachines et\r\nqui a r\u00e9int\u00e9gr\u00e9 les forces arm\u00e9es canadiennes,\r\ns\u2019entra\u00eene \u00e0 piloter le vaisseau spatial Montr\u00e9al.\r\nElle se retrouve ainsi \u00e0 nouveau sous les ordres de l\u2019homme\r\nqu\u2019elle d\u00e9teste, le colonel Valens.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>\u00c0 Toronto, le conseiller scientifique \r\nde la premi\u00e8re-ministre Constance Riel,\r\nlui montre des photos prises par satellite d\u2019algues qui, comme les\r\nr\u00e9cifs de corail avant elles, sont en train de mourir. Ce\r\nph\u00e9nom\u00e8ne pourrait diminuer tragiquement la capacit\u00e9 de \r\nla plan\u00e8te \u00e0 abriter la vie d'ici un si\u00e8cle ou deux.\r\nIl pourrait aussi expliquer l\u2019int\u00e9r\u00eat soudain des \r\nChinois pour l\u2019exploration spatiale. Leur vaisseau spatial, \r\nle Huang Di, utilise, tout comme le Montr\u00e9al, une technologie \r\nd\u00e9velopp\u00e9e \u00e0 partir des \u00e9paves de vaisseaux extraterrestres \r\ntrouv\u00e9s sur Mars, que personne ne ma\u00eetrise. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>De son c\u00f4t\u00e9, le chef de gang Razorface, ami de Jenny \r\nCasey, veut venger les morts de Mitch, Bobby et de ses \r\nhommes. Sa seule piste\u00a0: une nouvelle fois Unitek, la soci\u00e9t\u00e9 \r\nassez puissante pour contester l\u2019autorit\u00e9 de Riel et pour \r\nlaquelle seuls ses int\u00e9r\u00eats comptent.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Malheureusement, la course \u00e0 l'espace pourrait bien \r\nvite se transformer en course \u00e0 la guerre.<\/i>(P.C.)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.03 <b>Worldwired<\/b> (univers <i>Jenny Casey\/Worldwired<\/i>-03),\r\n<i>Bantam Spectra<\/i>, d\u00e9cembre 2005<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>L'\u00e9quipage du vaisseau spatial Montr\u00e9al\r\na \u00e9t\u00e9 renforc\u00e9 par un x\u00e9nos\u00e9mioticien australien et un\r\nethnolinguiste anglais pour essayer de communiquer avec les deux\r\nvaisseaux extraterrestres, surnomm\u00e9s respectivement l\u2019arbre-vaisseau\r\net la cage-aux-oiseaux. Casey insiste sur la\r\nn\u00e9cessit\u00e9 d\u2019aller \u00e0 bord des vaisseaux.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Sur Terre, la crise diplomatique menace \u00e0 tout instant de \r\nd\u00e9g\u00e9n\u00e9rer en guerre totale entre le Canada et la Chine. Le Canada \r\naccuse le r\u00e9gime panchinois d\u2019\u00eatre \u00e0 l\u2019origine de la destruction de\r\nToronto par un ast\u00e9ro\u00efde et de la catastrophe \u00e9cologique \r\nqui a suivi tandis que les autorit\u00e9s panchinoises \r\nreprochent au Canada d\u2019avoir d\u00e9clench\u00e9\r\nune contamination de l\u2019oc\u00e9an par des nanomachnes tir\u00e9es\r\nde la technologie extraterrestre. Dans chaque camp, les\r\nfactions s\u2019agitent et la toute puissante soci\u00e9t\u00e9\r\nUnitek est loin d\u2019\u00eatre inactive. Une\r\nr\u00e9union pl\u00e9ni\u00e8re de l\u2019ONU devant laquelle sont convoqu\u00e9s Casey\r\net d\u2019autres t\u00e9moins de la catastrophe s\u2019annonce d\u00e9cisive.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Pendant ce temps, l\u2019IA Richard, qui\r\npermet \u00e0 Casey et \u00e0 ses proches augment\u00e9s\r\npar les nanomachines de communiquer avec elle\r\net entre eux instantan\u00e9ment par un worldwire, essaie\r\nde faire face \u00e0 la menace de destruction de toute vie sur terre \u00e0\r\nla suite des d\u00e9r\u00e8glements climatiques.<\/i> (P.C.)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.04 <b>Blood and Iron<\/b> (univers <i>Promethean Age<\/i>-01),\r\n<i>Roc\/New American Library<\/i>, juillet 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>Spellbound for nearly an eternity,\r\nthe woman known as Seeker has abducted human children for her\r\nmasters\u2019 pleasure. When her latest prey turns out to be a Merlin \u2013\r\na being that not only wields powerful magic, but is magic \u2013 Seeker\r\nmust persuade him to join her cause, or risk losing something more\r\nimportant to her than the fate of Humanity.<\/i>\u201d (4e de couverture) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.05 <b>Carnival<\/b> (SF space opera), \r\n<i>Bantam Spectra<\/i>, d\u00e9cembre 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>In Old Earth's clandestine world\r\nof ambassador-spies, Michelangelo Kusanagi-Jones and Vincent\r\nKatherinessen were once a starring team. But ever since a disastrous\r\nmission, they have been living separate lives in a universe dominated\r\nby a ruthless Coalition - one that is about to reunite them.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>The pair are dispatched to New Amazonia\r\nas diplomatic agents. Allegedly, they are to return priceless art.\r\nCovertly, they seek to tap its energy supply. But in reality, one has\r\nhis mind set on treason. And among the extraordinary women of New\r\nAmazonia, in a season of festival, betrayal, and disguise, he will\r\nfind a new ally - and a force beyond any that humans have known....<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Lambda 2006 : nomination (LGBT SF\/fantasy\/horreur)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Philip K. Dick 2007 : nomination (citation sp\u00e9ciale)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2007 : 4<sup>e<\/sup> place (meilleur roman SF)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.06 <b>New Amsterdam<\/b> (univers <i>New Amsterdam<\/i>-01),\r\n<i>Subterranean Press<\/i>, mai 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Abigail Irene Garrett drinks too much. She makes scandalous liaisons \r\nwith inappropriate men, and if in her youth she was a famous beauty, \r\nnow she is both formidable--and notorious. She is a forensic sorceress,\r\nand a dedicated officer of a Crown that does not deserve her loyalty.\r\nShe has nothing, but obligations.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Sebastien de Ulloa is the oldest creature she \r\nhas ever known. He was no longer young at the Christian\r\nmillennium, and that was nine hundred years ago. He has forgotten his\r\nbirth-name, his birth-place, and even the year in which he was born,\r\nif he ever knew it. But he still remembers the woman who made him\r\nimmortal. He has everything, but a reason to live.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>In a world where the sun never set on the British Empire, \r\nwhere Holland finally ceded New Amsterdam to the\r\nEnglish only during the Napoleonic wars, and where the expansion of\r\nthe American colonies was halted by the war magic of the Iroquois,\r\nthey are exiles in the new world--and its only hope for justice.<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.07 <b>Whiskey and Water<\/b> (univers <i>Promethean Age<\/i>-02), \r\n<i>Roc\/New American Library<\/i>, juillet 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Several years ago, Matthew the Magician ended an age-old war. \r\nIt only cost him everything-and everyone-he knew and loved. Turning \r\nagainst his mentor, Jane Andraste, in the realm of Faerie left \r\nhim physically crippled and his power shattered.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>But Matthew remains the protector of New York City. So \r\nwhen he finds a young woman brutally murdered by a Fae\r\ncreature, he must bring her killer to justice before Jane uses the\r\ncrime to justify more war-and before he confronts an even larger\r\nthreat in the greatest Adversary of all...<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2008 : 10<sup>e<\/sup> place (meilleur roman fantasy)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.08 <b>Undertow<\/b> (SF), <i>Bantam Spectra<\/i>, juillet 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>A frontier world on the back end\r\nof nowhere is the sort of place people go to get lost. And some of\r\nthose people have secrets worth hiding, secrets that can change the\r\nfuture\u2013assuming there is one. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Andr\u00e9 Desch\u00eanes is a hired assassin,\r\nbut he wants to be so much more. If only he can find a teacher who\r\nwill forgive his murderous past\u2013and train him to manipulate odds\r\nand control probability. It\u2019s called the art of conjuring, and it\u2019s\r\nAndr\u00e9\u2019s only route to freedom. For the world he lives on is run by\r\nthe ruthless Charter Trade Company, and his floating city, Novo\r\nHaven, is little more than a company town where humans and aliens\r\nalike either work for one tyrannical family\u2013or are destroyed by it.\r\nBut beneath Novo Haven\u2019s murky waters, within its tangled bayous,\r\nreedy banks, and back alleys, revolution is stirring. And one more\r\ndeath may be all it takes to shift the balance...<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2008 : 11<sup>e<\/sup> place (meilleur roman SF)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Philip K. Dick 2008 : finaliste <\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.09 <b>A Companion to Wolves<\/b> (avec Sarah Monette) (univers \r\n<i>Iskryne \/ Companion to Wolves<\/i>), <i>Tor<\/i>, octobre 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>A young nobleman opposes his father to join the wolfhealls, \r\nwarriors bonded to giant wolves protect a harsh northern \r\nland.<\/i>\u201d (<i>New &amp; Notable<\/i>,\r\n<a href=\"https:\/\/locusmag.com\/\"><i>Locus<\/i><\/a>, novembre 2007) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.10 <b>Dust<\/b>(univers <i>Jacob'sLadder<\/i>-01),\r\n<i>Bantam Spectra<\/i>, janvier 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLe roman est publi\u00e9 sous le titre <b>Pinion<\/b>\r\nen mars 2015 au Royaume-Uni.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>On a broken ship orbiting a doomed sun, dwellers have grown \r\ncomplacent with their aging metal world. But when a serving girl frees \r\na captive noblewoman, the old order is about to change...<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Ariane, Princess of the House of Rule, was known to be fiercely \r\ncold-blooded. But severing an angel\u2019s wings on the battlefield\u2014even \r\nafter she had surrendered\u2014proved her completely without honor. Captive, \r\nthe angel Perceval waits for Ariane not only to finish her off\u2014but to\r\ndevour her very memories and mind. Surely her gruesome death will\r\ncause war between the houses\u2014exactly as Ariane desires. But\r\nAriane\u2019s plan may yet be opposed, for Perceval at once recognizes\r\nthe young servant charged with her care.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Rien is the lost child: her sister. Soon they will escape, hoping \r\nto stop the impending war and save both their houses. But it is a perilous\r\njourney through the crumbling hulk of a dying ship, and they do not\r\npass unnoticed. Because at the hub of their turning world waits Jacob\r\nDust, all that remains of God, following the vapor wisp of the angel.\r\nAnd he knows they will meet very soon.<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.11 <b>Ink and Steel<\/b> (univers <i>The Promethean Age<\/i>-03),\r\n<i>Roc\/New American Library<\/i>, juillet 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>Christopher Marlowe and William\r\nShakespeare are caught up in magical and political machinations in\r\nElizabethan England and the Faerie realm<\/i>\u201d\r\n(<i>New &amp; Notable<\/i>,\r\n<a href=\"https:\/\/locusmag.com\/\"><i>Locus<\/i><\/a>, septembre 2008)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.12 <b>Hell and Earth<\/b> (univers <i>The Promethean Age<\/i>-04),\r\n<i>Roc\/New American Library<\/i>, ao\u00fbt 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>The reigns of two Queens in two different worlds may come to an \r\nend. In the iron world, conspiracy and subterfuge within England's royal\r\ncourts threaten Elizabeth's power. In the Faerie realm, Mab, bound by\r\nmagic to her sister sovereign, finds herself weakened as well. Now,\r\nthe fate of two worlds lies in the hands of two clever wordsmiths...\r\n<\/i>\" (Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.13 <b>All the Windwracked Stars<\/b> (univers <i>The Edda \r\nof Burdens<\/i>-01), <i>Tor<\/i>, novembre 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>The last of the Valkyries has come to the last city at the end \r\nof time, to reclaim the ancient swords of her dead bothers and \r\nsisters. And she\u2019s caught sight of someone she hasn\u2019t seen since \r\nthe Last Battle : Mingan the Wolf is hunting in her city<\/i>\u201d\r\n(4e de couverture) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.14 <b>Seven for a Secret<\/b> (novella, univers\r\n<i>New Amsterdam<\/i>-02), <i>Subterranean Press<\/i>, mars 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>The sequel to New Amsterdam!<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>The wampyr has walked the dark streets\r\nof the world's great cities for a thousand years. In that time, he\r\nhas worn out many names--and even more compatriots.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Now, so that one of those companions may die where she once lived, \r\nhe has come again to the City of London. In 1938, where the ghosts \r\nof centuries of war haunt rain-grey streets and the Prussian \r\nChancellor's army of occupation rules with an iron hand.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Here he will meet his own ghosts, the remembrances of \r\nloves mortal--and immortal. And here he will face the\r\nChancellor's secret weapon: a human child.<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.15 <b>By the Mountain Bound<\/b> (univers<b> <\/b><i>The Edda \r\nof Burdens<\/i>-02), <i>Tor<\/i>, novembre 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>This prequel to postapocalyptic fantasy All the Windwracked Stars\r\nchronicles the collapse of an earlier age in a world of bleak winters\r\nand deadly betrayals, populated by beings drawn from Nose mythology.<\/i>\u201d\r\n(New &amp; Notable, <a href=\"https:\/\/locusmag.com\/\">\r\n<i>Locus<\/i><\/a>, d\u00e9cembre 2009) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.16 <b>Chill<\/b> (univers <i>Jacob's Ladder<\/i>-02),\r\n<i>Spectra\/Ballantine Books<\/i>, f\u00e9vrier 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLe roman est publi\u00e9 sous le titre <b>Sanction<\/b> \r\nen mars 2015 au Royaume-Uni.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>The\r\ngeneration ship Jacob\u2019s Ladder has barely survived cataclysms from\r\nwithout and within. Now, riding the shock wave of a nova blast toward\r\nan uncertain destiny, the damaged ship\u2014the only world its\r\ninhabitants have ever known\u2014remains a war zone. Even as Perceval,\r\nthe new captain, struggles to come to terms with the traumas of her\r\nrecent past, the remnants of rebellion aboard the ship still threaten\r\nthe crew\u2019s survival.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Yet as Perceval\u2019s relatives Tristen and Benedick play a deadly game \r\nof cat and mouse in pursuit of a traitor through a vast ship that is\r\nrenewing itself in strange and dangerous ways, an even more insidious\r\nthreat is building in a place no one ever thought to look. And this\r\nimplacable enemy could change the face of the ship forever if a\r\nragtag band of heroes cannot stop it.<\/i>\" (Pr\u00e9sentation \r\nsur <i>Goodreads<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2011: 10<sup>e<\/sup> place (meilleur roman SF)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Philip K. Dick 2011 : finaliste\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.17 <b>Bone and Jewel Creatures<\/b> (univers\r\n<i>Eternal Sky<\/i>), <i>Subterranean Press<\/i>, mars 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>A wizard who creates servants made of bone and jewel faces a\r\nplague in the City of Jackals [\u2026]<\/i>\u201d (New &amp; Notable, \r\n<a href=\"https:\/\/locusmag.com\/\"><i>Locus<\/i><\/a>, juillet 2010)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2011 : 2<sup>e<\/sup> place (meilleure novella)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix World Fantasy 2011 : nomination (meilleure novella)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Hugo 2011 : pr\u00e9s\u00e9lection ( meilleure novella)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.18 <b>The White City<\/b> (novella, univers\r\n<i>New Amsterdam<\/i>-03), <i>Subterranean Press<\/i>, f\u00e9vrier 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>Don Sebastien de Ulloa stumbles across a \r\nbody in Moscow in this crisply plotted detective novella set\r\nin the world of New Amsterdam series.<\/i>\u201d\r\n(New &amp; Notable, <a href=\"https:\/\/locusmag.com\/\">\r\n<i>Locus<\/i><\/a>, avril 2011) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.19 <b>The Sea thy Mistress<\/b> (univers<b>\r\n<\/b><i>The Edda of Burdens<\/i>-03), <i>Tor<\/i>, f\u00e9vrier 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>This direct sequel to [\u2026] All the Windwracked Stars picks up the \r\nstory some fifty years after Muire became the new Bearer of Burdens. \r\nThe evil goddess Heythe has travelled forward in time on her rainbow\r\nsteed. She came expecting to gloat over a dead world, but instead she\r\nfinds a rekindled land, renewed by Muire\u2019s sacrifice. Heythe will\r\nhave her revenge.<\/i>\u201d (Pr\u00e9sentation de l\u2019\u00e9diteur)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.20 <b>Grail<\/b> (univers <i>Jacob's Ladder<\/i>-03),\r\n<i>Spectra\/Ballantine Books<\/i>, f\u00e9vrier 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLe roman est publi\u00e9 sous le titre <b>Cleave<\/b> \r\nen mars 2015 au Royaume-Uni.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Rife with intrigue and betrayal, heroism and sacrifice, Grail brings\r\nElizabeth Bear\u2019s brilliant space opera to a triumphant conclusion.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>At last the generation ship Jacob\u2019s Ladder has arrived at its \r\ndestination: the planet they have come to call Grail. But this \r\nhabitable jewel just happens to be populated already: by humans \r\nwho call their home Fortune. And they are wary of sharing \r\nFortune\u2014especially with people who have genetically engineered \r\nthemselves to such an extent that it is a matter of debate whether \r\nthey are even human anymore. To make matters worse, a shocking \r\nmurder aboard the Jacob\u2019s Ladder has alerted Captain Perceval \r\nand the angel Nova that formidable enemies remain hidden \r\nsomewhere among the crew.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>On Grail\u2014or Fortune, rather\u2014Premier Danilaw views the approach of \r\nthe Jacob\u2019s Ladder with dread. Behind the diplomatic niceties of \r\nfirst-contact protocol, he knows that the deadly game being played \r\nis likely to erupt into full-blown war\u2014even civil war. For as he strives \r\nto chart a peaceful and prosperous path forward for his people, internal\r\nthreats emerge to take control by any means necessary.<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2012: 7<sup>e<\/sup> place (meilleur roman SF)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.21 <b>The Tempering of Men<\/b> (avec Sarah Monette, univers \r\n<i>Iskryne \/ Companion to Wolves<\/i>-02), Tor, ao\u00fbt 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>In Iskryne, the war against the Trollish invasion has been won, \r\nand the lands of men are safe again--at least for a while. Isolfr \r\nand his sister, the Konigenwolf Viradechtis, have established their own\r\nwolfhaell. Viradechtis has taken two mates, and so the human pack has\r\ntwo war leaders. And in the way of the pack, they must come to terms\r\nwith each other, must become brothers instead of rivals--for\r\nViradechtis will not be gainsaid.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>She may even be prescient.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>A new danger comes to Iskryne. An army of men approaches, an army \r\nthat wishes to conquer and rule. The giant trellwolves and their human\r\nbrothers have never hunted men before. They will need to learn if\r\nthey are to defend their homes.<\/i>\"\r\n(Pr\u00e9sentation dans <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.22 <b>Range of Ghosts<\/b> (univers <i>Eternal Sky<\/i>-01), \r\n<i>Tor\/SFBC<\/i>, mars 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Temur, grandson of the Great Khan, is walking away from a battlefield \r\nwhere he was left for dead. All around lie the fallen armies of his cousin\r\nand his brother, who made war to rule the Khaganate. Temur is now the\r\nlegitimate heir by blood to his grandfather's throne, but he is not\r\nthe strongest. Going into exile is the only way to survive his\r\nruthless cousin.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Once-Princess Samarkar is climbing the thousand steps of the Citadel \r\nof the Wizards of Tsarepheth. She was heir to the Rasan Empire until her \r\nfather got a son on a new wife. Then she was sent to be the wife of a \r\nPrince in Song, but that marriage ended in battle and blood. Now she has\r\nrenounced her worldly power to seek the magical power of the wizards.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>These two will come together to stand against the hidden cult that has \r\nso carefully brought all the empires of the Celadon Highway to strife\r\nand civil war through guile and deceit and sorcerous power.<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/lecultedapophis.com\/2017\/03\/16\/range-of-ghosts-elizabeth-bear\/\">\r\nL'avis d'Apophys<\/a><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix James Tiptree 2012 : nomination (gender-bending SF)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2013 : 18<sup>e<\/sup> place (meilleur roman fantasy)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Gemmell 2013 : pr\u00e9s\u00e9lection (prix Legend)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Hugo 2013 : pr\u00e9s\u00e9lection (meilleur roman)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.23 <b>Shattered Pillars<\/b>  (univers \r\n<i>Eternal Sky<\/i>-02), <i>Tor<\/i>, mars 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>The Shattered Pillars is the second book of Bear's The Eternal Sky\r\ntrilogy and the sequel to Range of Ghosts. Set in a world drawn from\r\nour own great Asian Steppes, this saga of magic, politics and war\r\nsets Re-Temur, the exiled heir to the great Khagan and his friend\r\nSarmarkar, a Wizard of Tsarepheth, against dark forces determined to\r\nconquer all the great Empires along the Celedon Road.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Elizabeth Bear is an astonishing writer, whose prose draws you into \r\nstrange and wonderful worlds, and makes you care deeply about the people \r\nand the stories she tells. The world of The Eternal Sky is broadly and \r\ndeeply created\u2014her award-nominated novella, \"Bone and Jewel\r\nCreatures\" is also set there.<\/i>\" (Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.24 <b>Steles of the Sky<\/b> (univers <i>Eternal \r\nSky<\/i>-03), <i>Tor<\/i>, avril 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Elizabeth Bear concludes her award-winning epic fantasy trilogy<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Re Temur,\r\nexiled heir to his grandfather\u2019s Khaganate, has finally raised his\r\nbanner and declared himself at war with his usurping uncle. With his\r\ncompanions\u2014the Wizard Samarkar, the Cho-tse Hrahima, and the silent\r\nmonk Brother Hsiung\u2014he must make his way to Dragon Lake to gather\r\nhis army of followers.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Temur has many enemies, and they are not idle. The sorcerer who \r\nleads the Nameless Assassins, whose malice has shattered the peace of \r\nall the empires of the Celedon Highway, has struck at Temur\u2019s uncle\r\nalready. To the south, in the Rasan empire, a magical plague rages.\r\nTo the east, the great city of Asmaracanda has burned, and the Uthman\r\nCaliph is deposed. And in the hidden ancient empire of Erem, Temur\u2019s\r\nson has been born and a new moon has risen in the Eternal Sky.<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus : 4<sup>e<\/sup> place (meilleur roman fantasy)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.25 <b>One Eyed Jack<\/b> (univers <i>One-Eyed Jack and \r\nthe Suicide King<\/i>), <i>Prime Books<\/i>, juillet 2014 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>The One-Eyed Jack and the Suicide King: personifications of the city \r\nof Las Vegas\u2014its history, mystery, mystical power, and heart\u2026<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>When the Suicide King vanishes\u2014possibly\r\nkilled\u2014in the middle of a magic-rights turf war started by the\r\navatars of Los Angeles, a notorious fictional assassin, and the\r\nmutilated ghost of Benjamin \u201cBugsy\u201d Siegel\u2013the King\u2019s\r\npartner, the One-Eyed Jack\u2013must seek the aid of a bizarre band of\r\nlegendary and undead allies: the ghosts of Doc Holliday and John\r\nHenry the steel-driving man; the echoes of several imaginary super\r\nspies, decades displaced in time; and a vampire named Tribute, who\r\nbears a striking resemblance to a certain long-lost icon of popular\r\nmusic.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>All stories are true, but some stories\r\nare truer than others<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.26 <b>Karen Memory<\/b> \r\n(<i>Karen Memory<\/i>), <i>Tor<\/i>, f\u00e9vrier 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>You ain't gonna like what I have\r\nto tell you, but I'm gonna tell you anyway. See, my name is Karen\r\nMemery, like memory only spelt with an e, and I'm one of the girls\r\nwhat works in the H\u00f4tel Mon Cherie on Amity Street. H\u00f4tel has a little \r\nhat over the o like that. It's French, so Beatrice tells me.\"<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Set in the late 19th century\u2014when the\r\ncity we now call Seattle Underground was the whole town (and still on\r\nthe surface), when airships plied the trade routes, would-be gold\r\nminers were heading to the gold fields of Alaska, and steam-powered\r\nmechanicals stalked the waterfront, Karen is a young woman on her\r\nown, is making the best of her orphaned state by working in Madame\r\nDamnable's high-quality bordello. Through Karen's eyes we get to know\r\nthe other girls in the house\u2014a resourceful group\u2014and the poor and\r\nthe powerful of the town. Trouble erupts one night when a badly\r\ninjured girl arrives at their door, begging sanctuary, followed by\r\nthe man who holds her indenture, and who has a machine that can take\r\nover anyone's mind and control their actions. And as if that wasn't\r\nbad enough, the next night brings a body dumped in their rubbish\r\nheap\u2014a streetwalker who has been brutally murdered.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Bear brings alive this Jack-the-Ripper yarn of the old west \r\nwith a light touch in Karen's own memorable voice, and a \r\nmesmerizing evocation of classic steam-powered science.<\/i>\" \r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLe roman a pour origine le r\u00e9cit <i>Madam\r\nDamnable\u2019s Sewing Circle<\/i> (2014)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix James Tiptree Jr 2015 : mention honorable (gender-bending SF)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2016 : 3<sup>e<\/sup> place (meilleur roman fantasy)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Hugo 2016 : pr\u00e9s\u00e9lectoin (meilleur roman)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.27 <b>An Apprentice to Elves<\/b> (avec Sarah Monette, univers \r\n<i>Iskryne \/ Companion to Wolves<\/i>-03), Tor, octobre 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[Bear and Monette] have boldly created a fascinating world \r\nthat begs further exploration.\u201d\u2014Publishers Weekly, starred review, \r\non A Companion to Wolves<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Sarah Monette and Elizabeth Bear return\r\nwith the third book in their Iskryne trilogy, An Apprentice to Elves.\r\nThe trilogy began with A Companion to Wolves, and continued in The\r\nTempering of Men. This novel picks up the story of Alfgyfa, a young\r\nwoman who has been raised in the Wolfhall by her father, Isolfr.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>The warrior culture of Iskryne forbids\r\nmany things to women\u2014and most especially it forbids them bonding to\r\none of the giant telepathic trelwolves. But as her father was no\r\nordinary boy, Alfgyfa is no ordinary girl. Her father has long\r\nplanned to send his daughter to Tin, a matriarch among the elves who\r\nlive nearby, to be both apprentice and ambassador, and now she is of\r\nage to go.<\/i>\" (Pr\u00e9sentation dans <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.28 <b>The Stone in the Skull<\/b> (univers <i>Lotus \r\nKingdoms<\/i>-01), <i>Tor<\/i>, octobre 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>\"Bear returns to the world of her\r\nEternal Sky series with a new trilogy. Brass automaton The Gage once\r\nserved a wizard, now long dead, and these days works as a mercenary.\r\nThe Gage sets out with a partner, the bitter ex-bodyguard known as\r\nthe Dead Man, to deliver a message to the queen of one of the Lotus\r\nKingdoms \u2013 and inadvertently walks into a war of succession.\"\r\n(New &amp; Notable, <a href=\"https:\/\/locusmag.com\/\">Locus<\/a>,\r\nd\u00e9cembre 2017) <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2018 : 2<sup>e<\/sup> place (meilleur roman fantasy) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.00 <b>The Edda of Burdens Trilogy<\/b> (univers <i>The Edda \r\nof Burdens<\/i>), <i>Tor<\/i>, f\u00e9vrier 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nVolume omnibus contenant : All the Windwracked Stars ; \r\nBy the  Mountain Bound ; The Sea Thy Mistress\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.29 <b>Stone Mad<\/b> (<i>Karen Memory<\/i>-02),\r\n<i>Tor.com<\/i>, mars 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>The steampunk Old West fantasy\r\nadventures of Karen Memory continue in this rollicking novella, which\r\nfinds Karen dealing with spiritu\u00adalists, stage magic, con\r\nartists, and a kidnapped tommy-knocker.<\/i>\" (New &amp; Notable,\r\n<a href=\"https:\/\/locusmag.com\/\"><i>Locus<\/i><\/a>, mai 2018)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.30 <b>Ancestral Night<\/b> (univers <i>White Space<\/i>-01), \r\n<i>Simon &amp; Shuster\/Saga Press<\/i>, mars 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Haimey, son partenaire Connla et leur vaisseau-IA Singer \r\nsont des r\u00e9cup\u00e9rateurs d\u2019\u00e9paves perdues dans l\u2019Espace de \r\nWhite. Alors qu\u2019ils se rendent aux coordonn\u00e9es indiqu\u00e9es par \r\nun informateur, ils d\u00e9couvrent un Ativahika, apparemment mort. De \r\ntoutes les anciennes races systers (extraterrestres), les Ativahikas \r\ncomptent parmi les plus myst\u00e9rieuses. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Quand Singer repart \u00e0 la recherche de leur objectif, il \u00e9vite \r\nde justesse une collision avec un autre vaisseau qui dispara\u00eet \r\naussit\u00f4t. Il parvient enfin \u00e0 l\u2019\u00e9pave recherch\u00e9e et Haimey d\u00e9cide \r\nd\u2019aller voir de plus pr\u00e8s. Elle constate, \u00e0 sa stup\u00e9faction, la \r\npr\u00e9sence de gravit\u00e9 artificielle. Aucun doute\u00a0: il s\u2019agit de\r\ntechnologie koregoi. Poursuivant sa progression, elle d\u00e9couvre\r\nqu\u2019une bonne partie du gigantesque vaisseau a \u00e9t\u00e9 d\u00e9truite par\r\nune explosion qui a provoqu\u00e9 une d\u00e9compression. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Elle comprend qu\u2019elle se trouve sur une sc\u00e8ne de crime et tout\r\ns\u2019\u00e9claircit\u00a0: il s\u2019agit d\u2019un navire-usine. On a tu\u00e9 l'Ativahika \r\npour en tirer le devashare, une drogue source d\u2019immenses\r\nprofits. Au cours de son exploration, elle est victime d\u2019un pi\u00e8ge\r\net sa combinaison est perc\u00e9e. De retour sur Singer, une sorte de\r\ntoile d\u2019araign\u00e9e brille sous l\u2019\u00e9piderme de son bras droit. De\r\nla senso koregoi. C\u2019est alors que vaisseau myst\u00e9rieux r\u00e9appara\u00eet, \r\net tire sur Singer. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Ce n\u2019est que le d\u00e9but d\u2019une aventure qui va mener Singer jusqu\u2019au\r\nc\u0153ur de la Galaxie et au cours de laquelle les pouvoirs nouvellement\r\nacquis par Haimey vont se r\u00e9v\u00e9ler d\u00e9cisifs pour affronter une\r\nadversaire aussi redoutable qu\u2019attirante.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/lecultedapophis.com\/2019\/03\/09\/ancestral-night-elizabeth-bear\/\">\r\nL'avis d'Apophys<\/a>, <i>Le Culte d'Apophys<\/i>, \r\nmars 2019 (consult\u00e9 en ao\u00fbt 2023) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2020 : 2<sup>e<\/sup> place (meilleur roman SF)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Hugo 2020 : pr\u00e9s\u00e9lection (meilleur roman) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.31 <b>The Red-Stained Wings<\/b> (<i>univers \r\nLotus Kingdoms<\/i>-02), <i>Tor<\/i>, mai 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>The Gage and the Dead Man brought\r\na message from the greatest wizard of Messaline to the ruling queen\r\nof Sarathai, one of the Lotus Kingdoms. But the message was a riddle,\r\nand the Lotus Kingdoms are at war.<\/i>\" (Pr\u00e9sentation de l'\u00e9diteur)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2020 : 16<sup>e<\/sup> place (meilleur roman fantasy)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.32 <b>Machine<\/b> (univers <i>White Space<\/i>-02),\r\n<i>Simon &amp; Shuster\/Saga Press<\/i>, octobre 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Brookllyn \u00ab\u00a0Llyn\u00a0\u00bb Jens,\r\nsp\u00e9cialiste des sauvetages difficiles et ancienne polici\u00e8re,\r\nsouffre de douleurs chroniques qui la rendent d\u00e9pendante de son\r\nexosquelette. Elle et les autres membres de l\u2019\u00e9quipage du vaisseau\r\nambulance du Synarche I Race to Seek the Living r\u00e9pondent \u00e0 un\r\nappel \u00e0 l\u2019aide lanc\u00e9 par le Big Rock Candy Mountain, un vaisseau\r\nvieux de six cents ans. Celui-ci a cess\u00e9 toute communication, comme\r\nd\u2019ailleurs le vaisseau qui a relay\u00e9 son appel, le I Bring Tidings\r\nFrom Afar, rest\u00e9 \u00e0 proximit\u00e9. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Le Big Rock Candy Mountain est un gigantesque vaisseau g\u00e9n\u00e9ration \r\nparti de la Terre \u00e0 l\u2019\u00e9poque de l\u2019Eschaton, alors que la\r\nsituation paraissait d\u00e9sesp\u00e9r\u00e9e et avant que les choses s\u2019arrangent. \r\nLe capitaine est mort, des milliers de passagers sont endormis dans \r\ndes cellules cryos et la seule \u00ab\u00a0personne\u00a0\u00bb consciente \u00e0 \r\nbord est une cr\u00e9ature semblable \u00e0 une bulle de mercure dor\u00e9e qui\r\npeut prendre une forme humano\u00efde f\u00e9minine et qui se donne le nom\r\nd\u2019Helen Alloy. <\/i> <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>\u00c0 bord du I Bring Tidings From Afar, Llyn fait une d\u00e9couverte \r\ntout aussi \u00e9tonnante\u00a0: un engin m\u00e9canique capable d\u2019h\u00e9berger \r\ndes humains, et dot\u00e9 de puissantes pattes h\u00e9riss\u00e9es de piquants. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Llyn et ses co\u00e9quipiers rentrent \u00e0 la station h\u00f4pital inter-esp\u00e8ces\r\nCore General avec leurs d\u00e9couvertes, et c\u2019est alors que la situation \r\nse d\u00e9grade. Les IA semblent victimes d\u2019un sabotage qui met tout\r\nle personnel et les patients en p\u00e9ril.<\/i> (P.C.) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nOn retrouve dans ce roman deux personnages d\u2019<i>Ancestral Nigh<\/i>t\u00a0: \r\nl\u2019officier de police \u00e0 apparence de mante religieuse Cheeirilaq et, dans \r\nun r\u00f4le bref mais d\u00e9cisif, le vaisseau-IA <i>Singer<\/i>. <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nDans une \r\n<a href=\"https:\/\/fantasy-hive.co.uk\/2020\/10\/interview-with-elizabeth-bear-ancestral-night\/\">\r\ninterview \u00e0 Jonathan Thornton<\/a>, Elizabeth Bear confie que\r\nle d\u00e9cor du r\u00e9cit a \u00e9t\u00e9 inspir\u00e9 par la s\u00e9rie <i>L'H\u00f4pital\r\ndes \u00e9toiles<\/i> de James White. <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Neffy 2021 : victoire (meilleur roman) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2021 : 7<sup>e<\/sup> place (meilleur roman de science-fiction) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Dragon 2021 : finaliste (meilleur roman de SF) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.33 <b>The Origin of Storms<\/b> (univers<i>\r\nLotus Kingdoms<\/i>-03), juin 2022 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>The Lotus Kingdoms are at war, with four claimants to the sorcerous \r\nthrone of the Alchemical Emperor, fielding three armies between them. \r\nAlliances are made, and broken, many times over\u2014but in the end, only \r\none can sit on the throne. And that one must have not only the power, \r\nbut the rightful claim.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>The Rajni Mrithuri stands as the chief\r\nclaimant to the Alchemical throne now, but she and her empire remain\r\na prize to be taken unless she gets an heir. She has her allies--her\r\ncousin Sayeh, a dragon, a foreign wizard, a fearsome automaton, and\r\nthe Dead Man--but the throne has the final say. And if it rejects\r\nher, the price is death<\/i>\" (Pr\u00e9sentation dans Goodreads)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2023 : 17<sup>e<\/sup> place (meilleur roman de fantasy) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.34  <b>The Folded Sky<\/b> (univers <i>White Space<\/i>-03),\r\n<i>Gollancz<\/i>, juin 2025 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Sunya Song's job is to stop that from happening. <br \/>\r\nShe's an archinformist: a specialist historian whose job usually involves\r\nsitting at a console at her university job near the Galactic Core,\r\nsorting ancient documents and restoring corrupted files.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>But now, the research opportunity of a\r\nlifetime has sent her\u2014along with her teenage children and alien\r\nwife\u2014halfway across the galaxy to preserve the data and aid in the\r\nretrieval of the archaeological find of the century: an ancient alien\r\nartificial intelligence called the Baomind. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>As vast as a stellar system, the Baomind\r\norbits a dying red giant, and the star's time has nearly ended.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>The remote research station and its\r\nsmall fleet of ships come under attack by fanatic Freeport pirates\r\nwho believe that artificial intelligence is an abomination that must\r\nbe destroyed, putting the lives of Sunya and her family at risk. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Tens of thousands of light years from home, isolated from \r\nall help,  Sunya is the only one who can save them \r\nall.<\/i>\" (Pr\u00e9sentation de l'\u00e9diteur) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Dragon 2025 : finaliste (meilleur roman de science-fiction)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nR.35 <b>Angel Maker<\/b> (univers <i>Karen Memory Adventures<\/i>-02),\r\n<i>Sobbing Squonk Press<\/i>, septembre 2025<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>\" Every cowboy story needs a horse no man can ride.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>No man\u2014but Miss Karen Memery is all woman. When she and her \r\nbeloved  Priya sign on to do stunts for a motion picture about \r\na rogue Mechanical  named Cowboy and a Wild West show, she finds \r\nthe horse of her dreams: Angel Maker.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Her plans to rescue him from a deadly stunt are ambitious enough, \r\nbut she\u2019s soon beset by even greater threats when two men are \r\nmurdered brutally. Cowboy and Priya are arrested for the crime, \r\nand Karen must prove them innocent\u2014and save the life of the wild \r\nstallion too!<\/i>\" (Pr\u00e9sentation de l'\u00e9diteur)\r\n<\/p>\r\n<\/div>\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t <div role=\"tabpanel\" class=\"tab-pane \" id=\"tabs_desc_617_4\">\r\n\t\t\t\t\t\t\t\t<div>\r\n<p style=\"text-align : center;font-weight: bold;font-family: Arial, Helvetica, Verdana, sans-serif;font-size: 1.5em\">\r\n&gt;RECUEILS DE NOUVELLES \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>The Chains That You Refuse<\/b>,\r\n<i>Night Shade Books<\/i>, mai 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nContient : L\u2019Esprit d\u2019Escalier: Not a Play in One Act ; \r\nGone to Flowers ; The Company of Four ; Ice ; High\r\nIron ; ee \u201cdoc\u201d cummings ; The Devil You Don\u2019t ; Tiger! Tiger!\r\n; The Dying of the Light ; And the Deep Blue Sea ; Schr\u00f6dinger\u2019s\r\nCat Chases the Super String ; One-Eyed Jack and the Suicide King ;\r\nSleeping Dogs Lie ; Two Dreams on Trains ; Stella Nova ; This Tragic\r\nGlass ; Botticelli ; Seven Dragons Mountains ; Old Leatherwings ;\r\nWhen You Visit the Magoebaskloof Hotel, Be Certain Not to to Miss the\r\nSamango Monkeys ; Follow Me Light ; The Chains That You Refuse.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2010<i> <\/i><b>Jewels and Stones<\/b>, \r\n<i>Subterranean Press<\/i>, 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nContient : Love Among the Talus (2006) ; \r\nOrm the Beautiful (2007).<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>Shoggoths in Bloom<\/b>, \r\n<i>Prime Books<\/i>, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nContient : Introduction ; Tideline (2007) ; Sonny Liston Takes \r\nthe Fall (2008) ; Sounding (2006) ; The Something-Dreaming Game \r\n(2007) ; The Cold Blacksmith (2006) ; In the House of Aryaman, a \r\nLonely Signal Burns (2012) ; Orm the Beautiful (2007) ; The \r\nInevitable Heat Death of the Universe (2006) ; Love Among the \r\nTalus (206) ; Cryptic Coloration (2007) ; The Ladies (2007) ; \r\nShoggoths in Bloom (2008) ; The Girl Who Sang Rose Madder (2008) ; \r\nDolly (2011) ; Gods of the Forge (2011) ; Annie Webber (2008) ; \r\nThe Horrid Glory of Its Wings (2009) ; Confessor (2010) ; The Leavings \r\nof the Wolf (2011) ; The Death of Terrestrial Radio (2012).<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2013 : victoire (meilleur recueil)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>Garrett Investigates<\/b> (univers <i>New Amsterdam<\/i>), \r\n<i>Subterranean Press<\/i>, novembre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nContient : \"The Tricks of London: London, April 1879 ; The Body of \r\nthe Nation: New Netherlands, April 1897 ; Almost True: New Netherlands,\r\n1900 ; Underground: Paris, April 1941 ; Twilight: London, 1941\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2020 <b>The Best of Elizabeth Bear<\/b>, \r\n<i>Subterranean Press<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nContient : Introduction (essay by C. L. Polk) ; Covenant ; She Still \r\nLoves the Dragon ; Tideline ; The Leavings of the Wolf ; Okay, Glory ; \r\nNeedles ; This Chance Planet ; The Body of the Nation ; Boojum (avec\r\nSarah Monette) ; The Bone War ; In the House of Aryaman, a Lonely\r\nSignal Burns ; Shoggoths In Bloom ; Skin in the Game ; Hobnoblin\r\nBlues ; Form and Void ; Your Collar ; Terroir ; Dolly ; Love Among\r\nthe Talus ; The Deeps of the Sky ; Two Dreams on Trains ; Faster Gun\r\n; The Heart's Filthy Lesson ; Perfect Gun ; Sonny Liston Takes the\r\nFall ; Orm the Beautiful ; Erase, Erase, Erase \r\n<\/p>\r\n<\/div>\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t <div role=\"tabpanel\" class=\"tab-pane \" id=\"tabs_desc_617_5\">\r\n\t\t\t\t\t\t\t\t<div>\r\n<p style=\"text-align : center;font-weight: bold;font-family: Arial, Helvetica, Verdana, sans-serif;font-size: 1.5em\">\r\nCHAPBOOKS\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2007 <b>Almost True<\/b> (nouvelle, Univers \r\n<i>New Amsterdam<\/i>), <i>Subterranean Press<\/i>, 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Garrett Investigates<\/i>, novembre 2012<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2009 <b>The Tricks of London<\/b> (novelette,\r\nunivers <i>New Amsterdam<\/i>), <i>Subterranean Press<\/i>, 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>An ambitious young policeman with a dangerous \r\nsecret. A scandalous woman who also happens to be a Crown\r\nInvestigator. A series of gruesome murders in the benighted rookeries\r\nof a 19th-century London not quite our own\u2026.<\/i>\"\r\n(Pr\u00e9sentation sur <i>Goodreads<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Garrett Investigates<\/i>, novembre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>PodCastle<\/i> #234, novembre 2012 ; \r\n<a href=\"https:\/\/podcastle.org\/2012\/11\/14\/podcastle-234-giant-episode-the-tricks-of-london\/\">\r\nlien Internet<\/a> (consult\u00e9 en mars 2020)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2010 <b>The Girl Who Sang Rose Madder<\/b>\r\n(nouvelle, SF), <i>Tor<\/i>, juillet 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2008\/09\/11\/rose-madder\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nPremi\u00e8re parution : <i>Tor.com<\/i>, septembre 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>In art as in life, you've got to\r\nchange in order to live. Even when your audience\u2014and maybe your\r\nfriends\u2014thinks it would be great if you stayed the same forever. In\r\nsome cases, literally forever.<\/i>\" (Pr\u00e9sentation sur\r\n<i>Goodreads<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths in Bloom<\/i>, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Stories: Five Years of \r\nOriginal Fiction on Tor.com<\/i>, ed. non cr\u00e9dit\u00e9, juillet 2013\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2011 <b>Twilight<\/b> (novelette, univers <i>New\r\nAmsterdam<\/i>), <i>Subterranean Press<\/i>, f\u00e9vrier 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Garrett Investigates<\/i>, novembre 2012<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2011 <b>The Horrid Glory of Its Wings<\/b>\r\n(nouvelle, fantasy), <i>Tor<\/i>, f\u00e9vrier 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2009\/12\/08\/the-horrid-glory-of-its-wings\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nPremi\u00e8re parution dans <i>Tor.com<\/i>, d\u00e9cembre 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>There's a harpy with bronze wings\r\nliving in the dumpster behind Desiree's building. She's ugly and she\r\neats garbage, but she has a little kingdom back there. Desiree wants\r\nsomething of her own, too -- something all hers. Can that foul old\r\nthing possibly help her?<\/i>\" (Pr\u00e9sentation sur <i>Goodreads<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths in Bloom<\/i>, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year\u2019s Best Dark Fantasy \r\n&amp; Horror: 2010 Edition<\/i>, ed. Pula Guran, octobre 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Stories: Five Years of \r\nOriginal Fiction on Tor.com<\/i>, ed. non cr\u00e9dit\u00e9, juillet 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l 'anthologie <i>New York\r\nFantastic<\/i>, ed. Paula Guran, novembre 2017\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>ad eternum<\/b> (novella, univers <i>New \r\nAmsterdam<\/i>-04), <i>Subterranean Press<\/i>, mai 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>For centuries, the wampyr has drifted from one place to another. \r\nFrom one life to another. It's 1962, and he's returned to New Amsterdam \r\nfor the first time since he fled it on pain of death some sixty years\r\nbefore. On the eve of social revolution, on the cusp of a new way of\r\nlife, he's nevertheless surrounded by inescapable reminders of \r\nwho he used to be.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>For a thousand years, he's chosen to\r\nchange rather than to die. Now, at last, he faces a different\r\nfuture....<\/i>\" (Pr\u00e9sentation sur <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>Underground<\/b> (novelette, univers <i>New\r\nAmsterdam<\/i>), <i>Subterranean Press<\/i>, f\u00e9vrier 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Garrett Investigates<\/i>, novembre 2012\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>Faster Gun<\/b> (novelette, SF\/uchronie),\r\n<i>Tor<\/i>, ao\u00fbt 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2012\/08\/08\/faster-gun\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e dans <i>Tor.com<\/i>.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>\u00c0 l\u2019aide  de son chapeau, Doc Holliday abrite ses yeux du \r\nsoleil de novembre en s\u2019exclamant\u00a0: \u00ab\u00a0On dirait un truc tir\u00e9 de\r\nJules Verne\u00a0!\u00a0\u00bb La masse qui se profile pourrait \u00eatre la\r\ncoque rouill\u00e9e et orang\u00e9e de n'importe quelle \u00e9pave abandonn\u00e9e,\r\nsi elle ne se trouvait \u00e0 des centaines de kilom\u00e8tres de l\u2019oc\u00e9an\r\net si elle n\u2019\u00e9tait pas des centaines de fois trop grosse pour \u00eatre\r\nun vaisseau. Derri\u00e8re lui, quatre femmes et un homme se taisent. Une\r\nlongue \u00e9raflure sillonne le d\u00e9sert derri\u00e8re la coque. L\u2019impact\r\n- ou tout simplement le d\u00e9sert - a creus\u00e9\r\nplusieurs trous dans ses flancs, r\u00e9v\u00e9lant des ponts d\u00e9form\u00e9s, des\r\ntuyaux et des c\u00e2bles pendants, des \u00e9l\u00e9ments de structure \u00e9tir\u00e9s\r\net tordus. Doc n\u2019\u00e9tait pas tr\u00e8s chaud \u00e0 l\u2019id\u00e9e de conduire quatre femmes\r\ndans le d\u00e9sert, mais c\u2019\u00e9tait lui ou John Ringo qui n\u2019aurait eu\r\naucun scrupule \u00e0 les d\u00e9pouiller de leurs chevaux et de leur argent.\r\nIl sort de sa poche une barre de marrube blanc dont il arrache un\r\nmorceau pour le sucer. La derni\u00e8re chose dont il a besoin maintenant\r\nest une foutue quinte de toux. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Doc Holliday n\u2019est pas au bout de ses surprises, que ce \r\nsoit sur la nature de l\u2019\u00e9pave, son contenu et l\u2019identit\u00e9 \r\nde ses compagnons.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Some of the Best from Tor.com: \r\n2012 Edition<\/i>, ed. Liz Gorinsky, David G. Hartwell \r\n&amp; Patrick Nielsen Hayden, janvier 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Stories: Five Years of \r\nOriginal Fiction on Tor.com<\/i>, ed. non cr\u00e9dit\u00e9, juillet 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Galaxie's Edge<\/i> #7, mars 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2013 : 2<sup>e<\/sup> place (meilleure novelette)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2013 <b>Book of Iron<\/b> (novella, univers <i>The Eternal Sky<\/i>), <i>Subterranean Press<\/i>, septembre 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] Bijou the Artificer is a Wizard of Messaline, the City \r\nof Jackals. She and her partner\u2014and rival\u2014Kaulas the Necromancer, \r\nalong with the martial Prince Salih, comprise the Bey's elite band \r\nof trouble-solving adventurers.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>But Messaline is built on the ruins of a\r\nstill more ancient City of Jackals. So when two foreign Wizards and a\r\nbard from the mysterious western isles cross the desert in pursuit of\r\na sorcerer intent on plundering the deadly artifacts of lost Erem,\r\nBijou and her companions must join their hunt.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>The quest will take them through strange passages, beneath the \r\nkilling light of alien suns, with the price of failure the \r\ndestruction of every land<\/i>\" (Pr\u00e9sentation sur <i>Goodreads<\/i>) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2014 <b>This Chance Planet<\/b> (nouvelle, SF),\r\n<i>Tor<\/i>, octobre 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2014\/10\/22\/this-chance-planet-elizabeth-bear\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e dans <i>Tor.com<\/i>.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Dans le m\u00e9tro moscovite, Petra Ivanovna\r\n\u00e9coute \u00e0 peine son petit ami Ilya, l\u2019essentiel de son attention\r\nse concentre sur le chien install\u00e9 sur le seul si\u00e8ge disponible.\r\nPuis elle reprend le fil de la conversation d'Ilya. Comme toujours,\r\nil s\u2019agit d\u2019un plan pour devenir riche rapidement. Celui-ci\r\nconsiste \u00e0 \u00eatre pay\u00e9 pour incuber le foie de quelqu'un d'autre.\r\nDans ses tripes. A c\u00f4t\u00e9 de son propre foie, sans doute ? Elle\r\nl\u2019imagine en train de gonfler, comme une femme enceinte et se\r\ndemande si ses chevilles vont enfler. C\u2019est comme faire pousser un\r\nb\u00e9b\u00e9, ajoute-t-il. Ils ne peuvent se permettre d'avoir un b\u00e9b\u00e9.\r\nNi l'argent ni le temps, jusqu'\u00e0 ce qu\u2019elle termine son dipl\u00f4me.\r\nTandis qu\u2019Ilya rattrape sa guitare \u00e9lectrique dont la courroie\r\nglisse de son \u00e9paule, elle commence \u00e0 expliquer les diff\u00e9rences\r\navant de renoncer quand elle comprend qu\u2019il ne pensait pas \u00e0 lui,\r\nmais \u00e0 elle pour faire pousser l\u2019organe. Il ne peut pas grossir\r\nalors qu\u2019il doit monter sur sc\u00e8ne. Comme si une serveuse de\r\ncocktails grassouillette avait des chances de toucher de gros\r\npourboires. Le chien g\u00e9mit et elle s\u2019excuse de ne rien avoir \u00e0\r\nlui donner puis elle descend du m\u00e9tro en se demandant ce qu\u2019elle\r\nfait de sa vie. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Elle ignore encore que c\u2019est pr\u00e9cis\u00e9ment toute \r\nsa vie qui va changer \u00e0 la suite de cette rencontre \r\navec ce chien qui est en fait une chienne.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Long List Anthology: More  Stories \r\nfrom the Hugo Awards Nomination List<\/i>, ed. David Steffen, novembre 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>StarShipSofa<\/i> #511, novembre 2017 ; \r\n<a href=\"http:\/\/www.starshipsofa.com\/blog\/2017\/11\/15\/starshipsofa-no-511-elizabeth-bear\/\">\r\nlien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2015 : 6<sup>e<\/sup> place (meilleure nouvelle)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Hugo 2015 : pr\u00e9s\u00e9lection (meilleure nouvelle)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2018 <b>In the House of Aryaman, a Lonely Signal Burns<\/b> \r\n(novella, <i>SF<\/i>), <i>Sobbing Squonk Press<\/i>, juin 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nPremi\u00e8re parution dans <i>Asimov's<\/i>, janvier 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Malgr\u00e9 la crises des \u00e9nergies qui a, en particulier, limit\u00e9 \r\nles d\u00e9placements et le d\u00e9r\u00e8glement climatique qui a boulevers\u00e9 \r\nle cycle des moussons, Bangalore en Inde, a r\u00e9ussi sa mutation, \r\npassant du tourisme m\u00e9dical \u00e0 la biotech. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Ferron, la sous-inspectrice de la brigade criminelle de \r\nBangalore, est appel\u00e9e sur une sc\u00e8ne de crime.\r\nAvec l\u2019agent Indrapramit, elle examine\r\nles restes sanglants de Dexter Coffin, un physicien de renom\r\nque la soci\u00e9t\u00e9 BioShell a fait venir d\u2019Am\u00e9rique, malgr\u00e9 le co\u00fbt\r\ncarbone. Il semble avoir \u00e9t\u00e9 retourn\u00e9 de l\u2019int\u00e9rieur\r\nvers l\u2019ext\u00e9rieur, comme une \u00e9norme saucisse \u00e9clat\u00e9e.\r\nDans un coin, une table est dress\u00e9e pour deux tandis\r\nqu\u2019une autre partie de la pi\u00e8ce est occup\u00e9e par des\r\n\u00e9quipements techniques. Farron d\u00e9couvre l\u2019animal de compagnie de\r\nl\u2019Am\u00e9ricain, un chat-perroquet de la derni\u00e8re g\u00e9n\u00e9ration,\r\nqu\u2019elle d\u00e9cide de prendre en charge en\r\nle surnommant Pr\u00e9sident Miaou. R\u00e9sultat d\u2019une\r\nbio-ing\u00e9nierie, l\u2019animal ne parle cependant pas et Indrapramit\r\nconstate que la m\u00e9moire de ce seul t\u00e9moin a \u00e9t\u00e9 effac\u00e9e. Alert\u00e9e\r\nparce que Coffin n\u2019\u00e9tait pas en t\u00e9l\u00e9travail et ne\r\nr\u00e9pondait pas aux appels, la police a d\u00fb enfoncer la porte\r\nverrouill\u00e9e en mode alarme.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Pendant ce temps, les flux\r\nd\u2019information parlent d\u2019une \u00e9toile situ\u00e9e dans la\r\ngalaxie d\u2019Androm\u00e8de et de ses signaux p\u00e9riodiques\r\nque certains astronomes consid\u00e8rent comme le signe\r\navant-coureur d\u2019une nova. Farron se souvient qu\u2019Androm\u00e8de\r\net P\u00e9gase font partie de l\u2019Uttara Bhadrapada, la vingt-sixi\u00e8me\r\nmaison lunaire de l\u2019astronomie indienne, sous l\u2019influence du dieu\r\nArayaman qui parcourt la Voie lact\u00e9e, les Ganges c\u00e9lestes. Ses\r\npens\u00e9es sont \u00e9galement occup\u00e9es par sa m\u00e8re qui d\u00e9pense\r\nune fortune en existence virtuelle et en archivage. Depuis dix-huit\r\nmois, Farron r\u00e8gle les factures par d\u00e9votion filiale mais elle\r\narrive au bout de ses possibilit\u00e9s.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.quoideneufsurmapile.com\/2018\/08\/in-house-of-aryaman-lonely-signal-burns.html\">\r\nL'avis de Gromovar<\/a> (consult\u00e9 en avril 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths in Bloom<\/i>, octobre 2012<\/p> \r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best Science Fiction:\r\nThirtieth Annual Collection<\/i>, ed. Gardner Dozois, juillet 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year\u2019s Best Science Fiction \r\n&amp; Fantasy: 2013 Edition<\/i>, ed. Rich Horton, juillet 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Lightspeed<\/i>, f\u00e9vrier 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Forever<\/i> #18, juillet 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2013 : 4<sup>e<\/sup> place (meilleure novella)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Asimov's Readers : 4<sup>e<\/sup> place (meilleure novella)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Hugo 2013 : pr\u00e9s\u00e9lection (meilleure novella)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2018 <b>We Have Always Died in the Castle<\/b> (novelette, SF), \r\n<i>Center for Science and the Imagination<\/i>, juillet 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/csi.asu.edu\/books\/we-have-always-died-in-the-castle\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2021)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Il fait froid dans cette pi\u00e8ce qui\r\nn\u2019est pas r\u00e9elle. La chambre est petite et octogonale, les murs\r\nsont de pierre jaune. On n'a pas dit \u00e0 Marie Katz \u00e0 quoi\r\ns'attendre, si ce n'est que la simulation l'aiderait \u00e0 pratiquer\r\nl'empathie dont on lui reproche l\u2019absence dans son comportement\r\nenvers ses coll\u00e8gues. Elle a sign\u00e9 de nombreuses d\u00e9rogations avant\r\nqu'on l'aide \u00e0 rev\u00eatir la combinaison, \u00e0 mettre le masque et les\r\ngants, \u00e0 enfiler les aiguilles dans ses veines et \u00e0 monter dans le\r\nr\u00e9servoir. Bien que sceptique sur l\u2019efficacit\u00e9 du traitement,\r\nelle aurait sign\u00e9 n\u2019importe quoi pour conserver son travail \r\nde conceptrice d\u2019interface utilisateur dans une soci\u00e9t\u00e9 de \r\njeux. Il lui reste quelques s\u00e9ances, au moins, avant \r\nl\u2019\u00e9valuation de ses progr\u00e8s. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Quand elle ressent la pr\u00e9sence d\u2019\u00eatres fantomatiques, \r\nil lui faut trouver la raison de leur pr\u00e9sence en ces\r\nlieux et le moyen de les lib\u00e9rer. C\u2019est le prix \u00e0 payer \r\npour sortir de cette r\u00e9alit\u00e9 virtuelle.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nCette novelette est le r\u00e9sultat d\u2019une exp\u00e9rience \r\ncollaborative men\u00e9e par le  <i>Center for Science \r\nand the Imagination<\/i> \u00e0 l\u2019Universit\u00e9 de l\u2019\u00c9tat \r\nd\u2019Arizona, dans le cadre du projet \r\n<a href=\"https:\/\/www.crowdfutures.us\/\">\r\nCrowd Futures<\/a>. Une\r\npremi\u00e8re s\u00e9rie de discussions a permis de d\u00e9finir le th\u00e8me du\r\nr\u00e9cit\u00a0: une histoire portant sur l'application des technologies\r\nde r\u00e9alit\u00e9 virtuelle pour le bien social, avec une touche gothique.\r\nElizabeth a ensuite r\u00e9dig\u00e9 un premier jet incomplet et\r\nle choix de la conclusion a \u00e9t\u00e9 soumis \u00e0 un vote sur Internet.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2018 <b>Bug's A-Life<\/b> (nouvelle, SF), \r\n<i>Sobbing Squonk Press<\/i>, ao\u00fbt 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Something small and silvery-black whisked across \r\nthe screen. It was gone so quickly it was as if it had\r\nsomehow noticed her observing it.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>The homeowner scowled. \u201cWhat am I looking at?\u201d<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Sarah said, \u201cYou\u2019ve got robots.\u201d<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>Oh, god,\u201d the homeowner said with a breathy exhalation. \u201cThis \r\nisn\u2019t going to be cheap, is it?<\/i>\" (Pr\u00e9sentation dans <i>Goodreads<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2019 <b>Deriving Life<\/b> (SF), <i>Tor<\/i>, janvier 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2019\/01\/31\/deriving-life\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e dans <i>Tor.com<\/i>.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Les Locataires ont \u00e9t\u00e9 d\u00e9couverts par hasard, avant la\r\nnaissance de Marq, lors de fouilles sur des sites fr\u00e9quent\u00e9s jadis\r\npar des Homo neanderthalensis. La fonte d\u2019un glacier y avait mis \u00e0\r\njour des cadavres. Peu apr\u00e8s, les pal\u00e9oanthropologues d\u00e9velopp\u00e8rent\r\ndes formes contagieuses de cancer mais le plus \u00e9trange survint quand\r\nles chercheurs affirm\u00e8rent discuter avec leurs tumeurs. Tout ceci\r\naurait pu passer pour du d\u00e9lire sauf que le cancer a \u00e9galement\r\ngu\u00e9ri le diab\u00e8te d'un pal\u00e9obotaniste, et que soudain, tous\r\nsemblaient avoir de brillantes id\u00e9es sur la fa\u00e7on dont cette\r\nculture N\u00e9andertalienne pr\u00e9cise fonctionnait.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Dans cette soci\u00e9t\u00e9 post-genre, les\r\nLocataires apportent de r\u00e9els avantages \u00e0 leurs H\u00f4tes, en\r\nparticulier les personnes \u00e2g\u00e9es, les malades en phase terminale ou\r\nchroniques, \u00e0 condition qu\u2019ils se portent volontaires. Ils\r\nprolongent leur dur\u00e9e de vie et apaisent leurs douleurs. En \u00e9change,\r\nles H\u00f4tes offrent un espace de vie, de la nourriture et\r\nl'utilisation de leur corps pendant leur sommeil.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>D\u00e8s la signature du contrat qui les\r\nliait, Marq, math\u00e9maticien\u00b7ne universitaire, a su que son temps\r\navec Tamar, porteuse du Locataire Atticus, \u00e9tait\r\nlimit\u00e9, mais c\u2019\u00e9tait mieux que rien. L\u2019amour vaut\r\nmieux que la solitude. Malgr\u00e9 tout, quand l\u2019heure est arriv\u00e9e,\r\nc\u2019est dur \u00e0 accepter. Alors que Tamar supporte de plus en plus mal\r\nde voir Marq assister \u00e0 son agonie, celui\u00b7celle-ci\r\ndoit faire face \u00e0 des choix dramatiques \u00e0 ce tournant de \r\nson existence.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Some of the Best from Tor.com: \r\n2019 Edition<\/i>, ed. non cr\u00e9dit\u00e9, janvier 2020<\/p> \r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Best SF of the\r\nYear Volume 5<\/i>, ed. Neil Clarke, octobre 2020\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2020 <b>On Safari in R'lyeh and Carcosa with Gun and Camera<\/b>\r\n(novelette, SF lovecraftienne), <i>Tor.com<\/i>, novembre 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2020\/11\/18\/on-safari-in-rlyeh-and-carcosa-with-gun-and-camera-elizabeth-bear\/\">\r\nLien Internet<\/a> (consult\u00e9 en d\u00e9cembre 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e sur <i>Tor.com<\/i>.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Celle qui se fait appeler Greer Griswold\r\nest \u00e2g\u00e9e de cinquante-deux ans et travaille comme physicienne dans\r\nune universit\u00e9 am\u00e9ricaine. Priv\u00e9e de ses parents adoptifs d\u00e9c\u00e9d\u00e9s,\r\nc\u00e9libataire sans enfants, elle d\u00e9cide sur une impulsion d\u2019utiliser\r\nun kit ADN. Les r\u00e9sultats sont surprenants. Plus de dix pour cent de\r\nl\u2019\u00e9chantillon n\u2019ont pu \u00eatre identifi\u00e9s. Elle transmet ces\r\nmesures \u00e0 son coll\u00e8gue g\u00e9n\u00e9ticien, Michael Roberts, Il se\r\nsouvient d\u2019un doctorant dont les travaux sur des variantes non\r\ncartographi\u00e9es dans le projet du g\u00e9nome humain ont \u00e9t\u00e9 rejet\u00e9s \u00e0\r\ncause de donn\u00e9es jug\u00e9es impossibles. Roberts retrouve le projet de\r\nth\u00e8se qu\u2019il juge assez int\u00e9ressant pour que lui et Greer se\r\nrendent en Nouvelle Angleterre o\u00f9 vit son auteur, Albert Gilman. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Celui-ci, en guise d\u2019accueil, leur\r\ndemande de partir. Greer lui explique alors que ses r\u00e9sultats \u00e0 un\r\ntest g\u00e9n\u00e9tique sont semblables \u00e0 ceux qu\u2019il a \u00e9tudi\u00e9s. Il\r\nr\u00e9pond qu\u2019il en est d\u00e9sol\u00e9 avant de pr\u00e9ciser que son \u00e9tude\r\nportait sur son propre cas et il les invite une nouvelle fois \u00e0\r\nretourner chez eux.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Quelque temps plus tard, Greer re\u00e7oit un colis postal envoy\u00e9 \r\npar Gilman. Elle y d\u00e9couvre une carte accompagn\u00e9e de notes lui \r\nsouhaitant bonne chance et annon\u00e7ant la mort prochaine de son \r\nexp\u00e9diteur. Elle retourne aussit\u00f4t au cottage dont elle trouve \r\nla porte ouverte et qui est compl\u00e8tement vide. Avant de repartir, \r\nelle voit un vieil ordinateur et copie tous les fichiers. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>De retour chez elle, Roberts et elle\r\nregardent les fichiers, des selfies qui montrent Gilman se\r\ntransformer en quelque chose proche des batraciens. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Sur la carte, ils remarquent un endroit\r\ncoch\u00e9 au crayon, pr\u00e8s de Martha\u2019s Vineyard. Ils\r\nd\u00e9cident aussit\u00f4t de s\u2019y rendre. Ils garent leur voiture dans la\r\nr\u00e9serve naturelle et, de l\u00e0, partent, sac au dos et carte \u00e0 la\r\nmain. C\u2019est le d\u00e9but d\u2019un voyage qui les m\u00e8nera bien plus loin\r\nqu\u2019ils ne le pensent.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best Dark Fantasy and Horror:\r\nVolume 2<\/i>, ed. Paula Guran, octobre 2021 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Long List\r\nAnthology: Volume 7<\/i>, ed. David Steffen, juin 2022 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Hugo 2021 : pr\u00e9s\u00e9lection (meilleure novelette) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2021 <b>The Red Mother<\/b> (novelette, univers \r\n<i>Lotus Kingdoms<\/i>), <i>Tor<\/i>, juin 2021<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e dans <i>Tor.com<\/i>.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2021\/06\/23\/the-red-mother-elizabeth-bear\/\">\r\nLien Internet<\/a> (consult\u00e9 en juin 2021)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>This fantasy novelette occurs in\r\nthe land of the Norsemen. Hacksilver, a Viking sorcerer, is seeking\r\nhis estranged brother to give him some good news. After following his\r\nbrother\u2019s magical thread, Hacksilver finds himself in Halfhand\u2019s\r\nlonghouse in a land plagued by a volcano.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Halfhand, Hacksilver\u2019s longtime rival, claims to know where \r\nhis brother is but requires Hacksilver to slay the dragon causing \r\nthe eruptions. Not believing a dragon is behind the flowing lava, \r\nHacksilver goes to see if he can magically stop the volcano.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>When he gets there, Hacksilver discovers\r\nhis error about the dragon and soon finds himself engaged in a most\r\nunusual battle on behalf of his brother and the people in the area.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>[...]<\/i>\" (Kevin P Hallett,\r\n<a href=\"https:\/\/tangentonline.com\/e-market-irregular\/tor-com-june-2021\/\">\r\n<i>Tangent Online<\/i><\/a>, juin 2021) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Some of the Best of Tor.com 2021<\/i>, \r\ned. non cr\u00e9dit\u00e9, f\u00e9vrier 2022 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Best American Science \r\nFiction and Fantasy 2022<\/i>, ed. Rebecca Roanhorse, novembre 2022 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Long List Anthology: \r\nVolume 8<\/i>, ed. David Steffen, novembre 2022 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2022 : 6<sup>e<\/sup> place (novelette)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Hugo 2022 : pr\u00e9s\u00e9lection (meilleure novelette) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2025 <b>The Witch and the Wyrm<\/b> (novelette, \r\nunivers <i>Lotus Kingdoms<\/i>),\r\n<i>Tor Books<\/i>, f\u00e9vrier 2025 \/p&gt;\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/reactormag.com\/the-witch-and-the-wyrm-elizabeth-bear\/\">\r\nLien Internet<\/a> (consult\u00e9 en f\u00e9vrier 2025) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>A new story set in the world of\r\n\u201cThe Red Mother.\u201d Hacksilver riddled with a dragon, saved his\r\nfamily's farm, and won the secret to raise his dead. Nothing prepared\r\nhim, though, for the long cold winter when the dead walked...and his\r\nfamily came back!<\/i>\" (Pr\u00e9sentation de l'\u00e9diteur)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e sur <i>Reactor<\/i>. \r\n<\/p>\r\n<\/div>\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t <div role=\"tabpanel\" class=\"tab-pane \" id=\"tabs_desc_617_6\">\r\n\t\t\t\t\t\t\t\t<div>\r\n<p style=\"text-align : center;font-weight: bold;font-family: Arial, Helvetica, Verdana, sans-serif;font-size: 1.5em\">\r\nS\u00c9LECTION DE R\u00c9CITS\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2000 <b>The Company of Four<\/b> (nouvelle,\r\nfantasy), <i>Scheherazade<\/i> #20, 2000<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> a good, solid fairy story.\r\n[...]<\/i>\" (auteur inconnu, site web \r\n<a href=\"https:\/\/www.eyrie.org\/~eagle\/reviews\/books\/1-59780-048-1.html\">\r\n<i>eyrie.org<\/i><\/a>, septembre 2006)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Chains That You Refuse<\/i>, mai 2006\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2001 <b>The Devil You Don\u2019t<\/b> (nouvelle, univers <i>The Edda of Burdens<\/i>), <i>Amberzine<\/i> #11, mai 2001 (sous le nom d'auteur Sarah Bear Kindred)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> about a Norse survivor of\r\nRagnarok hiding out in a Wild West town. It sets up a good western,\r\nwith a gun fight, a corrupt sheriff, town secrets, and a nice bit of\r\nrevenge, all layered with loss, memory, and the alienating viewpoint\r\nof someone originally from a far different culture who was trying to\r\nmind her own business. [...]<\/i>\" (auteur inconnu, site web \r\n<a href=\"https:\/\/www.eyrie.org\/~eagle\/reviews\/books\/1-59780-048-1.html\">\r\n<i>eyrie.org<\/i><\/a>, septembre 2006)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Chains That You Refuse<\/i>, mai 2006\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2003 <b>e e \"doc\" cummings<\/b> (po\u00e8me,\r\nSF), <i>F &amp;SF<\/i>, mars 2003<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> a one page parody of e.e. cummings and E.E. \r\n\"Doc\"  Smith [...]<\/i>\" (auteur inconnu, site web \r\n<a href=\"https:\/\/www.eyrie.org\/~eagle\/reviews\/books\/1-59780-048-1.html\">\r\n<i>eyrie.org<\/i><\/a>, septembre 2006)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Chains That You Refuse<\/i>, mai 2006\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2003 <b>Ice<\/b> (nouvelle, fantasy), \r\n<i>Ideomancer<\/i>, avril 2003<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> a poignant tale of redemption filled with piercing \r\nimages of beauty and valor brought low. Bear's fantastic Norse \r\nimagery is vivid and tightly focused \u2014 heart-rendingly so \u2014 in \r\nthe opening scene; the battle scene is bloody and painful; the \r\nredemption scene is painstaking. [...]<\/i>\" (Diana Blackmon, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-quarterly\/ideomancer\/ideomancer-april-2003\/\">\r\n<i>Tangent Online<\/i><\/a>, mars 2003)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Chains That You Refuse<\/i>, mai 2006\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>The Dying of the Light<\/b> (po\u00e8me,\r\navec Amber van Dyk), <i>Fortean Bureau<\/i>, avril 2003<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> It's told in two threads, one justified left and one \r\njustified right, and they both entwine and tell somewhat separate \r\nstories. I got the most out of it by reading both threads separately \r\nand then reading them again together, but after piecing that \r\ntogether, this take on inspiration and writing is memorable and \r\nhaunting. [...]<\/i>\" (auteur inconnu, site web \r\n<a href=\"https:\/\/www.eyrie.org\/~eagle\/reviews\/books\/1-59780-048-1.html\">\r\n<i>eyrie.org<\/i><\/a>, septembre 2006)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Chains That You Refuse<\/i>, mai 2006\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2003 <b>Tiger! Tiger!<\/b> (nouvelle, horreur),\r\nanthologie <i>Shadows Over Baker Street<\/i>, ed. John Pelan &amp;\r\nMichael Reaves, octobre 2003<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Magnus Larsen, is a big game hunting guide, hired to lead a \r\ntiger hunt in India in 1882.  The entourage consists of Count Kolinzcki \r\n(an obese Lithuanian nobleman), Northrop Waterhouse  and his teenage \r\nsons James and Conrad, Graf von Hammerstein, Dr. Albert Montleroy, \r\nand Irene Adler, Sherlock Holmes' great love.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>The subject of the hunt is a man-eating\r\ntiger terrorizing the local villages. So terrible have been its\r\nattacks that Larsen is suspicious that it even is a tiger.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>The hunt yields results, in the form of\r\na sick and injured tigress. But one look at the animals \r\ndamaged teeth tells Larsen that this is not their \r\npredator. [...]<\/i>\" (auteur inconnu, site web \r\n<a href=\"http:\/\/cthulery.blogspot.com\/2017\/11\/tiger-tiger.html\">\r\n<i>Cthulery<\/i><\/a>, novembre 2017)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Chains That You Refuse<\/i>, mai 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Apex<\/i>, novembre 2014\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2004 <b>The Chains That You Refuse<\/b>\r\n(nouvelle), <i>ChiZine<\/i>, avril-juin 2004<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Chains That You Refuse<\/i>, mai 2006 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2004 <b>This Tragic Glass<\/b> (novelette, SF),\r\n<i>Sci Fiction<\/i>, avril 2004<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/web.archive.org\/web\/20080104035152\/http:\/\/www.scifi.com\/scifiction\/originals\/originals_archive\/bear\/bear1.html\">\r\nLien Internet<\/a> (consult\u00e9 en f\u00e9vrier 2022) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> a Science Fiction story for\r\nthe poetry fan. Elizabeth Bear postulates a future where great\r\nthinkers are retrieved from the past and encouraged to continue their\r\ncareers beyond their premature deaths. When Dr. Satyavati Brahmaputra\r\nwrites a software program that analyzes every word written by\r\nElizabethan poets, she determines that Christopher Marlowe was\r\nactually a woman.  To prove her theory, she applies for permission to\r\nextract Marlowe. [...]<\/i>\" (Suzanne Church, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-weekly\/scifiction\/sci-fiction-april-7-2004\/\">\r\n<i>Tangent Online<\/i><\/a>, avril 2004)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Chains That You Refuse<\/i>, mai 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Time Traveller's Almanac<\/i>, \r\ned. Ann &amp; Jeff VanderMeer, novembre 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix James Tiptree Jr 2005 : pr\u00e9s\u00e9lection (gender-bending SF)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2004 <b>Seven Dragons Mountains<\/b> (nouvelle), anthologie <i>All-Star \r\nZeppelin Adventure Stories<\/i>, ed. David Moles &amp; Jay Lake, novembre 2004<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Fantasy in Oriental settings can\r\ngo horribly wrong\u2013Oriental settings in an alternative history even\r\nmore so\u2013but this story works quite well. Sorcery is subtly blended\r\nwith the Victorian intrusion into the orient, to make a highly visual\r\nshowdown between east and west.<\/i>\" (Jason Fischer, \r\n<a href=\"https:\/\/tangentonline.com\/print-other\/anthologies\/all-star-zeppelin-adventure-stories-edited-by-david-moles-and-jay-lake\/\">\r\n<i>Tangent Online<\/i><\/a>, avril 2005)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Chains That You Refuse<\/i>, mai 2006\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2004 <b>Sleeping Dogs Lie<\/b> (nouvelle), \r\n<i>Flytrap<\/i> #3, novembre 2004<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> a very short story about an\r\nabused dog with a happy ending. But it also has a survival ending,\r\nand the dog is not helpless even when he appears to be externally.\r\n[...]<\/i>\" (auteur inconnu, site web \r\n<a href=\"https:\/\/www.eyrie.org\/~eagle\/reviews\/books\/1-59780-048-1.html\">\r\n<i>eyrie.org<\/i><\/a>, septembre 2006)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Chains That You Refuse<\/i>, mai 2006\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2004 <b>When You Visit the Magoebaskloof Hotel, Be Certain \r\nNot to Miss the Samango Monkeys<\/b> (SF), <i>Interzone<\/i> \r\n#195, novembre-d\u00e9cembre 2004<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> The title refers to bits of\r\ndata punctuating the story with information about this rare breed of\r\nmonkey. The story itself is told first person by a colony ship's\r\nxenobiologist, who must find a way to make the biochemistry of the\r\nplanet they crashed on work for humans, or the entire colony,\r\nstranded now, will die. She faces an unpleasant task: digging up and\r\ndissecting the body of one of the hitherto-peaceful alien life forms,\r\nin order to try to figure out its DNA. As she paces to the site where\r\nthe alien child is buried, she reflects on how these kind-seeming\r\naliens sliced up as thoroughly as any practiced serial killer a woman\r\nfrom the colony ship who had accidentally uncovered an alien burial\r\nsite. Then returned to normal as if nothing had happened. Careful,\r\nfurtive, yet respectful, the xenobiologist uncovers the baby's body\r\nand then looks up. Into rows of alien eyes. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Meanwhile, the slivers of data about the\r\nmonkeys have become memories [...]<\/i>\" (Sherwood Smith,\r\n<a href=\"https:\/\/tangentonline.com\/print-bi-monthly\/interzone\/interzone-195-november-2004\/\">\r\n<i>Tangent Online<\/i><\/a>, janvier 2005)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Chains That You Refuse<\/i>, mai 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Destination: Future<\/i>, \r\ned. Z. S. Adani &amp; Eric T. Reynolds, f\u00e9vrier 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>The Drabblecast<\/i> #236, mars 2012 ; \r\n<a href=\"https:\/\/www.drabblecast.org\/2012\/03\/16\/drabblecast-236-when-you-visit-the-magoebaskloof-hotel-be-certain-not-to-miss-the-samango-monkeys\/\">\r\nlien Internet<\/a> (consult\u00e9 en mars 2020)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2005 <b>Los Empujadores Furiosos<\/b> (), <i>On\r\nSpec<\/i>, hiver 2005, d\u00e9cembre 2005<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] Elizabeth Bear takes\r\nus into the bullfighting ring for a contest between a matador and a\r\nsentient bull. Se\u00f1or Benedicto is seeking apology from the bull\u2019s\r\nowner for some public insult, and he\u2019ll do what it takes to get it.\r\nIn this case, it means killing El Zorro Rojo, the Red Fox, who can\r\ntalk. [...]<\/i>\" (James Palmer, \r\n<a href=\"https:\/\/tangentonline.com\/print-quarterly\/on-spec\/on-spec-63-winter-2005\/\">\r\n<i>Tangent Online<\/i><\/a>, avril 2006)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2005 <b>Two Dreams on Trains<\/b> (nouvelle, SF), \r\n<i>Strange Horizons<\/i>, janvier 2005<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/strangehorizons.com\/fiction\/two-dreams-on-trains\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Elizabeth\r\nBear brings slavery and freedom of spirit together in \"Two\r\nDreams on Trains.\"  The story starts with Patience in a\r\nscarrist's shop, getting another tattoo on her hand.  She's \"earned\r\ntwo fingers in six months\", a sign that she's been studying hard\r\nto pay for her son to attend trade school so that they can \"get\r\nberths outbound.\" But her son, Jayve, has other plans. An\r\nartist, he sneaks under a spacelighter and paints graffiti on the\r\nunderside of the ship to publicize his talent to the world.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>The tattoo system that Bear has created causes instant caste \r\nrecognition. The color and type of art on a person's hands indicates \r\ntheir position in life, from the clear hands of the free merchants, \r\nto the green and red of professionals, to the black of convicted \r\ncriminals. Add to the mix a New Orleans now underwater, where buildings \r\nare more like boats adrift in the sea, and the story generates \r\na unique look at one possible future. [...]<\/i>\" (Suzanne Church, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-weekly\/strange-horizons\/strange-horizons-3-january-2005\/\">\r\n<i>Tangent Online<\/i><\/a>, f\u00e9vrier 2005)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Chains That You Refuse<\/i>, mai 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best Science Fiction: \r\nTwenty-Third Annual Collection<\/i>, ed Gardner Dozois, juillet 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Rewired: The Post-Cyberpunk Anthology<\/i>, \r\ned. James Patrick Kelly &amp; John Kessel, octobre 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best Science Fiction \r\n(vol. II)<\/i>, ed. Gardner Dozois, janvier 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>StarShipSofa<\/i> #100, septembre 2009 ; \r\n<a href=\"http:\/\/www.starshipsofa.com\/blog\/2009\/09\/16\/starshipsofa-aural-delights-no-100\/\">\r\nlien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix BSFA 2006 : nomination (fiction courte) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2005 <b>Follow Me Light<\/b> (nouvelle, fantasy),\r\n<i>Sci Fiction<\/i> janvier 2005<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/web.archive.org\/web\/20071217145719\/http:\/\/www.scifi.com\/scifiction\/originals\/originals_archive\/bear2\/index.html\">\r\nLien Internet<\/a> (consult\u00e9 en f\u00e9vrier 2022) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> a beautiful, haunting, modern-day fairy tale. Isaac Gilman, \r\nPinky to all, is a talented lawyer, but horribly crippled and hideous. \r\nHe has a mysterious past, and an aura which glitters with \"electric \r\nblue fireflies.\" Maria Delprado is the lawyer and psychic who loves \r\nhim, who sees the beauty and the pain in him, and becomes embroiled \r\nin a story as old as the sea. Pinky introduces her to a world of \r\nprimeval mythology, a brother\u2019s feud, and the value and power \r\nof love. [...]<\/i>\" (Eugie Foster, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-weekly\/scifiction\/sci-fiction-january-12-2005\/\">\r\n<i>Tangent Online<\/i><\/a>, janvier 2005)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Chains That You Refuse<\/i>, mai 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year\u2019s Best Fantasy &amp; Horror: \r\nNineteenth Annual Collection<\/i>, ed. Ellen Datlow, Gavin J. Grant &amp; Kelly Link, ao\u00fbt 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Best Paranormal Romance<\/i>,\r\ned. Paula Guran, octobre 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Beyond the Woods: \r\nFairy Tales Retold<\/i>, ed. Paula Guran, juillet 2016\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2005 <b>Botticelli<\/b> (nouvelle), \r\n<i>The Agony Column<\/i>, f\u00e9vrier 2005<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/trashotron.com\/agony\/fiction\/bear-botticelli.htm\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> It's a slice in the life of\r\nan American and a Russian agent working together during d\u00e9tente,\r\ntold in an mix of viewpoints switching between third person tight on\r\nthe American and the Russian with interludes in a philosophical\r\nsecond person. [...]<\/i>\" (auteur inconnu, site web\r\n<a href=\"https:\/\/www.eyrie.org\/~eagle\/reviews\/books\/1-59780-048-1.html\">\r\n<i>eyrie.org<\/i><\/a>, septembre 2006)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris, l\u00e9g\u00e8rement modifi\u00e9, dans le recueil \r\n<i>The Chains That You Refuse<\/i>, mai 2006 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2005 <b>One-Eyed Jack and the Suicide King<\/b>\r\n(nouvelle, univers <i>One-Eyed Jack and the Suicide King<\/i>), \r\n<i>Lenox Avenue<\/i>, mars-avril 2005<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> starts out slowly, and it\r\ntakes a little while for the events occurring to begin to make sense.\r\nWhat eventually emerges is a mythic story of supernatural beings\r\nattached to the cities of Los Angeles and Las Vegas coming into\r\nconflict on Hoover Dam. The Las Vegas creatures, One Eyed Jack and\r\nStewart, the Suicide King, are offered a deal to participate in one\r\nof their fellow beings\u2019 plans. [...]<\/i>\" (Ben Payne,\r\n<a href=\"https:\/\/tangentonline.com\/e-market-bi-monthly\/lenox-avenue\/lenox-avenue-5-marchapril-2005\/\">\r\n<i>Tangent Online<\/i><\/a>, juin 2005)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Chains That You Refuse<\/i>, mai 2006\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2005 <b>And the Deep Blue Sea<\/b> (nouvelle, SF),\r\n<i>Sci Fiction<\/i>, 4 mai 2005<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.johnjosephadams.com\/wastelands\/contents\/and-the-deep-blue-sea-by-elizabeth-bear\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/web.archive.org\/web\/20071217145724\/http:\/\/www.scifi.com\/scifiction\/originals\/originals_archive\/bear3\/index.html\">\r\nAutre lien Internet<\/a> (consult\u00e9 en f\u00e9vrier 2022) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Harrie is a motorcycle courier in\r\na post-apocalyptic world. She\u2019s expensive and she\u2019s worth it. She\r\nmakes her deliveries on time, which is all that matters. This time,\r\nshe is hired to make a delivery of medical supplies to Sacramento,\r\nacross the radioactive flats that have taken over Nevada.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>The first part of her trip is without\r\nincident. But that changes, of course. We learn why she\u2019s so good\r\nat what she does. Years ago, she made a deal with Nick, who\r\nguaranteed that she would always make her deliveries, and never wreck\r\nher bike. While it\u2019s never stated, it is certainly intimated that\r\nher soul is the price.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>It turns out that her contract is nearing its end. And Nick is \r\noffering her more time. All he wants is time alone with the \r\nshipment she is carrying. Throughout the story, he offers three \r\ntimes, while giving Harrie a tour of tragedies of the past. Harrie \r\nturns him down three times. The story leaves us with an essential \r\nquestion: will Nick honor his contract? [...]<\/i>\" (Michael Fay, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-weekly\/scifiction\/sci-fiction-may-4-2005\/\">\r\n<i>Tangent Online<\/i><\/a>, mai 2005)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Chains That You Refuse<\/i>, mai 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Wastelands: Stories of the \r\nApocalypse<\/i>, ed. John Joseph Adams, janvier 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>StarShipSofa<\/i> #19, avril 2008 ; \r\n<a href=\"http:\/\/www.starshipsofa.com\/blog\/2008\/04\/02\/aural-delights-no-19-elizabeth-bear\/\">\r\nlien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Mammoth Book of \r\nApocalyptic SF<\/i>, ed. Mike Ashley, juin 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Mammoth Book of the End \r\nof the World<\/i>, ed. Mike Ashley, juillet 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Sympathy\r\nfor the Devil<\/i>, ed. Tim Pratt, ao\u00fbt 2010\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2005 <b>The House of the Rising Sun<\/b> (nouvelle, \r\nfantasy), <i>The Third Initiative<\/i> #42, \u00e9t\u00e9 2005<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> Sycorax and Tribute are\r\nvampires, Sycorax the dom in this relationship. As Tribute explains,\r\nSycorax has a problem:<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Old as she was, she had to have blood more often and she \r\ncouldn\u2019t take it straight from a human anymore. She needed \r\nsomeone like me to purge the little taints and poisons from \r\nit first\u2014and even then, I had to be careful what I brought home.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>That\u2019s right: Tribute feeds off of humans, and \r\nSycorax feeds off of Tribute. [...]<\/i>\" (Douglas Hoffman, \r\n<a href=\"https:\/\/tangentonline.com\/print-quarterly\/the-3rd-alternative\/the-3rd-alternative-42\/\">\r\n<i>Tangent Online<\/i><\/a>, juillet 2005)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>By Blood We\r\nLive<\/i>, ed. John Jospeh Adams, ao\u00fbt 2009 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2005 <b>Long Cold Day<\/b> (fantasy), \r\n<i>Sci Fiction<\/i>, septembre 2005<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/web.archive.org\/web\/20071217145729\/http:\/\/www.scifi.com\/scifiction\/originals\/originals_archive\/bear4\/index.html\">\r\nLien Internet<\/a> (consult\u00e9 en f\u00e9vrier 2022)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] Christian Whittaker\r\nis a drunk shuffling through cold winter slush, while his wife lies\r\ndying of cancer in a hospital bed. Meanwhile, his son Tony is hanging\r\nout in a bar, being slowly ensnared by two women who are not women in\r\nan effort to end the endless winter that Tony has somehow caused.\r\nWhen the father and son reunite, Christian must fight for his son\u2019s\r\nlife. [...]<\/i>\" (James Palmer, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-weekly\/scifiction\/sci-fiction-sept-21-2005\/\">\r\n<i>Tangent Online<\/i><\/a>, septembre 2005)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2005 <b>Wax<\/b> (novelette, univers <i>New Amsterdam<\/i>), \r\n<i>Interzone<\/i> #201, novembre-d\u00e9cembre 2005<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] a mystic mystery\r\n[...] Set in colonial times (specifically the British\r\ncolonies of New England), the story follows the investigation of\r\nsorceress and Detective Crown Inspector Abigail Irene Garrett as she\r\nendeavors to solve a series of murders and disappearances in the city\r\nof New Amsterdam (which, if you\u2019re not up on your colonial American\r\nlore, was the original name for the city of New York). The only real\r\nclue she has to work with are mysterious splashes of candle wax.\r\n[...]<\/i>\" (Paul J. Iutzi, \r\n<a href=\"https:\/\/tangentonline.com\/print-bi-monthly\/interzone\/interzone-201-december-2005\/\">\r\n<i>Tangent Online<\/i><\/a>, d\u00e9cembre 2005)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nForme le chapitre deux du roman <i>New Amsterdam<\/i>.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Fantasy: The Best of the Year: \r\n2006 Edition<\/i>, ed. Rich Horton, septembre 2006.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>Subterranean\r\nOnline<\/i>, juillet 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2006 : 7<sup>e<\/sup> place (meilleure novelette)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>The Inevitable Heat Death of the Universe<\/b>\r\n(nouvelle), <i>Subterranean<\/i> #4, 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/scalzi.com\/subterranean_issue_4.pdf\">\r\nLien Internet<\/a> (ensemble du magazine, consult\u00e9 en septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths in Bloom<\/i>,\r\noctobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>ChiZine<\/i>, avril-juin 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Digital Rapture: The Singularity \r\nAnthology<\/i>, ed. James Patrick Kelly &amp; John Kessel, ao\u00fbt 2012\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>Lucifugous<\/b> (novella, univers <i>New\r\nAmsterdam<\/i>), <i>Subterranean<\/i> #5, 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/subterraneanpress.com\/magazine\/lucifugous\/lucifugous_by_elizabeth_bear\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>[Sebastien de Ulloa] is taking a\r\nzeppelin fro Europe to America, leaving his reputation as a Great\r\nDetective [\u2026] Sebastien, a \u2018wampyr\u201d, has found it necessary,\r\nfor personal reasons, to move to the New World.<\/i>\u201d (Rich Horton,\r\n<a href=\"https:\/\/locusmag.com\/\"><i>Locus<\/i><\/a>, f\u00e9vrier 2007) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>Wane<\/b> (nouvelle, univers <i>New Amsterdam<\/i>), \r\n<i>Interzone<\/i> #203, avril 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> Someone has murdered the wife of the Mayor of \r\nNew Amsterdam,  and it\u2019s up to Abigail Irene to find who done \r\nit. She can only hope  that the clues don\u2019t lead to the \r\nprime suspect, her one-time lover  who also happens to be \r\nthe Crown Prince of England. [...] <\/i>\" (Paul J. Iutzi, \r\n<a href=\"https:\/\/tangentonline.com\/print-bi-monthly\/interzone\/interzone-203-april-2006\/\">\r\n<i>Tangent Online<\/i><\/a>, mai 2006)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>Podcastle<\/i>\r\n#213, juin 2012 ; <a href=\"https:\/\/podcastle.org\/2012\/06\/21\/podcastle-213-wane\/\">\r\nlien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2007 : 13<sup>e<\/sup> place (meilleure novelette)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>The Ile of Dogges<\/b> (avec Sarah Monette, \r\nnouvelle, SF), <i>Aeon #7<\/i>, mai 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> Sir Edmund Tylney must reject a playscript from writers \r\nJonson and Tom Nashe. He censors the play due to its too-clever \r\nsatire that the Queen might find offensive. Unfortunately for \r\nTylney, the play is well written, and he finds himself becoming \r\nabsorbed in the plot. When the play is illegally performed, Jonson \r\nand some actors are arrested and tortured. While Tylney summons the \r\nnerve to burn the playscript, a stranger appears who adds another \r\nlayer of intrigue to the story. [...]<\/i>\" (Suzanne Church, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-quarterly\/aeon\/aeon-7\/\">\r\n<i>Tangent Online<\/i><\/a>, juin 2006)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year\u2019s Best Science Fiction: \r\nTwenty-Fourth Annual Collection<\/i>, ed. Gardner Dozois, juillet 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Time Travel:\r\nRecent Trips<\/i>, ed. Paula Guran, septembre 2014\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>L\u2019Esprit d\u2019Escalier: Not a Play in One Act<\/b>\r\n(nouvelle, SF ? Fantasy ?), recueil\r\n<i>The Chains That You Refuse<\/i>, mai 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] It could be science fiction \u2014 there are time paradoxes, of a \r\nsort. It could be fantasy \u2014 it\u2019s inhabited by an ancient koi,  a group \r\nof dead poets, and a bartender, plus the owner of the bar,  who may be \r\nthe devil himself, or at least a minion.<\/i>\" (Robert Tilendis, site web \r\n<a href=\"http:\/\/thegreenmanreview.com\/books\/elizabeth-bears-the-chains-that-you-refuse\/\">\r\n<i>Green Man Review<\/i><\/a>, date inconnue)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>Stella Nova<\/b> (nouvelle), recueil\r\n<i>The Chains That You Refuse<\/i>, mai 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] The story of the dying days of Tycho Brahe and his \r\nlast interactions with Kepler and his vision of the future \r\nof astronomy. [...]<\/i>\" (auteur inconnu, site web \r\n<a href=\"https:\/\/www.eyrie.org\/~eagle\/reviews\/books\/1-59780-048-1.html\">\r\n<i>eyrie.org<\/i><\/a>, septembre 2006)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>Gone to Flowers<\/b> (nouvelle, univers\r\n<i>Jenny Casey\/Worldwired<\/i>), recueil\r\n<i>The Chains That You Refuse<\/i>, mai 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> this short story tells the backstory behind Jenny's \r\nlegal  testimony and the guilt of past betrayal that she deals \r\nwith in the trilogy. [...]<\/i>\"  (auteur\r\ninconnu, site web <a href=\"https:\/\/www.eyrie.org\/~eagle\/reviews\/books\/1-59780-048-1.html\">\r\n<i>eyrie.org<\/i><\/a>, septembre 2006)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Eidolon I<\/i>,\r\ned. Jeremy G. Byrne &amp; Jonathan Strahan, juin 2006\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>The Cold Blacksmith<\/b> (nouvelle,\r\nfantasy), <i>Jim Baen\u2019s Universe<\/i>, juin 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/baencd.freedoors.org\/Discs\/Baen%2013b\/Vol%201%20Num%201\/1932093001__11.htm\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>a mythical Nordic smith is challenged\r\nto reassemble a lady\u2019s broken heart, a task replete with technical\r\nuncertainty as well as spiritual peril<\/i>\u201d (Nick Gevers, \r\n<a href=\"https:\/\/locusmag.com\/\">\r\n<i>Locus<\/i><\/a>, juin 2006) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>Sounding<\/b> (nouvelle, fantasy), \r\n<i>Strange Horizons<\/i>, septembre 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/strangehorizons.com\/fiction\/sounding\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> story of a New England\r\nfisherman\u2019s family going through hard times.  Allen \"Cully\"\r\nand Pen Cullen struggle to keep their family fed and housed while the\r\ncatch dwindles.  Pen takes care of the home and children while Cully\r\nis out to sea.  At the beginning, Cully sees a mother fin whale and\r\nher calf.  They swim alongside the boat, and he even \r\nlets them lead the way. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>[...]<\/i>\" (Aimee Poynter, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-weekly\/strange-horizons\/strange-horizons-18-september-2006\/\">\r\n<i>Tangent Online<\/i><\/a>, septembre 2006)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths\r\nin Bloom<\/i>, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix BSFA 2007 : \r\nnomination (meilleure nouvelle)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2006 <b>Love Among the Talus<\/b> (nouvelle,\r\nunivers <i>The Eternal Sky<\/i>), <i>Strange Horizons<\/i>, d\u00e9cembre 2006<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/strangehorizons.com\/fiction\/love-among-the-talus\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] Princess Nilufer,\r\ndaughter of Hoelun Khatun, is heir to the Khatun throne. But she can\r\nonly gain the throne if she marries. The Khagan wishes to marry her\r\nto Toghrul Khanzadeh, one of his sons, to insure his control over the\r\nKhatun\u2019s lands, and her mother wishes her to marry the bandit\r\nprince, Temel, her mortal enemy but also an enemy to the Khagan.\r\nNilufer sees neither of the two as suitable. So what is a headstrong\r\nwarrior princess to do in a situation like this? Something amazing in\r\nits cunning intrigue, of course.<\/i>\" (Scott M. Sandridge,\r\n<a href=\"https:\/\/tangentonline.com\/e-market-weekly\/strange-horizons\/strange-horizons-december-2006\/\">\r\n<i>Tangent Online<\/i><\/a>, janvier 2007)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Jewels and Stones<\/i>, 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths in Bloom<\/i>, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>PodCastle<\/i> #96, mars 2010 : \r\n<a href=\"https:\/\/podcastle.org\/2010\/03\/23\/podcastle-96-love-among-the-talus\/\">\r\nlien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Warrior Women<\/i>, ed. Paula Guran, novembre 2015\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2007 <b>Abjure the Realm<\/b> (univers <i>The\r\nEternal Sky<\/i>), <i>Coyote Wild<\/i>, vol. 1, hiver 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/coyotewildmag.com\/Winter2007\/Winter2007_Bear.html\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Mammoth Book of Warriors \r\nand Wizardry<\/i>, ed. Sean Wallace, septembre 2014\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2007 <b>Orm the Beautiful<\/b><\/a> (nouvelle, fantasy), \r\n<i>Clarkesworld <\/i>#4, janvier 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/clarkesworldmagazine.com\/bear_01_07\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] a charming tale of\r\nthe last dragon on Earth.  Orm has lived for countless ages inside\r\nthe mother-cave, charged with the duty of warden to his kin\u2019s past.\r\nHis family lays dead around him, and yet in death they sing, each\r\nvoice a part of the magnificent Chord that is the history of his\r\nspecies. When men discover his cave, he fights their dragon-like\r\nyellow machines and kills the ones who dare enter, but he knows they\r\nwill return like ants, in numbers too huge to stop. To preserve his\r\nwards, he flies to Washington and speaks with Katherine Samson, the\r\ncurator of the Museum of Natural History. Together, they devise a\r\nscheme to immortalize the lineage of dragons. [...]<\/i>\" (Suzanne Church, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-monthly\/clarkesworld\/clarkesworld-issue-4-january-2007\/\">\r\n<i>Tangent Online<\/i><\/a>, d\u00e9cembre 20006)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Jewels and Stones<\/i>, 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths in Bloom<\/i>, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Best Science Fiction &amp; Fantasy of the Year\r\nVolume Two<\/i>, ed. Jonathan Strahan, mars 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Wings of Fire<\/i>,\r\ned. Jonathan Strahan &amp; Marianne S. Jabfon, juin 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Small Press de la WSFA 2007 : nomination<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2008 : 18<sup>e<\/sup> place (meilleure nouvelle)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2007 <b>The Something-Dreaming Game<\/b> (nouvelle, SF), \r\nanthologie <i>Fast Forward 1: Future Fiction from the\r\nCutting Edge<\/i>, ed. Lou Anders, f\u00e9vrier 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths in Bloom<\/i>, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>Escape Pod<\/i> #166, juillet 2008 ; \r\n<a href=\"https:\/\/escapepod.org\/2008\/07\/11\/ep166-the-something-dreaming-game\/\">\r\nlien Internet<\/a> (consult\u00e9 en mars 2020)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2007 <b>War Stories<\/b> (nouvelle, univers <i>Jenny \r\nCasey\/Worldwired<\/i>),  <i>Jim Bauen\u2019s Universe<\/i>, f\u00e9vrier 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.baen.com\/Chapters\/1932093005\/1932093005___1.htm\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] One kind of war or\r\nanother intertwines throughout as Jenny Casey fights them, sometimes\r\nalone, sometimes with loved ones. She starts with an actual shooting\r\nwar, serving in the Canadian Army, fighting in Hartford and later in\r\nSouth Africa. In Hartford, she saves a child during a firefight. In\r\nSouth Africa, she can\u2019t save herself from the flames, which starts\r\nher own internal war. And then she goes to Toronto to help Gabe, a\r\nman she once loved, fight his own personal war as his wife dies of\r\nleukemia. [...]<\/i>\" (Michael Fay, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-bi-monthly\/jim-baens-universe\/jim-baens-universe-5-february-2007\/\">\r\n<i>Tangent Online<\/i><\/a>, avril 2007)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Best of Jim Baen's \r\nUniverse II<\/i>, ed. Eric Flint, Mike Resnick, juillet 2008\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2007 <b>Cryptic Coloration<\/b> (novelette, univers <i>Promethean \r\nAge<\/i>), <i>Jim Bauen\u2019s Universe<\/i>, juin 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>\"[...] Matthew is a teacher by day, Magus by night\u2014a member of \r\nthe Magi association, the Prometheus Club\u2014he makes sure that no \r\nsupernatural creatures become loose on his patch. When a woman \r\ncommits suicide by flinging herself through a window and Matthew \r\nfinds magical venom on the pavement, he has no choice but to \r\ninvestigate. He is followed by three of his students, who are \r\nfascinated by him, but have no idea what magic means or of the \r\nprice paid for knowledge.\"<\/i> (Aliette de Bodard, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-bi-monthly\/jim-baens-universe\/jim-baens-universe-7\/\">\r\n<i>Tangent Online<\/i><\/a>, juillet 2007)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths in Bloom<\/i>, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Weird Detectives: Recent \r\nInvestigations<\/i>, ed. Paula Guran, avril 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>New York\r\nFantastic<\/i>, ed. Paula Guran, novembre 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2008 : 9<sup>e<\/sup> place (meilleure novelette)\r\n<\/p> \r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2007 <b>Tideline<\/b> (nouvelle, SF), <i>Asimov's<\/i>, juin 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nTraduction : <b>Ligne de Mar\u00e9e<\/b>, traduit par \r\nPierre-Paul Durastanti, <i>Bifrost<\/i> 85, janvier 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Calc\u00e9doine est la derni\u00e8re des\r\nmachines de guerre : une larme \u00e0 trois pattes de la taille d\u2019un\r\ngros char d\u2019assaut, deux grappins et un manipulateur d\u00e9licat\r\nrepli\u00e9s sous la tourelle couronnant son bout pointu, une armure en\r\npolyc\u00e9ramique \u00e9toil\u00e9e. Elle est la derni\u00e8re de sa section, ses\r\ndivers \u00e9l\u00e9ments ont \u00e9t\u00e9 gravement endommag\u00e9s par la fournaise \u00e0\r\nlaquelle elle a \u00e9chapp\u00e9 et ses batteries sont en voie d'\u00e9puisement.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Le long de la ligne de mar\u00e9e, elle\r\nbo\u00eete et se tra\u00eene, tout en ramassant des perles de naufrage pour\r\nen faire des colliers. C'est ce qu'elle explique \u00e0 celui qui est\r\nvenu \u00e0 sa rencontre, maigre et d\u00e9penaill\u00e9, de petite taille pour\r\nun humain. Sans doute un jeune. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Cette rencontre va tout changer pour\r\nl'un comme pour l'autre<\/i>. (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/en.wikipedia.org\/wiki\/Tideline_%28short_story%29\">\r\nPage Wikipedia<\/a> (consult\u00e9e en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths in Bloom<\/i>, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>Escape Pod<\/i> #155 ; \r\n<a href=\"https:\/\/escapepod.org\/2008\/04\/24\/ep155-tideline\/\">\r\nlien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best Science Fiction: \r\nTwenty-Fifth Annual Collection<\/i>, ed Gardner Dozois, juillet 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>StarShipSofa<\/i>#39 ; \r\n<a href=\"http:\/\/www.starshipsofa.com\/blog\/2008\/08\/27\/aural-delights-no-39-elizabeth-bear\/\">\r\nlien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>StarShipSofa Stories: \r\nVolume 1<\/i>, ed. Tony C. Smith, septembre 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Robots: The Recent A. I.<\/i>,\r\ned. Rich Horton &amp; Sean Wallace, 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Twenty-First Century Science Fiction, \r\n<\/i>ed David G. Hartwell &amp; Patrick Nielsen Hayden, novembre 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Forever<\/i> #14, mars 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n * Prix Hugo 2008 : victoire (meilleure nouvelle)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Theodore Sturgeon 2008 : victoire (meilleure SF courte)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Asimov's Readers 2008 : victoire (meilleure nouvelle)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2008 : 4<sup>e<\/sup> place (meilleure nouvelle)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2007 <b>Black Is the Color<\/b> (nouvelle),\r\n<i>Subterranean Online<\/i>, juillet 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/subterraneanpress.com\/magazine\/summer_2007\/fiction_black_is_the_color_by_elizabeth_bear\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>shrewdly told, an analysis of the\r\nmentality of teenage suicides couched as an encounter between a\r\nrebellious girl and a legendary trickster.<\/i>\u201d (Nick Gevers,\r\n<a href=\"https:\/\/locusmag.com\/\"><i>Locus<\/i><\/a>,\r\nseptembre 2007) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2007 <b>Inelastic Collisions<\/b> (nouvelle, SF),\r\nanthologie <i>Inferno: New Tales of Terror and the Supernatural<\/i>,\r\ned. Ellen Datlow, d\u00e9cembre 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>A pair of nonhuman sisters are stranded on earth \r\nwhere they have to masquerade as humans.<\/i>\u201d (isfdb.org)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Lovecraft's\r\nMonsters<\/i>, ed. Ellen Datlow, mars 2014\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2007 <b>The Ladies<\/b> (nouvelle), <i>Coyote\r\nWild<\/i>, d\u00e9cembre 2007<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/coyotewildmag.com\/December2007\/ladies_bear.html\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths in Bloom<\/i>, octobre 2012 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2008 <b>Boojum<\/b> (avec Sarah Monette, nouvelle, univers\r\n<i>Boojumverse<\/i>), anthologie <i>Fast Ships, Black Ships<\/i>,\r\ned. Ann &amp; Jeff VanderMeer, 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.wired.com\/images_blogs\/geekdad\/files\/boojum.pdf\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Le vaisseau a \u00e9t\u00e9 baptis\u00e9 Lavinia\r\nWhateley par son \u00e9quipage humain. C\u2019est une Boojum, et dans les\r\nentrailles de la section d'ing\u00e9nierie, Black Alice Bradley, qui\r\nn\u2019est qu'un simple \u00eatre humain, aime ce vaisseau qu\u2019elle\r\nsurnomme Vinnie.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Black Alice a pr\u00eat\u00e9 serment en \u201832,\r\napr\u00e8s les \u00c9meutes V\u00e9nusiennes et a \u00e9t\u00e9 affect\u00e9e \u00e0\r\nl\u2019ing\u00e9nierie. Elle est de service quand Lavinia Whateley rep\u00e8re\r\nune proie, un cargo, gros,  disgracieux et d\u00e9sesp\u00e9r\u00e9ment\r\nsurclass\u00e9, de quoi nourrir et satisfaire Vinnie . La capitaine Song\r\nmobilise ses troupes contre le Josephine Baker, un vaisseau de m\u00e9tal,\r\npas une Boojum. Il n'y a aucun moyen de juger de la progression de la\r\nbataille depuis l'Ing\u00e9nierie, mais, apr\u00e8s cinquante minutes, le\r\nJosephine Baker se rend.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Charg\u00e9e de rep\u00e9rer tout ce qui peut \u00eatre utile soit \u00e0 Vinnie, \r\nsoit \u00e0 l\u2019\u00e9quipage, Black Alice va faire une d\u00e9couverte susceptible \r\nd\u2019assurer soit la fortune, soit la perte de l\u2019\u00e9quipage. La suite \r\ndes \u00e9v\u00e9nements va l\u2019amener \u00e0 remettre en cause tout ce qu\u2019elle \r\ncroit savoir des Boojums.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie<i> Year's Best SF 14<\/i>, \r\ned David G. Hartwell &amp; Kathryn Cramer, juin 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best Science Fiction: \r\nTwenty-Sixth Annual Collection<\/i>, ed Gardner Dozois, juillet 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best Science Fiction \r\n&amp; Fantasy, 2009 Edition<\/i>, ed. RichHorton, janvier 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>The Drabblecast<\/i> #202, avril 2011 ; \r\n<a href=\"https:\/\/www.drabblecast.org\/2011\/04\/08\/drabblecast-202-boojum-part-i-by-elizabeth-bear-and-sarah-monette\/\">\r\nlien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Lightspeed<\/i>, septembre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Book of\r\nCthulhu II<\/i>, ed. Ross E. Lockhart, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Space Opera<\/i>,\r\ned. Rich Horton, mai 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Mammoth Book of SF Stories \r\nby Women<\/i>, ed. Alex Dally MacFarlane, octobre 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2009 : 3<sup>e<\/sup> place (meilleure nouvelle)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2008 <b>Annie Webber<\/b> (nouvelle), <i>Nature<\/i>, janvier 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.nature.com\/articles\/451604a\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>The customer is always right.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Because I'm an idiot \u2014 and because my\r\nfriend Allan is the coffee-shop owner and my girlfriend Reesa works\r\nthere \u2014 the Monday after Thanksgiving was my first day at a new\r\njob.<\/i>\" (Pr\u00e9sentation sur <i>Goodreads<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths in Bloom<\/i>, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Nature Futures 2<\/i>, \r\ned. Henry Gee &amp; Colin Sullivan , septembre 2014\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2008 <b>Hobnoblin Blues<\/b> (nouvelle, fantasy),\r\n<i>Realms of Fantasy<\/i>, f\u00e9vrier 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] continues the journey\r\ninto fame, celebrity, and rock music with Loki, exiled from Asgard\r\nand fallen to Earth, striding the world in black leather boots and an\r\nelectric guitar. [...]<\/i>\" (C.L. Polk, introduction du\r\nrecueil <i>The Best of Elizabeth Bear<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of\r\nElizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Rock On: The Greatest Hits of \r\nScience Fiction &amp; Fantasy<\/i>, ed. Paula Guran, septembre 2012\r\n <\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2008 <b>Shoggoths in Bloom<\/b> (novelette,\r\nSF\/fantasy), <i>Asimov's<\/i>, mars 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nTraduction : <b>L\u2019Eclosion des Shoggoths<\/b>, traduit par \r\nPierre-Paul Durastanti, <i>Bifrost<\/i> 89, janvier 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>En 1938, Paul Harding, un professeur\r\nd'universit\u00e9 noir, se rend dans un village c\u00f4tier du Maine\r\npour \u00e9tudier une race d\u2019animaux consid\u00e9r\u00e9s comme des fossiles\r\nvivants, Oracupoda horibilis, les shoggoths des vagues communs. Avec\r\nleurs cinq ou six m\u00e8tres de diam\u00e8tre et leurs huit tonnes \u00e0\r\nmaturit\u00e9, ils constituent les plus gros exemplaires de leur esp\u00e8ce.\r\nD\u00e9pourvus de syst\u00e8me nerveux comme de r\u00e9seaux neuraux, ils ont une\r\nautre propri\u00e9t\u00e9 \u00e9tonnante : pour autant qu\u2019on sache, personne\r\nn\u2019a jamais vu de shoggoth mort, ce qui a conduit certains \u00e0 \r\nparler d'immortalit\u00e9.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Descendant d'un Buffalo Soldier,\r\nautrement dit un soldat noir, et ancien combattant de la\r\nPremi\u00e8re Guerre Mondiale, Harding vit tr\u00e8s mal des\r\nmanifestations locales de racisme ainsi que les nouvelles\r\nvenues d\u2019Europe, en particulier l\u2019annonce de la Nuit de Cristal\r\ndans l'Allemagne nazie.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Une d\u00e9couverte essentielle concernant\r\nles shoggoths va lui ouvrir des perspectives qui pourraient\r\nbien se r\u00e9v\u00e9ler d\u00e9cisives.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/en.wikipedia.org\/wiki\/Shoggoths_in_Bloom\">\r\nPage Wikipedia<\/a> (consult\u00e9e en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/lecultedapophis.com\/2018\/02\/24\/leclosion-des-shoggoths-elizabeth-bear\/\">\r\nL'avis d'Apophys<\/a> (consult\u00e9 en mars 2020) qui rappelle que les Shoggoths\r\njouent un r\u00f4le central dans <i>Les montagnes hallucin\u00e9es \/ Les\r\nmontagnes de la folie<\/i> de Howard Phillips Lovecraft.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths in Bloom<\/i>, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Best Science Fiction &amp; Fantasy \r\nof the year: Volume Three<\/i>, ed. Jonathan Strahan, mars 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>StarShipSofa<\/i> #90, juin 2009 ; \r\n<a href=\"http:\/\/www.starshipsofa.com\/blog\/2009\/06\/24\/aural-delights-no-90-elizabeth-bear\/\">\r\nlien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Year\u2019s Best Fantasy 9<\/i>, \r\ned. David G. Hartwell &amp; Kathryn Cramer, ao\u00fbt 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year\u2019s Best Science Fiction \r\n&amp; Fantasy, 2009 Edition<\/i>, ed. Rich Horton, janvier 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Hugo Award Showcase: \r\n2010 Volume<\/i>, ed. Mary Robinette Kowal, juin 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Book of\r\nCthulhu<\/i>, ed. Ross E. Lockhart, septembre 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>New Cthulhu:\r\nThe Recent Weird<\/i>, ed. Paula Guran, novembre 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Hugo 2009 : 2<sup>e<\/sup> place (meilleure novelette)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2008 <b>Your Collar<\/b> (nouvelle, SF),\r\n<i>Subterranean Online<\/i>, avril 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/subterraneanpress.com\/magazine\/spring_2008\/fiction_your_collar_by_elizabeth_bear\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] a story of two\r\nprisoners\u2014the minotaur, exported from the labyrinth and made to\r\nwear a collar and chains as a prize of a vast empire, and that\r\nempire\u2019s queen, unheard by her advisors and disregarded as a mere\r\nfemale. They form a friendship over a chess board and make an\r\nalliance that will free them both.<\/i>\" (C.L. Polk, introduction\r\ndu recueil <i>The Best of Elizabeth Bear<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix BSFA 2008 pr\u00e9s\u00e9lection (meilleure fiction courte)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2008 <b>Sonny Liston Takes the Fall<\/b>\r\n(nouvelle), anthologie <i>The Del Rey Book of Science Fiction &amp;\r\nFantasy: Sixteen Original Works by Speculative Fistion\u2019s Finest\r\nVoices<\/i>, ed. Ellen Datlow, mai 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.apex-magazine.com\/sonny-liston-takes-the-fall\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>an intense examination of what distinguished Mohammed Ali \r\nfrom his competitors in boxing, and how his heroic eminence could \r\nbe founded in sacrifices by others.<\/i>\u201d (Nick Gevers,  \r\n<a href=\"https:\/\/locusmag.com\/\"><i>Locus<\/i><\/a>, avril 2008)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths in Bloom<\/i>, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Apex<\/i>, septembre 2012\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2008 <b>The Girl Who Sang Rose Madder<\/b>\r\n(nouvelle), <i>Tor.com<\/i>, septembre 2008<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution en chapbook en juillet 2010. Voir onglet Chapbooks.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2009 <b>Formidable Terrain<\/b> (nouvelle), <i>H.\r\nP. Lovecraft\u2019s Magazine of Horror<\/i> #5, mars 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Weird Tales<\/i>, printemps 2014\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2009 <b>Snow Dragons<\/b> (nouvelle), \r\n<i>Subterranean Online<\/i>, ao\u00fbt 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/subterraneanpress.com\/magazine\/summer_2009\/snow_dragons_by_elizabeth_bear\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2009 <b>Mongoose<\/b> (avec Sarah Monette, novelette, univers<i>\r\nBoojumverse<\/i>), anthologie <i>Lovecraft Unbound: Twenty Stories<\/i>,\r\ned. Ellen Datlow, septembre 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/clarkesworldmagazine.com\/bear_monette_06_13_reprint\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Izrael Irizarry d\u00e9barque sur la station\r\nKadath. Sur son \u00e9paule, Mongoose [= Mangouste] tend le cou, sort la\r\nlangue pour go\u00fbter l'air et colorie une question. Quelques pas plus\r\nloin, Irizarry est assailli par une odeur, celle que Mongoose a\r\nsentie, la puanteur aigu\u00eb des toves. Il tapote le tentacule enroul\u00e9\r\nautour de sa gorge pour la calmer. Mongoose ne peut entendre\r\nIrizarry, une cr\u00e9ature adapt\u00e9e au vide n\u2019a pas d\u2019oreilles. Mais\r\nelle peut sentir sa voix vibrer dans sa gorge, et une vrille lui\r\nfr\u00f4le les l\u00e8vres, sentant le souffle de l'air et la forme du mot. Ses \r\nquatre yeux compos\u00e9s et ses douze yeux simples scintillent et sa couleur \r\ns'adoucit. Elle est impatiente de chasser et il ne l'en bl\u00e2me pas.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>La cheffe de la station a fait appel \u00e0\r\nlui pour venir \u00e0 bout d\u2019une \u00ab\u00a0infection mineure\u00a0\u00bb.\r\nIrizarry comprend vite qu'elle est loin du compte. Toves et verchons\r\nse d\u00e9veloppent comme une \u00e9pid\u00e9mie, \u00e0 partir d'un point d'origine\r\nunique, le Patient Z\u00e9ro \u00e9tant dans ce cas la d\u00e9chirure dans\r\nl'espace-temps que le premier tove a travers\u00e9e. Mais, surtout, ce\r\nque les toves ont d\u00e9chir\u00e9 et les verchons ont \u00e9largi est un acc\u00e8s\r\npour le plus dangereux pr\u00e9dateur de cette cha\u00eene alimentaire\r\nextraterrestre, le bandersnatch.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Irizarry et Mongoose vont avoir\r\ndu pain sur la planche.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nOutre les allusions \u00e0 Howard Phillips Lovecraft communes aux \r\nr\u00e9cits de l'univers <i>Boojumverse<\/i>, on trouve ici des \r\n\u00e9f\u00e9rences \u00e0 Lewis Carroll. <i>Toves<\/i>, <i>raths<\/i> \r\n(la tradution de Henri Parisot, verchons, a \u00e9t\u00e9 adopt\u00e9e ici) et\r\n<i>bandersnatch<\/i> sont des cr\u00e9atures cit\u00e9es dans le po\u00e8me\r\n<i>Jabberwocky<\/i>.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Best Science Fiction \r\n&amp; Fantasy of the Year Volume Four<\/i>, ed. Jonathan Strahan, mars 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year\u2019s Best Science Fiction \r\n&amp; Fantasy: 2010<\/i>, ed. Rich Horton, juin 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best SF\u00a0: Twenty-Seventh \r\nAnnual Collection<\/i>, ed. Gardner Dozois, juillet 2010<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>The Drabblecast<\/i> #170 et 171, juillet 2010 ; \r\n<a href=\"https:\/\/www.drabblecast.org\/2010\/07\/03\/drabblecast-170-mongoose-part-i-by-sarah-monette-and-elizabeth-bear-drabble-the-monkeys-by-chris-munroe\/\">\r\nlien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>New Cthulhu:\r\nThe Recent Weird<\/i>, ed. Paula Guran, novembre 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Clarkesworld<\/i> #81, juin 2013, accompagn\u00e9 du podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>In Space No One\r\nCan Hear You Scream<\/i>, ed. Hank Davis, octobre 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Very Best of the Best: \r\n35 Years of The Year's Best Science Fiction<\/i>,\r\ned. Gardner Dozois, f\u00e9vrier 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2010 : 11<sup>e<\/sup> place (meilleure novelette)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2009 <b>Swell<\/b> (nouvelle, fantasy), anthologie\r\n<i>Eclipse Three: New Science Fiction and Fantasy<\/i>, ed. Jonathan\r\nStrahan, octobre 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...] <i>You are Missy, a garage musician pulling random gigs vying\r\nto find your unique sound. After a late night, deep January gig up in\r\nfrozen New England, Missy notices a blind girl, looking barely of age\r\nto be in a bar, that has not left as the venue is closing up for the\r\nnight. She offers the fan a ride home as the girl is walking with a\r\ncane\u2013at night\u2013on icy walks. The house she drops the girl off at\r\nis derelict and unshoveled, but the girl enters the unlit house.\r\nCurious, Missy returns the next day to find the house long-abandoned\r\nand 2 sets of footprints leading into the woods behind the house, one\r\nset is the girls, the other consists of large man-boot prints.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Sondheim would be proud, as going into\r\nthe woods is usually a bad idea in a supernatural tale. Missy follows\r\nthe tracks to where they stop at an icy stream. [...]<\/i>\"\r\n(<a href=\"https:\/\/jaffalogue.wordpress.com\/2015\/05\/11\/review-swell-by-elizabeth-bear\/\">\r\nJaffa Kintigh, site personnel<\/a>)<\/p> \r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Mermaids and\r\nOther Mysteries of the Deep<\/i>, ed. Paula Guran, avril 2015 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2009 <b>The Horrid Glory of Its Wings<\/b>\r\n(nouvelle, fantasy), <i>Tor.com<\/i>, 8 d\u00e9cembre 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution en chapbook en f\u00e9vrier 2011. Voir onglet Chapbook.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2011 <b>Dolly<\/b> (nouvelle, SF), <i>Asimov's<\/i>, janvier 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.apex-magazine.com\/dolly\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>La pi\u00e8ce est blanche et immacul\u00e9e, \u00e0\r\nune exception pr\u00e8s. Le cadavre du milliardaire Clive Steele est\r\n\u00e9tendu aux pieds de Dolly, ses visc\u00e8res \u00e9panouis comme des p\u00e9tales\r\nmacabres. Dolly est verrouill\u00e9e dans la position o\u00f9 elle se\r\ntrouvait quand son programme s\u2019est arr\u00eat\u00e9.  Roz Kirkbride et\r\nPeter King sont charg\u00e9s de l\u2019enqu\u00eate. Dolly, l\u2019andro\u00efde sexuel\r\ndont la m\u00e9moire est effac\u00e9e, est-elle l\u2019arme du crime ou la\r\nmeurtri\u00e8re\u00a0?<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>M\u00eame si Dolly est un prototype, elle\r\nest tr\u00e8s diff\u00e9rente des robots d\u2019Asimov. Elle\r\nn\u2019a m\u00eame pas la neurochimie pleine de nuances d\u2019un chat, elle\r\nn\u2019a pas de d\u00e9sirs et ne porte aucun jugement de valeur. Les\r\nandro\u00efdes n\u2019ont pas d\u2019identit\u00e9, ce ne sont que des objets m\u00eame \r\nsi des gens s\u2019y attachent comme \u00e0 leur voiture. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Mais alors, pourquoi Dolly aime-t-elle \u00e9couter des improvisations \r\nde jazz quand elle passe l\u2019aspirateur\u00a0?<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/en.wikipedia.org\/wiki\/Dolly_(story)\">\r\nPage Wikipedia<\/a> (consult\u00e9e en avril 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths in Bloom<\/i>, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris en podcast dans <i>StarShipSofa<\/i> #204, septembre 2011 ; \r\n<a href=\"http:\/\/www.starshipsofa.com\/blog\/2011\/09\/21\/starshipsofa-no-204-paul-cornell-elizabeth-bear\/\">\r\nlien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Year's Best SF 17,<\/i> \r\ned. David G. Hatwell &amp; Kathryn Cramer, mai 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best SF : Twenty-Ninth \r\nAnnual Collection<\/i>, ed. Gardner Dozois, juillet 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Apex<\/i>, mars 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>More Human Than\r\nHuman<\/i>, ed. Neil Clarke, novembre 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Computing and Technology Ethics: Engaging\r\nthrough Science Fiction<\/i>, ed Emanuelle Burton, Judy Goldsmith,\r\nNicholas Mattei, Cory Siler et Sara-Jo Swiatek, f\u00e9vrier 2023 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2012: 12<sup>e<\/sup> place (meilleure nouvelle)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2011 <b>King Pole, Gallows Pole, Bottle Tree<\/b>\r\n(univers <i>One-Eyed Jack and the Suicide King<\/i>), anthologie <i>Naked\r\nCity: Tales of Urban Fantasy<\/i>, ed. Ellen Datlow, juillet 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>The living embodiment (in 2 parts) of Las Vegas faces off against \r\na mnemophage with a woman who can only remember things by drinking \r\nthe essence of ghosts caught in a bottle tree.<\/i>\" (<i>isfdb.org<\/i>)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2011 <b>Gods of the Forge<\/b> (nouvelle, SF), anthologie <i>TRSF: \r\nThe Best New Science Fiction<\/i>, ed. Stephen Cass, septembre 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>[The story] has as its subject a\r\nmind-altering drug technology, called \u2018rightminding\u2019, that can,\r\nfor example, \u2018artificially\u2019 give people the confidence they lack\r\nin social situations. Brigid Keating works for A Beautiful Mind,\r\nwhich markets such drugs. The story alternates between her own\r\nfailure to confront her personal phobias, linked to the death of her\r\nparents when she was a child, and descriptions of potential\r\napplications of her company\u2019s products \u2013 mostly quite helpful \u2013\r\nbut what will Brigid do when she realizes some of the more sinister\r\napplications ?<\/i>\u201d (Rich Horton, <a href=\"https:\/\/locusmag.com\/\">\r\n<i>Locus<\/i><\/a>, d\u00e9cembre 2011)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths in Bloom<\/i>, octobre 2012 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2011 <b>Needles<\/b> (nouvelle, fantasy), anthologie <i>Blood \r\nand Other Cravings<\/i>, ed. Ellen Datlow, septembre 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Needles\u201d stops in the middle of\r\nan eternal road trip to watch over a Mesopotamian undead woman in\r\nsearch of change, eating up the miles in a \u201967 Chevy Impala with a\r\nvampire and hunters on their trail. But breaking out of old patterns\r\nand survival behaviors isn\u2019t easy. Sometimes it takes more than\r\nwe\u2019re ready to give.<\/i>\" (C.L. Polk, introduction du recueil\r\n<i>The Best of Elizabeth Bear<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2011 <b>The Leavings of the Wolf<\/b> (nouvelle),\r\n<i>Apex<\/i>, novembre 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.apex-magazine.com\/the-leavings-of-the-wolf\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>\"In \u201cThe Leavings of the Wolf,\u201d\r\nDagmar\u2019s runs are haunted by the ruins of her marriage. She\u2019s\r\ntrying to run her way to being able to pull off her wedding ring,\r\nfollowed by the crows she studies, running until she\u2019s ready to\r\nface what she\u2019s running from.\" (C.L. Polk, introduction du\r\nrecueil The Best of Elizabeth Bear)<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>Shoggoths in Bloom<\/i>, octobre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Book of Apex: Volume Four of \r\nApex Magazine<\/i>, ed. Lynne M. Thomas, octobre 2013\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>In the House of Aryaman, a Lonely Signal Burns<\/b>\r\n(novella, univers <i>Sub-Inspector Ferron Mysteries<\/i>),\r\n<i>Asimov's<\/i>, janvier 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution en chapbook en juin 2018. Voir onglet Chapbooks.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>The Wreck of the 'Charles Dexter Ward'<\/b>\r\n(avec Sarah Monette, novelette, univers<i>\r\nBoojumverse<\/i>), <i>The Drabblecast<\/i> #254 \r\n&amp; 255 (podcast), ao\u00fbt 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.drabblecast.org\/2012\/08\/31\/drabblecast-254-the-wreck-of-the-charles-dexter-ward-pt-1\/\">\r\nLien Internet du podcast<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Cynthia Feuerwerker est \u00e0 la recherche\r\nde n\u2019importe quel emploi depuis que des accusations de faute\r\nprofessionnelle l\u2019emp\u00eachent de pratiquer son m\u00e9tier de m\u00e9decin.\r\nLe professeur Wandrei, un vieil Arkhamer chauve, lui propose de\r\nremplacer le m\u00e9decin d\u00e9c\u00e9d\u00e9 du Jarmulowicz Astronomica, qui doit\r\npartir pour une mission de r\u00e9cup\u00e9ration concernant un\r\nvaisseau-ambulance, le Charles Dexter Ward, un navire vivant, une\r\nBoojum. Elle donne finalement son accord. Elle administre des\r\npremiers soins \u00e0 bord du Jarmulowicz Astronomica, constatant sans\r\nsurprise qu\u2019elle est la seule non-arkhamer. Elle se lie d\u2019amiti\u00e9\r\navec Hester, une astrobiologiste qui lui dit qu\u2019aucun dossier ne\r\nmentionne une boojum qui aurait p\u00e9ri.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>La d\u00e9couverte sur le Charles Dexter Ward d\u2019un cadavre ambulant \r\navec un trou l\u00e0 o\u00f9 se trouvait son estomac puis celle d\u2019une \r\ndoctoresse lanc\u00e9e dans d\u2019\u00e9pouvantables recherches vont convaincre \r\nCynthia que Wandrei dissimule de sombres arri\u00e8re-pens\u00e9es.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best Science Fiction: \r\nThirtieth Annual Collection<\/i>, ed Gardner Dozois, juillet 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>New Cthulhu 2:\r\nMore Recent Weird<\/i>, ed. Paula Guran, mars 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Dreams from the Witch House: \r\nFemale Voices of Lovecraftian Horror<\/i>, ed. Lynne Jamneck, avril 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Chiral Mad 4: An Anthology of \r\nCollaborations<\/i>, ed. Michael Bailey, Lucy A. Snyder, octobre 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2013 : 12<sup>e<\/sup> place (meilleure novelette)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>Faster Gun<\/b> (novelette), <i>Tor.com<\/i>, ao\u00fbt 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e en chapbook. Voir onglet Chapbooks.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>Form and Void<\/b> (nouvelle, SF),\r\n<i>Fireside<\/i> #3, septembre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/web.archive.org\/web\/20170313202013\/http:\/\/firesidefiction.com\/issue3\/chapter\/form-and-void\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] Kathy was smart, flaunted her beauty and wore fancy \r\nboutique clothes, while Comanche was too smart and her family \r\nwas always broke. Kathy collected insults, never forgetting or \r\nforgiving, jealously wearing the memory jewels everywhere. Everyone \r\nwanted to be Kathy\u2019s friend, but Comanche was Kathy\u2019s only friend \r\nbecause that\u2019s the way Kathy liked it. The two girls were friends \r\nall the way through college, Comanche even picking the same \r\nastroengineering graduate program just to stay with her friend. And \r\nwhen Kathy announced that she would immigrate to Io, Comanche followed, \r\nleaving her family behind. At times, Kathy seemed to be kind to her \r\nfriend, giving Comanche her old computer and allowing her to share \r\nher stateroom on the journey to Jupiter\u2019s moon. But, when Kathy \r\neventually decides she wants to transform herself into a dragon,\r\n a space-based cyborg that had once been human, Comanche knew that \r\n she couldn\u2019t follow. [...]<\/i>\" (Louis West, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-quarterly\/fireside-magazine\/fireside-magazine-3-winter-201213\/\">\r\n<i>Tangent Online<\/i><\/a>, f\u00e9vrier 2013)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Galaxy's Edge<\/i> #15, juillet 2015\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>The Deeps of the Sky<\/b> (nouvelle, SF), anthologie \r\n<i>Edge of Infinity<\/i>, ed. Jonathan Strahan, novembre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/clarkesworldmagazine.com\/bear_06_18_reprint\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> about an atmosphere miner named Stormchases. He flies \r\nthrough intense storms gathering gasses, minerals, and organic \r\ncompounds. He does this to create a dowry or treasure chest of \r\ngoodies so that he may be more appealing to a Drift-World, or a so-called \r\n\u201cMothergrave\u201d that he\u2019s been trying to impress for some  time. Once a \r\nMothergrave accepts him, he can then join with her to create a life-long \r\nsymbiotic relationship. [...]<\/i>\" (Robert E. Waters, \r\n<a href=\"https:\/\/tangentonline.com\/print-other\/anthologies\/edge-of-infinity-ed-jonathan-strahan\/\">\r\n<i>Tangent Online<\/i><\/a>, janvier 2013)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/lepauledorion.com\/2018\/03\/01\/edge-of-infinity-de-jonathan-strahan\/\">\r\nL'avis de FeydRautha<\/a><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Clarkesworld<\/i> #141, juin 2018, \r\naccompagn\u00e9 du podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie The <i>Final\r\nFrontier<\/i>, ed. Neil Clarke, juillet 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2013: 3<sup>e<\/sup> place (meilleure nouvelle)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>The Body of the Nation<\/b> (univers <i>New\r\nAmsterdam<\/i>), recueil <i>Garrett Investigates<\/i>, novembre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] We\u2019re hauled up\r\nonto a grand riverboat to investigate a murder that quickly becomes\r\nmore than it seems and must be solved before the ship makes port in\r\nAlbany. [...]<\/i>\" (C.L. Polk, introduction du recueil\r\n<i>The Best of Elizabeth Bear<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>No Decent Patrimony<\/b> (novelette, SF),\r\nanthologie audio <i>Rip-Off!<\/i>, ed. Gardner Dozois, d\u00e9cembre 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] a novelette about the\r\nfather and son relationship of William and Edward Jacobin,\r\ncenturies\u2013old \u201cgeriocrats\u201d in a future world in which a rich\r\nsuper-elite go through a life-extending \u201cMaddox Process.\u201d When\r\nWilliam is killed in a car explosion, is it an accident or murder?\r\n[...]<\/i>\" (Jerard Bretts, \r\n<a href=\"https:\/\/tangentonline.com\/print-monthly\/asimovs\/asimovs-jerard-bretts-a-nicky-magas\/\">\r\n<i>Tangent Online<\/i><\/a>, janvier 2015)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Asimov's<\/i>, f\u00e9vrier 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Mash Up<\/i>,\r\ned. Gardner Dozois, juin 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2013: 30<sup>e<\/sup> place (meilleure novelette)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2013 <b>The Ghost Makers<\/b> (nouvelle, univers\r\n<i>The Eternal Sky<\/i>), anthologie <i>Fearsome \r\nJourneys<\/i>, ed. Jonathan Strahan, mai 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] First we meet the Faceless Man as he enters the town of \r\nMessaline. All part before him. His figure is encased and armored \r\nin mirrored bronze, for he is an automaton (formerly, or still partly) \r\nhuman. His female Maker was known as Cog the Deviser. He has been \r\nsent to Messaline to track down the recent murder of a poet. While \r\nthere he helps a Dead Man fend off multiple attackers and finds that \r\ntheir paths converge in an unusual manner. This particular Dead Man \r\nhad been one of the sacred guards of the Caliph, though now he is on \r\nthe run for desertion following the ascendancy of the new Caliph to \r\nthe throne. [...]<\/i>\" (Dave Truesdale, \r\n<a href=\"https:\/\/tangentonline.com\/print-other\/anthologies\/fearsome-journeys-ed-by-jonathan-strahan\/\">\r\n<i>Tangent Online<\/i><\/a>, juillet 2013)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Best\r\nDark Fantasy &amp; Horror: 2014<\/i>, ed. Paula Guran, juin 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Swords Against\r\nDarkness<\/i>, ed. Paula Guran, juillet 2017\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2013 <b>Green and Dying<\/b> (univers partag\u00e9\r\n<i>METAtropolis<\/i>), anthologie <i>METAtropolis: Green \r\nSpace<\/i>, ed. Jay Lake &amp; Ken Scholes, octobre 2013<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\u201c<i>[\u2026] a team of con artists\r\ncarrying out an elaborate scam against a floating city discover\r\nsomething more profound and disturbing than they\u2019d bargained\r\nfor.<\/i>\u201d(Gardner Dozois, <a href=\"https:\/\/locusmag.com\/\">\r\n<i>Locus<\/i><\/a>, janvier 2014) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2014 <b>Madam Damnable\u2019s Sewing Circle<\/b>\r\n(univers <i>Karen Memory<\/i>), anthologie <i>Dead Man\u2019s Hand: An\r\nAnthology of the Weird West<\/i>, ed. John Joseph Adams, mai 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nCe r\u00e9cit sera \u00e9tendu pour donner\r\nnaissance au roman <i>Karen Memory<\/i> (2015)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year\u2019s Best Dark \r\nFantasy &amp; Horror: 2015<\/i>, ed. Paula Guran, juin 2015 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Black Cat Weekly<\/i> #61, 2022 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2014 <b>The Hand Is Quicker<\/b> (novelette, SF), \r\nanthologie <i>The Book of Silverberg: Stories in Honor of Robert Silverberg<\/i>,\r\ned. William Schafer &amp; Gardner Dozois, mai 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>This tale brilliantly explores a future in which humanity exploits\r\nmultiple layers of reality, called skins, that filter out undesired\r\nelements. To stay in these virtual reality skins, one must be a\r\ntaxpayer in good standing. Taxpayers also use their palm chips,\r\ncredit and good standing to access public transport, public services\r\nlike police and 911, and to move freely around the city. Those\r\nwithout good standing, baselines, are restricted to life at the\r\nfringe of society in the few unrestricted locations and filtered out\r\nby anyone skinned. [Comparisons to The Matrix are apt in the layering\r\nof realities.]<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Charlie loses girlfriend Rose and\r\nprofessorship in a devastating one-two punch. Next comes tax-default\r\nstatus. In mid-conversation with buddy, Numair, at a restaurant,\r\nCharlie plunges into the unskinned world to see that the restaurant\r\nis disgusting, the sexy buxom waitress is a dude, and the pizza is\r\ngrey and vile. Worse, Numair is still skinned and cannot detect\r\nunskinned Charlie.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Charlie cannot access the trains or buses, nor recognize even \r\nbasic structures to find home again. Baseline ruffians also quickly \r\nput the hurt on and 911 doesn\u2019t care ...<\/i>\" \r\n(<a href=\"https:\/\/jaffalogue.wordpress.com\/2015\/06\/23\/review-the-hand-is-quicker-by-elizabeth-bear\/\">\r\nJaffa Kintigh, site personnel<\/a>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Forever<\/i> #4, mai 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year\u2019s Best Science Fiction &amp;\r\nFantasy, 2015 Edition<\/i>, ed. Rich Horton, juin 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year\u2019s Best Science Fiction:\r\nThirty-Second Annual Collection<\/i>, ed. Gardner Dozois, juillet 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2015: 3<sup>e<\/sup> place (meilleure novelette) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2014 <b>You\u2019Ve Never Seen Everything<\/b>\r\n(nouvelle, SF), anthologie <i>The End Is Now<\/i>, \r\ned. John Joseph Adams &amp; Hugh Howey, septembre 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>The Fever has decimated the\r\nAmericas and Alyce walks from Colorado to San Diego to return to her\r\nfamily in [this] near future science fiction [...].\r\nHaving been stranded when the Fever swept through the nation, turning\r\neverything into a shell of what it was, Alyce makes her way west,\r\nbartering when she can, stealing when she has to. After crossing the\r\nRocky Mountains, she comes down with the Fever herself and barely\r\nmanages to survive. With time and resourcefulness, though, she makes\r\nher way back to San Diego, back to her partner and daughter, only to\r\nfind things a little more complicated than she thought they would be.\r\n[...]<\/i>\" (Charles Payseur, \r\n<a href=\"https:\/\/tangentonline.com\/print-other\/anthologies\/the-end-is-now-edited-by-john-joseph-adams\/\">\r\n<i>Tangent Online<\/i><\/a>, septembre 2014)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2014 <b>Covenant<\/b> (nouvelle, SF), anthologie \r\n<i>Hieroglyph: Stories and Visions for a Better Future<\/i>, \r\ned. Ed Finn&amp; Kathryn Cramer, septembre 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.slate.com\/articles\/technology\/future_tense\/2014\/09\/covenant_a_creepy_sci_fi_short_story_from_the_anthology_hieroglyph.html\"><\/a><a href=\"https:\/\/www.slate.com\/articles\/technology\/future_tense\/2014\/09\/covenant_a_creepy_sci_fi_short_story_from_the_anthology_hieroglyph.html\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Il a tu\u00e9 treize femmes sans le moindre\r\nscrupules, et m\u00eame en y prenant plaisir. C'est\r\nsa peau sous un ongle qui l'a finalement perdu. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Lors de sa rencontre avec la juge, il imaginait\r\nses mains autour de son cou et le craquement de son os hyo\u00efde, mais\r\nil l\u2019a \u00e9cout\u00e9e. La cour \u00e9tait consciente que ses crimes \u00e9taient\r\nle r\u00e9sultat de dommages neuraux, y compris une amygdale c\u00e9r\u00e9brale\r\nqui fonctionnait mal. Une technologie qui avait\r\nd\u00e9pass\u00e9 le stade exp\u00e9rimental pouvait\r\nr\u00e9parer ces dommages. Elle a d\u00e9taill\u00e9\r\nles conditions de l\u2019op\u00e9ration qui conduirait \u00e0 ce qu\u2019elle\r\npr\u00e9f\u00e9rait appeler une r\u00e9paration de son esprit plut\u00f4t\r\nque son contr\u00f4le avant de\r\nlui demander son accord. Persuad\u00e9 qu\u2019il restait\r\nle chasseur, il a accept\u00e9.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Maintenant, sa course dans la neige est interrompue et son nouveau moi \r\nva conna\u00eetre l\u2019angoisse du passage de chasseur \u00e0 proie.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/en.wikipedia.org\/wiki\/Covenant_(short_story)\">\r\nPage Wikipedia<\/a> (consult\u00e9e en avril 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Best Science Fiction \r\n&amp; Fantasy of the Year: Volume Nine<\/i>, ed. Jonathan Strahan, mai 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year\u2019s Best Science Fiction: \r\nThirty-Second Annual Collection<\/i>, ed. Gardner Dozois, juillet 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Long List Anthology: More Stories from \r\nthe Hugo Awards Nomination List<\/i>, ed. David Steffen, novembre 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2015: 2<sup>e<\/sup> place (meilleure nouvelle)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Hugo 2015 : pr\u00e9s\u00e9lection (meilleure nouvelle)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2014 <b>This Chance Planet<\/b> (nouvelle, SF),\r\n<i>Tor.com<\/i>, octobre 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e en chapbook. Voir onglet Chapbooks.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2014 <b>Terroir<\/b> (novelette, SF), anthologie <i>Harvest Season: \r\nAn Anthology by SF Squeecast<\/i>, ed. Bill Roper, novembre 2014<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] a story about an\r\ninventor who perceives the souls of the dead connected to the land\r\nwhere the food he eats is produced. After years of eating heavily\r\nprocessed baloney sandwiches and factory-made white bread, he travels\r\nto Normandy\u2014a place with a blood-soaked history and strong regional\r\npride in their local foods\u2014to attempt a kind of exposure therapy.\r\n[...]<\/i>\" (C.L. Polk, introduction du recueil <i>The\r\nBest of Elizabeth Bear<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2015 <b>The Heart\u2019s Filthy Lesson<\/b> (novelette, SF), anthologie \r\n<i>Old Venus<\/i>, ed. Gardner Dozois &amp; George R. R. Martin, mars 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/hearts-filthy-lesson\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>V\u00e9nus est colonis\u00e9e  depuis trois cents jours (v\u00e9nusiens). Les\r\nprincipales masses terrestres, Aphrodite et Ishtar, sont plus petites\r\nque l'Am\u00e9rique du Sud et la surface de ce monde est compos\u00e9e \u00e0 85%\r\nd'eau. Les quelque trente mille humains ont opt\u00e9 pour Aphrodite, \r\nplus \u00e9tendue, plus calme, plus s\u00fbre, o\u00f9 l'on a trouv\u00e9 des ruines \r\nd'une ancienne culture intelligente.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Dharthi et Kraken sont amantes \r\nmais la situation est d\u00e9s\u00e9quilibr\u00e9e. Kraken r\u00e9ussit tout ce \r\nqu\u2019elle entreprend, elle collectionne les titres universitaires, \r\nobtient sans difficult\u00e9 les subventions dont elle a besoin \r\npour ses \u00e9tudes et tout le monde l\u2019admire. Dharthi\r\nest d\u00e9cid\u00e9e \u00e0 faire ses preuves, quitte \u00e0 mourir en essayant.\r\nElle traversera seule la jungle d\u2019Ishtar, le continent \u00e0 \r\nl\u2019activit\u00e9 volcanique encore active, sans soutien autre que \r\nson adaptshell, une combinaison quasi biologique \r\nd\u2019une extr\u00eame r\u00e9sistance, pour prouver sa th\u00e9orie\r\nsur les modes de peuplement aborig\u00e8nes cyth\u00e9r\u00e9ens. Dans\r\nce but, elle est pr\u00eate \u00e0 affronter les tigres des marais, \r\nles damnthings ou les v\u00e9lociraptors qui risquent fort de\r\ncroiser son chemin.<\/i> (P.C.) \r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year\u2019s Best Science Fiction \r\n&amp; Fantasy: 2016 Edition<\/i>, ed. Rich Horton, mai 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Best Science Fiction &amp; Fantasy \r\nof the Year: Volume Ten<\/i>, ed. Jonathan Strahan, mai 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Long List Anthology \r\nVolume 2<\/i>, ed. David Steffen, d\u00e9cembre 2016<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Forever<\/i> #25, f\u00e9vrier 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Lightspeed<\/i> #85, juin 2017, accompagn\u00e9 du podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2016 : 5<sup>e<\/sup> place (meilleure novelette)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2015 <b>In Libres<\/b> (nouvelle), \r\n<i>Uncanny <\/i>#4, mai-juin 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/uncannymagazine.com\/article\/in-libres\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] follows Euclavia and\r\nher centaur friend as they brave the labyrinth of the Special\r\nCollections section of the library in order to finish their\r\ndissertations. [...]<\/i>\" (Michelle Ristuccia, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-bi-monthly\/uncanny-magazine\/uncanny-magazine-4-mayjune-2015\/\">\r\n<i>Tangent Online<\/i><\/a>, mai 2015)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Ex Libris: Stories of \r\nLibrarians, Libraries &amp; Lore<\/i>, ed. Paula Guran, mai 2017\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2015 <b>Margin of Survival<\/b> (SF), anthologie <i>The End Has \r\nCome<\/i>, ed. John Joseph Adams &amp; Hugh Howey, mai 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] presents a strange\r\nstory set in an area of the world that has been somewhat apocalyptic\r\nin terms of its politics for the last twenty-five years: Serbia. The\r\ncountry is never named, but the name of a kind of automated\r\nlighthouse, \u201cZombie Light\u201d (Svet Nezhyti), gives away the\r\nlocation. The protagonist, a former economics graduate student, Yana,\r\nforages for food for herself and her sister, Yulianna. The latter, we\r\nlearn, is sick in a shack. While foraging in a bunker, Yana hears a\r\ncry from someone, a woman, who has been tied up. Yana frees the\r\nwoman, who, as luck, or perhaps, the supernatural would have it,\r\npossesses the same name as Yana\u2019s sister. The two engage in\r\nconversation about the apocalypse. Then they leave to return to the\r\nshack. This second Yulianna disappears. Yana returns home to find her\r\nYulianna in a very death-like condition. [...]<\/i>\"\r\n(Douglas W. Texter, \r\n<a href=\"https:\/\/tangentonline.com\/print-other\/anthologies\/the-end-has-come-ed-by-john-joseph-adams-a-hugh-howey\/\">\r\n<i>Tangent Online<\/i><\/a>, avril 2015)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2015 <b>The Bone War<\/b> (nouvelle, univers <i>The\r\nEternal Sky<\/i>), <i>F &amp;SF<\/i>, septembre-octobre 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] an enjoyable short\r\nfantasy that pits the wizard Bijou the Artificer against the\r\nscientific establishment. [...]<\/i>\" (Jerard Bretts,\r\n<a href=\"https:\/\/tangentonline.com\/?s=elizabeth+bear\">\r\n<i>Tangent Online<\/i><\/a>, ao\u00fbt 2015)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2015 <b>And the Balance Is Blood<\/b> (novelette,\r\nfantasy), <i>Uncanny <\/i>#7, novembre-d\u00e9cembre 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/uncannymagazine.com\/article\/and-the-balance-in-blood\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] a wandering tale of\r\nElder Sister Scholastique, the Elect Priest to the Mother of Dark\r\nBlessings, a \u201csaint-presumptive\u201d endowed with the power of\r\nmiracles granted from the Gods. Sister Scholastique is tasked with\r\nsaying prayers in her chantry for those deemed worthy by either\r\nherself or the Council of Elders, and the Council could easily be\r\nswayed for appropriate favor if the price was right or the cost too\r\ngreat. The Benefactor of her church, Lord Bertrand and his wife, the\r\nLady Theophaneia, held the Sister\u2019s time in high demand and\r\nrepeatedly called for priority of her Grace from the Gods in their\r\nfavor. [...]<\/i>\" (Eric Kimminau, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-bi-monthly\/uncanny-magazine\/uncanny-magazine-7-novemberdecember-2015\/\">\r\n<i>Tangent Online<\/i><\/a>, novembre 2015)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2015 <b>Skin in the Game<\/b> (SF), anthologie\r\n<i>Future Visions: Original Science Fiction Inspired by Microsoft<\/i>,\r\ned. Jennifer Henshaw &amp; Allison Linn, novembre 2015<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> explores a favorite\r\nspeculation of future entertainment\u2014the empathy recording. Neon\r\nWhite\u2019s star isn\u2019t as high in the sky as it was\u2014she\u2019s pulled\r\nback from the edge and into comfortable, commercial territory, but\r\nthe audience is hungry for something new. Her publicist has a plan to\r\nbring it all back using the Clownfish app, allowing her fans to plug\r\ninto her experience. Neon faces the hard-nosed, sometimes cynical\r\nchoices that come when your career depends on an audience that craves\r\nthe feeling of authentic connection to their idols while maintaining\r\nan idealized, carefully curated brand.<\/i>\" (C.L. Polk,\r\nintroduction du recueil <i>The Best of Elizabeth Bear<\/i>)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2017 <b>What Someone Else Does Not Want Printed<\/b>\r\n(nouvelle, SF), <i>Slate.com<\/i>, f\u00e9vrier 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/slate.com\/news-and-politics\/2017\/02\/elizabeth-bear-joins-the-trump-story-project-with-a-tale-of-the-fake-news-industry.html\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Resist: Tales from a Future Worth Fighting \r\nAgainst<\/i>, ed. Hugh Howey, Gary Whitta &amp; Christie Yant, octobre 2018\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2017 <b>Perfect Gun<\/b> (nouvelle, SF),\r\nanthologie <i>Infinity Wars<\/i>, ed. Jonathan Strahan, \r\nseptembre 2017<\/p><p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/clarkesworldmagazine.com\/bear_11_19_reprint\/\">\r\nLien Internet<\/a> (consult\u00e9 en novembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Le capitaine John Steel ach\u00e8te \u00e0 un\r\ntrafiquant d\u2019armes une machine de guerre dot\u00e9e de tourelles de\r\n36DD, d\u2019une coque de 26 pouces en alliage de titane avec un placage\r\ncarbone-c\u00e9ramique et d\u2019un \u00e9chappement \u00e0 double canon. Ses lignes\r\nle rendent muet d\u2019admiration.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Steel est un mercenaire. Il doit \u00eatre\r\nfacile \u00e0 trouver pour ses clients et impossible \u00e0 trouver pour ses\r\nennemis. La peur lui permet de gagner sa vie car les les gens\r\neffray\u00e9s font des guerres alors que ceux qui se sentent forts font\r\nla paix et signent des trait\u00e9s. Il n\u2019est qu\u2019un type qui fait son\r\nboulot. Un sale boulot, certes, mais de toute fa\u00e7on quelqu\u2019un doit\r\nle faire, \u00e7a paie bien et il est dou\u00e9 pour \u00e7a. Sans compter que,\r\nmaintenant, il a le parfait engin, surtout apr\u00e8s avoir retir\u00e9 les\r\nverrouillages de s\u00e9curit\u00e9 et circuits de moralit\u00e9. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Au fil des missions douteuses, une\r\nquestion \u00e9mergera\u00a0: qui manifeste le plus\r\nd\u2019humanit\u00e9, l\u2019homme ou la machine\u00a0?<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Clarkesword<\/i> #158, novembre 2019\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2017 <b>The King's Evil<\/b> (novelette, fantasy), anthologie \r\n<i>The Book of Swords<\/i>, ed. Gardner Dozois, octobre 2017<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nTraduction : <b>Le Mal du roi<\/b>, traduit\r\npar Benjamin Kuntzer, anthologie <i>\u00c9p\u00e9es et Magie<\/i>,\r\n<i>Pygmalion<\/i>, octobre 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nLes rois ne sont pas h\u00e9r\u00e9ditaires,\r\nseule leur Voix l\u2019est, gr\u00e2ce \u00e0 la magie. Quand ils ont\r\nbu certaines potions sacr\u00e9es et se sont abstenu de manger, les\r\nprocessus vitaux s\u2019interrompent, mais\u2026 la vie perdure. Ils\r\npeuvent poursuivre leur existence bien au-del\u00e0 de la dur\u00e9e de vie\r\nmoyenne. Mais finalement, ils ne peuvent plus se d\u00e9placer ni parler\r\nseuls. C\u2019est alors qu\u2019ils ont besoin d\u2019interlocutrices, de\r\nVoix. Lorsque le moment sera venu, un nouveau roi r\u00e9gnera,\r\net l\u2019ancien se retirera pour devenir un v\u00e9n\u00e9rable ant\u00e9c\u00e9dent.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Le docteur Lzi, servante du roi P\u00e2le\r\nEmpire, et ses deux mercenaires, l\u2019Homme Mort, membre d\u2019une secte\r\nmilitaire d\u2019\u00e9lite dissoute, et le Gage, un homme m\u00e9tallique,\r\nd\u00e9barquent sur l\u2019\u00eele de l\u2019Isolement, r\u00e9put\u00e9e maudite. Lzi\r\nveut en rapporter le tr\u00e9sor pour que le roi actuel l\u2019utilise pour\r\nle bien de la population. Sa rencontre avec le roi\r\nDynastie de la Montagne de Feu va remettre en\r\nquestion toutes ses certitudes.<\/i> (P.C.)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2018 <b>She Still Loves the Dragon<\/b> (nouvelle,\r\nfantasy), <i>Uncanny <\/i>#20, janvier-f\u00e9vrier 2018, \r\naccompagn\u00e9 du podcast<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/uncannymagazine.com\/article\/still-loves-dragon\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>Seeking adventure, a knight climbs\r\na mountain to visit the last dragon in this short fantasy. When she\r\nsees the dragon resting in its nest, she accepts its invitation to\r\njoin it. After all, she isn\u2019t there to kill it but to be with it.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>In time the knight flies with the dragon\r\nand sees the world from high up. And to protect the knight, the\r\ndragon sets her on fire. Despite the flames, the knight still loves\r\nthe last dragon. [...]<\/i>\" (Kevin P Hallett, \r\n<a href=\"https:\/\/tangentonline.com\/e-market-bi-monthly\/uncanny-magazine\/uncanny-20-januaryfebruary-2018\/\">\r\n<i>Tangent Online<\/i><\/a>, janvier 2018)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Long List Anthology \r\nVolume 5<\/i>, ed. David Steffen, novembre 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Best of Uncanny<\/i>, \r\ned. Lynne M. Thomas &amp; Michael Damian Thomas, d\u00e9cembre 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Hugo 2019 : pr\u00e9s\u00e9lection (meilleure nouvelle)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2018 <b>Okay, Glory<\/b> (novelette, SF), anthologie \r\n<i>Twelve Tomorrows<\/i>, ed. Wade Roush, mai 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.lightspeedmagazine.com\/fiction\/okay-glory\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Pour tous ceux qui le connaissent, Brian\r\nKaufman est un milliardaire excentrique. Lui-m\u00eame consid\u00e8re qu\u2019il\r\nn\u2019est qu\u2019un homme qui aime la solitude et qui a fait construire\r\nune maison intelligente et fortifi\u00e9e pour prot\u00e9ger sa vie priv\u00e9e,\r\nson travail et sa personne. Il ne se pr\u00e9pare pas \u00e0 une hypoth\u00e9tique\r\napocalypse, c\u2019est juste un homme sens\u00e9, peu dou\u00e9 pour les\r\nrapports humains. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Tout se complique le jour o\u00f9 Glory,\r\nl\u2019IA de la maison, lui annonce qu\u2019elle a initialis\u00e9 le protocole\r\nde quarantaine, conform\u00e9ment \u00e0 la directive soixante-douze,\r\nparagraphe c, qui pr\u00e9cise les conditions d\u2019application des mesures\r\nde s\u00e9curit\u00e9 en cas de maladie, d'accident, d'acte de terrorisme ou\r\nde toute autre catastrophe. Puis elle porte \u00e0 sa connaissance un\r\nmessage prioritaire qui l\u2019informe qu\u2019il est d\u00e9tenu contre une\r\nran\u00e7on. Des pirates ont pris le contr\u00f4le total de sa maison et de\r\ntous ses syst\u00e8mes. Ils lui en rendront a ma\u00eetrise d\u00e8s r\u00e9ception\r\nde l'\u00e9quivalent de 150.000.000,00 dollars en bitcoins. Brian\r\nconstate aussit\u00f4t qu\u2019ils disent vrai. Il peut envoyer des requ\u00eates\r\nHTTP, mais pas SMTP, il re\u00e7oit des m\u00e9ls mais ne peut en envoyer.\r\nImpossible de faire d\u00e9marrer ses v\u00e9hicules \u00e0 cause de\r\nl\u2019\u00e9lectronique embarqu\u00e9e, ni de casser les vitres blind\u00e9es. L\u2019IA\r\nelle-m\u00eame est \u00e0 l\u2019abri dans un local fortifi\u00e9. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Brian va alors d\u00e9couvrir que le\r\nprobl\u00e8me avec les endroits o\u00f9 il est difficile d'entrer, c'est\r\nqu'il est aussi tr\u00e8s difficile d'en sortir.<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Lightspeed<\/i> #105, f\u00e9vrier 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Best Science Fiction &amp; Fantasy \r\nof the Year: Volume Thirteen<\/i>, ed. Jonathan Starhan, avril 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Top\r\nRobot and AI Stories<\/i>, ed. Allan Kaster, mai 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Best Science Fiction of \r\nthe Year: Volume Four<\/i>, ed. Neil Clarke, juillet 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2019 : 3<sup>e<\/sup> place (meilleure novelette)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2018 <b>No Work of Mine<\/b> (novelette, univers <i>The Eternal Sky<\/i>), \r\nanthologie <i>The Book of Magic<\/i>, ed. Gardner Dozois, octobre 2018<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nTraduction : <b>Pas de ma fabrication<\/b>, traduit par Arnaud \r\nMousnier-Lompr\u00e9,  anthologie <i>Sorciers et Magie<\/i>, \r\ned. Gardner Dozois, <i>Pygmalion<\/i>, octobre 2020\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2019 <b>Deriving Life<\/b> (SF), <i>Tor.com<\/i>, janvier 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e en chapbook. Voir onglet Chapbooks.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2019 <b>No Moon and Flat Calm<\/b> (nouvelle, \r\nSF), <i>Slate<\/i>, mai 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/slate.com\/technology\/2019\/05\/elizabeth-bear-no-moon-flat-calm-fiction-short-story.html\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2019 <b>Soft Edges<\/b> (nouvelle, SF), web-anthologie \r\n<i>Current Futures: A Sci-Fi Ocean Anthology<\/i>, \r\ned. Ann VanderMeer, juin 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/go.xprize.org\/oceanstories\/soft-edges\/\">\r\nLien Internet<\/a> (consult\u00e9 en juin 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...] <i> a researcher on a coastal\r\nrestoration and protection project has an opportunity to solve a\r\nmurder but also has to deal with her conflicted conscience over the\r\nunjust nature of the criminal justice system.<\/i>\" ( Karen Burnham, \r\n<a href=\"https:\/\/locusmag.com\/2020\/02\/karen-burnham-reviews-short-fiction-capricious-sf-strange-horizons-and-current-futures\/\"><i>Locus<\/i><\/a>,\r\njanvier 2020 pour la version papier)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nL'anthologie \u00e9voque un avenir o\u00f9 la\r\ntechnologie a permis de percer les secrets de l'oc\u00e9an. La s\u00e9rie est\r\nune \"plong\u00e9e en profondeur\" destin\u00e9e \u00e0 montrer comment\r\ncertaines des innovations les plus prometteuses d'aujourd'hui\r\npourraient avoir un impact positif sur l'oc\u00e9an \u00e0 l'avenir.<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year's Top Hard Science Fiction\r\nStories 4<\/i>, ed. Allan Kaster, juin 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Year\u2019s Best Science Fiction: \r\nVolume 1<\/i>, ed. Jonathan Strahan, septembre 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Sunday Morning Transport<\/i>, ao\u00fbt 2025 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2019 <b>Lest We Forget<\/b> (SF), \r\n<i>Uncanny<\/i> #28, mai-juin 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/uncannymagazine.com\/article\/lest-we-forget\/\">\r\nLien Internet<\/a> (consult\u00e9 en mars 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"[...]<i> a story that will \u2013 at the\r\nvery least \u2013 provoke thought. A soldier commits war crimes while\r\njust following orders. They\u2019ll never be brought to justice or go to\r\njail, but makes the choice to not only be accountable but to help\r\nteach the world just how terrible war is with the aid of some\r\nhorrific, but no doubt effective, science.<\/i>\" (Paula Guran,\r\n<a href=\"https:\/\/locusmag.com\/2019\/10\/paula-guran-reviews-short-fiction-black-static-and-uncanny\/\">\r\n<i>Locus<\/i><\/a>, ao\u00fbt 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2020 : 4<sup>e<\/sup> place (meilleure nouvelle)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2019 <b>Bullet Point<\/b> (SF), anthologie <i>Wastelands 3: The New\r\nApocalypse<\/i>, ed. John Joseph Adams, juin 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Sur le parking du Louxor, Isabella se dit qu'elle est maintenant\r\nle dernier \u00eatre humain encore en vie sur Terre. Certes, elle n\u2019en\r\na aucune certitude, peut-\u00eatre Las Vegas est-il le seul endroit \u00e0\r\navoir \u00e9t\u00e9 an\u00e9anti, mais elle en doute. Elle en profite pour faire\r\nle point sur ce qui a disparu, sur ce qu\u2019elle regrettera et sur ce\r\nqui ne lui manquera pas. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Elle s\u2019est install\u00e9e \u00e0 Vegas apr\u00e8s\r\navoir chang\u00e9 de nom et abandonn\u00e9 sa carri\u00e8re. Elle est devenue\r\ncroupi\u00e8re pour se cacher de Paul. Au moins, maintenant, elle sait\r\nque si quelqu\u2019un la pousse \u00e0 regarder par-dessus son \u00e9paule, ce\r\nne sera pas lui. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Dans une voiture de police, elle trouve\r\nun revolver dont le barillet est garni de six balles. Elle r\u00e9cup\u00e8re\r\naussi un v\u00e9lo tout terrain avec une petite remorque. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Finalement, il y a au moins un autre\r\n\u00eatre humain et il la suit depuis qu\u2019il l\u2019a rep\u00e9r\u00e9e dans\r\nun supermarch\u00e9 Vons. Elle se rue vers la sortie et\r\ncourt vers sa bicyclette sans voir personne. Elle s\u2019\u00e9loigne malgr\u00e9\r\nles cris qui lui demandent de ne pas partir et affirment ne lui\r\nvouloir aucun mal. Une partie d\u2019elle-m\u00eame  r\u00e9clame la fin de sa\r\nsolitude. Reste \u00e0 savoir si elle est plus forte que celle qui la\r\npousse \u00e0 fuir. <\/i>(P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Best American Science Fiction \r\n&amp; Fantasy 2020<\/i>, ed. Diana Gabaldon, novembre 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>Adventures in Bodily Autonomy<\/i>, \r\ned. Ravel Belasco, octobre 2023 \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2019 <b>Erase, Erase, Erase<\/b> (novelette,\r\nfantasy), <i>F &amp; SF,<\/i> septembre-octobre 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] not any sort of fairy (or Faerie) tale. It\u2019s a tense \r\npiece in which the narrator is (as I read it) erasing her \r\npast \u2013 and so doing, erasing herself \u2013 a finger here, a nose \r\nthere, her clothes falling off because her body disappears. The \r\nreasons for this become clear [...] but things turn on her \r\nrealization that she can\u2019t erase herself, for the sake of more \r\npeople than just herself. [...]<\/i>\" (Rich Horton, \r\n<a href=\"https:\/\/locusmag.com\/2019\/11\/rich-horton-reviews-short-fiction-fsf-uncanny-interzone-galaxys-edge-bourbon-penn-and-amazing-stories\/\">\r\n<i>Locus<\/i><\/a>, septembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans le recueil <i>The Best of Elizabeth Bear<\/i>, janvier 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Best American Science Fiction &amp;\r\nFantasy 2020<\/i>, ed. Diana Gabaldon, annonc\u00e9 pour octobre 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2020 : 4<sup>e<\/sup> place (meilleure novelette)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2019 <b>A Time to Reap<\/b> (novella, SF), \r\n<i>Uncanny<\/i> #31, novembre 2019<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/uncannymagazine.com\/article\/a-time-to-reap\/\">\r\nLien Internet<\/a> (consult\u00e9 en novembre 2019)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] Kat Whelan is a\r\nteenaged actress, playing a 13-year-old girl who was one of the\r\nvictims in a horrifying serial murder case in the 1970s. She\u2019s\r\nhared off to explore the actual historical location of the murders,\r\nand suddenly something strange happens \u2013 and she\u2019s back in time,\r\njust before the murders. She meets the character she\u2019s playing and\r\nthey become friends, and she meets the crazy Aunt who invented the\r\ntime machine, and she realizes there are (not surprisingly!) some\r\ndark secrets to this family. So she starts to wonder: can she stop\r\nwhat\u2019s about to happen? And if she does, will she have a future to\r\nreturn to? [...]<\/i>\" (Rich Horton, \r\n<a href=\"https:\/\/locusmag.com\/2020\/03\/rich-horton-reviews-short-fiction-fsf-uncanny-interzone-neo-opsis-bourbon-penn-and-galaxys-edge\/\">\r\n<i>Locus<\/i><\/a>, janvier 2020 pour la version papier)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2020 : 7<sup>e<\/sup> place (meilleure novella)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2020 <b>Hacksilver<\/b> (novelette, univers\r\n<i>Lotus Kingdoms<\/i>),\r\n<i>F &amp; SF<\/i>, mars-avril 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n\"<i>[...] The title character\r\nreturns to his Norse-based village, only to find that his brother\u2019s\r\nfamily has been exiled, forfeiting their farm in payment of a blood\r\ndebt. The unpleasant new owner brings an action against Hacksilver\r\nfor further payment, and Hacksilver finds himself banished to a\r\nmountain where a giant is said to live. [...]<\/i>\" (Rich Horton, \r\n<a href=\"https:\/\/locusmag.com\/2020\/04\/rich-horton-reviews-short-fiction-fsf-uncanny-galaxys-edge-interzone-and-conjunctions\/\">\r\n<i>Locus<\/i><\/a>, f\u00e9vrier 2020 pour la version papier)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2020 <b>A Blessing of Unicorns<\/b> (novella, univers <i>Sub-Inspector\r\nFerron<\/i>), <i>Audible<\/i> (version audio), octobre 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>La sous-inspectrice de police Ferron l\u00e8ve sa sandale du sol en\r\n\u00e9touffant un juron. Autour de son pied s'agglutinent une douzaine de\r\nlicornes synth\u00e9tiques bio-imprim\u00e9es, de la taille d'un chat. Le\r\nbord tranchant d'un petit sabot lui a entaill\u00e9 un orteil. Un \u00e9talon\r\nde couleur caramel d\u00e9pose une crotte de la taille d'une bille pour\r\nfaire savoir \u00e0 tout le monde qu'il est le patron. L\u2019agent\r\nIndrapramit tend \u00e0 Ferron une bo\u00eete de coagulant tandis qu\u2019elle\r\nse demande si les crottes fertilisent le tapis. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Tous deux enqu\u00eatent sur la disparition\r\nde l'occupante des lieux, une jeune c\u00e9l\u00e9brit\u00e9 des m\u00e9dias sociaux\r\nappel\u00e9e Beli Handi. Ses comptes virtuels et m\u00e9diatiques, sa source\r\nde revenus, sont silencieux depuis environ 36\u00a0heures, ce qui\r\nn\u2019est jamais arriv\u00e9 pr\u00e9c\u00e9demment. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Une immersion en r\u00e9alit\u00e9 augment\u00e9e\r\npermet aux deux policiers d\u2019assister \u00e0 une visite r\u00e9cente de la\r\njeune femme au poste de police. Elle y est accueillie par un\r\nassistant virtuel \u00e0 qui elle d\u00e9clare que quelqu\u2019un a l'intention\r\nde la tuer. En virtuel. C\u2019est pourquoi elle veut s\u2019adresser \u00e0\r\nune personne r\u00e9elle et ajoute qu\u2019elle n\u2019est pas la premi\u00e8re.\r\nMuluhi, une de ses amies qui partage les m\u00eames r\u00e9seaux, a aussi\r\ndisparu il y a six semaines. Ferron se souvient avoir entendu parler\r\nde cette affaire. Indrapramit lui apprend alors que Beli Handi a\r\nquitt\u00e9 le poste de police avant l\u2019arriv\u00e9e d\u2019un officier et\r\nqu\u2019on ne l\u2019a pas revue depuis. Cependant, Ferron remarque que\r\nBeli a laiss\u00e9 un morceau de papier avec une inscription. Elle veut\r\nsavoir s\u2019il est toujours l\u00e0. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Pour Ferron, l'enqu\u00eate s'annonce d'autant plus ardue que ses probl\u00e8mes \r\nrelationnels avec sa m\u00e8re  lui laissent peu de r\u00e9pit<\/i> (P.C.)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans <i>Asimov's<\/i>, juillet-ao\u00fbt 2021<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Asimov's 2022 : victoire (meilleure novella) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n* Prix Locus 2022 : 9<sup>e<\/sup> place (meilleure novella) \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2020 <b>On Safari in R'lyeh and Carcosa with Gun and Camera<\/b>\r\n(novelette, SF lovecraftienne), <i>Tor.com<\/i>, novembre 2020<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e en chapbook. Voir onglet Chapbooks. \r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2021 <b>The Red Mother<\/b> (novelette, univers <i>Lotus Kingdoms<\/i>), <i>Tor.com<\/i>, juin 2021<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e en chapbook. Voir rubrique Chapbooks.\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2022 <b>The Part You Throw Away<\/b> (nouvelle, fantasy), \r\n<i>Sunday Morning Transport<\/i>, septembre 2022 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>La m\u00e8re d\u2019Astrid a \u00e9lev\u00e9 trois\r\nfilles et elle n'a jamais rien laiss\u00e9 se perdre. Elle est morte trop\r\njeune, de fa\u00e7on inattendue, victime d\u2019une pand\u00e9mie. En tant\r\nqu'a\u00een\u00e9e, c'est \u00e0 Astrid de s'occuper de Mormor, sa grand-m\u00e8re,\r\net de veiller sur ses s\u0153urs. \u00c0 l\u2019exemple de sa m\u00e8re, elle ne\r\ngaspille rien, elle non plus. <\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Astrid annonce qu\u2019elle va emm\u00e9nager\r\nici, avec Mormor. De son enfance, Astrid garde des souvenirs de\r\nviolence. \u00c0 la suite d\u2019une de ces sc\u00e8nes, M\u00e8re a chass\u00e9 son\r\nmari qu\u2019on n\u2019a jamais revu.<\/i><\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<i>Un jour, une femme se pr\u00e9sente \u00e0 la\r\nporte, v\u00eatue d'une tenue m\u00e9di\u00e9vale. \"Fylgja\",\r\nchuchote Mormor. La femme fant\u00f4me\r\nsourit. Astrid fait glisser du riz\r\nau lait et du caf\u00e9 noir sur la table. Plus\r\ntard, d\u2019autres visiteurs la suivent, mais il est une visite\r\nqu\u2019Astrid esp\u00e8re et une autre qu\u2019elle redoute.<\/i> (P.C.) <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nRepris dans l'anthologie <i>The Sunday Morning Transport : Selected\r\nStories 2022<\/i>, ed. Julian Yap &amp; Fran Wilde, ao\u00fbt 2023\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2025 <b>The Witch and the Wyrm<\/b> (novelette, univers <i>Lotus Kingdoms<\/i>), <i>Reactor<\/i>, f\u00e9vrier 2025 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nParution simultan\u00e9e en chapbook. Voir onglet Chapbooks.\r\n<\/p>\r\n<\/div>\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t <div role=\"tabpanel\" class=\"tab-pane \" id=\"tabs_desc_617_7\">\r\n\t\t\t\t\t\t\t\t<div>\r\n<p style=\"text-align : center;font-weight: bold;font-family: Arial, Helvetica, Verdana, sans-serif;font-size: 1.5em\">\r\nS\u00c9LECTION D\u2019ESSAIS\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2003 <b>Ground Control to Major Tom<\/b>, \r\n<i>Abyss &amp; Apex<\/i>, janvier-f\u00e9vrier 2003 <\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.abyssapexzine.com\/archives\/abyss-and-apex2003\/abyss-apex-januaryfebruary-2003-editorial\/\">\r\nLien Internet<\/a> (consult\u00e9 en avril 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nEditorial du premier num\u00e9ro d' <i>Abyss &amp; Apex<\/i>\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2009 <b>Why We Still Write Lovecraft Pastiche<\/b>,\r\n<i>Tor.com<\/i>, d\u00e9cembre 2009<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2009\/12\/04\/why-we-still-write-lovecraft-pastiche\/\">\r\nLien Internet<\/a> (consult\u00e9 en avril 2020)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2011 <b>Best SFF Novels of the Decade: An Appreciation of Blindsight<\/b>, \r\n<i>Tor.com<\/i>, mars 2011<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.tor.com\/2011\/03\/03\/best-sff-novels-of-the-decade-an-appreciation-of-blindsight\/\">\r\nLien Internet<\/a> (consult\u00e9 en avril 2020)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\n2012 <b>A<\/b><b>nother Word: Dear Speculative Fiction, I\u2019m Glad We Had this Talk<\/b>, \r\n<i>Clarkesworld<\/i> #68, mai 2012<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/clarkesworldmagazine.com\/another_word_05_12\/\">\r\nLien Internet<\/a> (consult\u00e9 en avril 2020)\r\n<\/p>\r\n<\/div>\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t <div role=\"tabpanel\" class=\"tab-pane \" id=\"tabs_desc_617_8\">\r\n\t\t\t\t\t\t\t\t<div>\r\n<p style=\"text-align : center;font-weight: bold;font-family: Arial, Helvetica, Verdana, sans-serif;font-size: 1.5em\">\r\nLIENS INTERNET\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nSite personnel\u00a0:<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.elizabethbear.com\/\">\r\nhttps:\/\/www.elizabethbear.com<\/a>\r\n(consult\u00e9 en avril 2020)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nEncyclopedia of Science Fiction :<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"http:\/\/www.sf-encyclopedia.com\/entry\/bear_elizabeth\">\r\nhttps:\/\/www.sf-encyclopedia.com\/entry\/bear_elizabeth<\/a>\r\n(consult\u00e9 en avril 2020)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nInternet Speculative Fiction Data Base :<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.isfdb.org\/cgi-bin\/ea.cgi?22910\">\r\nhttps:\/\/www.isfdb.org\/cgi-bin\/ea.cgi?22910<\/a>\r\n(consult\u00e9 en avril 2020)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nWikipedia :<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/en.wikipedia.org\/wiki\/Elizabeth_Bear\">\r\nhttps:\/\/en.wikipedia.org\/wiki\/Elizabeth_Bear<\/a>\r\n(consult\u00e9 en avril 2020)<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Elizabeth_Bear\">\r\nhttps:\/\/fr.wikipedia.org\/wiki\/Elizabeth_Bear<\/a>\r\n(consult\u00e9 en avril 2020)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nNooSFere :<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\n<a href=\"https:\/\/www.noosfere.net\/icarus\/livres\/auteur.asp?numauteur=2147187755&amp;niveau=nouvelles\">\r\nhttps:\/\/www.noosfere.net\/icarus\/livres\/auteur.asp?numauteur=2147187755&amp;niveau=nouvelles<\/a>\r\n(consult\u00e9 en avril 2020)\r\n<\/p>\r\n<p style=\"font-family: Georgia, Garamond, serif;font-size: 1.2em;margin-top: 30px;margin-bottom: 10px\">\r\nQuarante-Deux :<\/p>\r\n<p style=\"margin-left: 30px;margin-top: 10px;margin-bottom: 10px\">\r\nrien (consult\u00e9 en avril 2020)\r\n<\/p>\r\n<\/div>\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t <\/div>\r\n\t\t\t\t\t \r\n\t\t\t\t <\/div>\r\n <script>\r\n\t\tjQuery(function () {\r\n\t\t\tjQuery('#myTab_617 a:first').tab('show')\r\n\t\t});\r\n\t\t\r\n\t\t\t\tjQuery(function(){\r\n\t\t\tvar b=\"fadeIn\";\r\n\t\t\tvar c;\r\n\t\t\tvar a;\r\n\t\t\td(jQuery(\"#myTab_617 a\"),jQuery(\"#tab-content_617\"));function d(e,f,g){\r\n\t\t\t\te.click(function(i){\r\n\t\t\t\t\ti.preventDefault();\r\n\t\t\t\t\tjQuery(this).tab(\"show\");\r\n\t\t\t\t\tvar h=jQuery(this).data(\"easein\");\r\n\t\t\t\t\tif(c){c.removeClass(a);}\r\n\t\t\t\t\tif(h){f.find(\"div.active\").addClass(\"animated \"+h);a=h;}\r\n\t\t\t\t\telse{if(g){f.find(\"div.active\").addClass(\"animated \"+g);a=g;}else{f.find(\"div.active\").addClass(\"animated \"+b);a=b;}}c=f.find(\"div.active\");\r\n\t\t\t\t});\r\n\t\t\t}\r\n\t\t});\r\n\t\t\r\n\r\n\t\tfunction do_resize(){\r\n\r\n\t\t\tvar width=jQuery( '.tab-content .tab-pane iframe' ).width();\r\n\t\t\tvar height=jQuery( '.tab-content .tab-pane iframe' ).height();\r\n\r\n\t\t\tvar toggleSize = true;\r\n\t\t\tjQuery('iframe').animate({\r\n\t\t\t    width: toggleSize ? width : 640,\r\n\t\t\t    height: toggleSize ? height : 360\r\n\t\t\t  }, 250);\r\n\r\n\t\t\t  toggleSize = !toggleSize;\r\n\t\t}\r\n\r\n\r\n\t<\/script>\r\n\t\t\t\t\r\n\t\t\t<br \/>\n<div class=\"post-views content-post post-617 entry-meta load-static\">\r\n\t\t\t\t<span class=\"post-views-icon dashicons dashicons-chart-bar\"><\/span> <span class=\"post-views-label\">Post Views:<\/span> <span 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